Franz Schubert

Digital Video Editing and Compositing: Artistic and technical fundamentals of non-linear video editing. Digital media formats, frame rate considerations, compression methods, transcoding. User interface, media acquisition Montage and trimming techniques, transitions Compositing, keying. Proxy Workflow Tracking and stabilisation techniques. Videofilter Masks and Mattes, multi-camera morkflow, Timeremapping, still frames, Graphic overlays, .psd workflow Color correction, color grading, video effects, Audio workflow,… 2024W, artistic Seminar, 3.0 ECTS

Franz Schubert

Advanced Post Production Techniques (Adobe After Effects) Motion graphics text animation techniques Time based compositing Digital retouching/video enhancement Special Effects Camera Tracking/Object Tracking 2D and 2.5D animation techniques media formats   The exact content of the lecture will be fixed in the context of the 1st course on Thursday, March 13th.  2025S, artistic Seminar, 3.0 ECTS

Marvin Jourdan Gierlinger

Within this course, we will explore video as an independent art form to gain a deeper understanding of how various stylistic elements of video art can be incorporated into stage design and live performances. Our primary focus will be on exploring and discussing video art, video games, and live video performances. We will work with live editing- 3d programs and… 2024W/2025S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

The lecture takes place directly after the AfterEffects - elementary course. All students must have completed: 2D-Animation und Compositing-elementary  Contents: 3D - Layers, Camera _ Audio-synchronous Object Animation _ Tools for Charakteranimation _ Cropping with Roto Brush _  Colorgrading, Colorcorrection _ Possibilities and Limitations of Morphing _ Short Insight into Expressions. 2024W/2025S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

Workflows of Videografik Animation and Compositing. No previous knowledge required. Step-by-step lectures by building up typical compositions. Digitale Videoformats, Importing Media _ Layerproperties _ Masks _ Keyframeinterpolation _ Economic Application of Effects _ Generation and Work with Templates _ Sequenzing (stop motion) _ Subcompositions _ Time Expansion, Time Distortion _ Shape Layers _ Rendering. Subsequent to this lecture it is… 2024W/2025S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

Die Evaluierung findet kontinuierlich während des Verlaufs der Lehrveranstaltung statt. In jeder Sitzung wird zu relevanten Inhalten eine kleine Aufgabe gestellt, welche die Studierenden bis zum nächsten Treffen ausführen. 2024W/2025S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

...how to hook the audience... Whatever you want to present, it always works best with a story. Make it a story ! Conception of a short film (60sec). We think in images, fall in love with them and often get lost in them. Such images are important for filmmaking, but in order to take the viewer's breath away, we need… 2024W/2025S, artistic Seminar, 2.0 ECTS

Jan Jancik

Introduction to working with DaVinci Resolve, no previous knowledge necessary. All functions of DaVinci Resolve and a professional way of working with the editing program are taught using examples. Some of the topics discussed will be: Structured workflow for video editing Technical know-how on video formats and codecs Transitions and editing techniques Sound editing and music editing Audio/Video synchronization Color… 2024W/2025S, Vorlesung und Übungen, 2.0 ECTS

Jan Jancik

Learning to work with Adobe Premiere Pro - no previous knowledge necessary. All functions of Premiere Pro and a professional way of working with the editing program are taught using examples. Some of the topics discussed will be: Structured workflow for video editing Technical know-how on video formats and codecs Transitions and editing techniques Sound editing and music editing Audio/Video… 2024W/2025S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

Filming of a community project in Cinelook (Shooting Work on location). EXAMPLE (performance) pw: example To attend this course please also register: Filming-Techniques/Kameraarbeit und Ton The work takes place in teams of about 6 people. The allocation for this takes place during the preliminary meeting and is then binding ! See below for possible dates. Please understand that pre-reservation is… 2024W/2025S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

EXPERIMENTAL (!) SOUND DESIGN Voice/Sound - Recording, Synthesisers . How do I record speech and sounds correctly and what can I do with them? When do you need mono and when stereo miking? Practical introduction to synthesised sound generation. Relevant programme / digital audio workstation (DAW): Logic. Aim: Dubbing of a short video in Logic. The knowledge acquired in the… 2024W/2025S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

The course teaches professional dubbing by use of the soudlibrary of Logic. The procedure enables copyright independence. Contents: Music and sound as mood-creating elements. Technical and artistic foundations of composing, arranging and producing musical structures on motion pictures. The term: »Music» is also interpreted as »Sound- and Noise Structure». Relevant Application (Digital Audio Workstation): Logic Musical previous knowledge is not… 2024W/2025S, artistic Seminar, 2.0 ECTS

Franz Schubert

The seminar will explore the possibilities of real-time 3D with the free game engine Unity in conjunction with 3D animation/texturing software (Cinema4D/Blender, Substance Painter) for interactive applications. Game Asset and Level Creation (Modular Low Polycount Modeling, Composite Texture Maps, Modular Animations), User Interaction, Character Controller. Terrain Building, Terrain Texturing, Trees, Plants, Environmental Effects C#: User Interaction, Triggering Animations, Scripting Projectiles,… 2024W/2025S, artistic Seminar, 2.0 ECTS

Roswitha Schuller

The aim is to further develop their own artistic practice using newly developed methods of analysis and research. Students create visual vignettes: analog and digital “microformats” such as sketches and scribbles, short moving images, bits & pixels, memes, gifs, stories, audios. The course focuses on our approach to visuality, a multi-perspective examination of the visual. Whose gaze is directed at… 2024W, artistic Seminar, 2.0 ECTS

Roswitha Schuller

The aim is to further develop their own artistic practice using newly developed methods of analysis and research. Students create visual vignettes: analog and digital “microformats” such as sketches and scribbles, short moving images, bits & pixels, memes, gifs, stories, audios. The course focuses on our approach to visuality, a multi-perspective examination of the visual. Whose gaze is directed at… 2025S, artistic Seminar, 2.0 ECTS

Ramón Reichert

Course Description This seminar examines the role of social media in current wars and protest movements. A particular focus is placed on the visual cultures of war and protest on social media, with special emphasis on Russia's war against Ukraine, Israel-Gaza, civil wars in Myanmar, Ethiopia, and Sudan, protests in Israel, the Iranian women's movement, Black Lives Matter, climate protests,… 2025S, scientific seminar, 4.0 ECTS

Lea Vene

This course is dedicated to the critical review of photography practice in relation to the concept of the ethical turn but will also create a space of reflection on the context of dignified image production. Course will trigger discussions around the responsibility of those who create images, but also those who observe them. The course introduces different approaches to self-reflexivity/self-observation… 2025S, Vorlesung und Übungen, 2.0 ECTS

Michelle Kasprzak

In this course, we will look at some foundations of digital art and the strategies employed in its creation, dissemination, and presentation. The class will primarily be comprised of lectures, in-class discussions and assignments, and (possible) excursions. Full attendance and in-class participation is essential. Readings will be provided and a full list will be presented on the first day of… 2024W/2025S, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

The course, which is primarily aimed at the lower semesters of Transmedia Art students, is intended as an introduction to working with technical media such as video, light or projection using the department's equipment. In addition, experimental techniques of artistic work also play a role. In dealing with working techniques, visualization and work processes of other artists, procedures are to… 2024W, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

The course builds upon Visualisierungsstrategien II and is primarily aimed at the lower semesters of students of Transmedia Art. It is intended as a consolidation to work with technical media such as video, light or projection, but also to experimental techniques of visual work. In dealing with working techniques, visualization and work processes of other artists, procedures are to be… 2025S, artistic Seminar, 2.0 ECTS

Eva Maria Kitting

Diese Lehrveranstaltung bietet eine umfassende Einführung in Visualisierungstechniken für Designer und ist in zwei Module unterteilt. Der erste Teil konzentriert sich auf die Nutzung von KeyShot zur Erstellung von Renderings, während der zweite Teil sich mit der Darstellung und Kommunikation von Informationen beschäftigt. Im ersten Modul lernen die Teilnehmer die grundlegenden und fortgeschrittenen Funktionen von KeyShot kennen. Sie werden in… 2024W, Vorlesung und Übungen, 2.0 ECTS

Lars Bang Larsen

MAGIC AND ITS DISCONTENTS Magic is a delightfully tricky topic. In 1953, the co-founder of the Surrealist movement André Breton was invited by a publisher to write a volume exploring the question ‘what is “magic art”’? Quickly recognising the difficulties involved in this undertaking because of the lack of definition of the term “magic”, Breton refrained from trying to answer… 2024W, artistic Seminar, 2.0 ECTS

Gerald Grestenberger

"An utterance in space (the text to be written)"a structural look onto its creation and realization The purpose of the course is to support the realization of selectd artworks of students of Transmedia Art as self-empowerd entities within a show, in the tension field of a collective context of a group exhibition The focus is on deepening and communicating one’s… 2025S, artistic Seminar, 2.0 ECTS

Edith Futscher

Die Vorlesung möchte eine Orientierungshilfe sein - im weiten Feld künstlerischer Praxen vom Paläolithikum bis ins 14. Jahrhundert u.Z. Sie ist entlang von Grundfragen organisiert, die erhaltene Artefakte unterschiedlicher kultureller Räume aufwerfen, und nimmt vor allem Gebrauchsweisen in den Blick. Inwieweit lässt sich an ersten malerischen Ausstattungen, Steinsetzungen oder Totenmasken ablesen, wie Zusammenleben organisiert wurde? Welche Funktion kommt den gestalteten… 2024W, Vorlesungen, 2.0 ECTS

Judith Pichlmüller

The examination of moved images and the practical application of the media video as an artistic expression are central aspects of the course. Examples of contemporary video works in the visual arts are shown and own artistic themes are found. The interplay of video and other artistic media will be discussed and implemented. The main aspects of this seminar are… 2024W/2025S, artistic Seminar, 2.0 ECTS

Sofia Bempeza

Dieses Lehrformat unterstützt die Planung des (drei oder viersemestrigen) Masterstudiums. Falls ein 4. Semester anvisiert wird, gibt es eine Absprache bzw. schriftliche Vereinbarung hinsichtlich der individuellen Schwerpunktsetzung im 4. Studiensemester.   2024W/2025S, Künstl. Einzelunterricht, 1.0 ECTS

Ebba Fransén Waldhör

Dieses Lehrformat unterstützt die Planung des (drei oder viersemestrigen) Masterstudiums. Falls ein 4. Semester anvisiert wird, gibt es eine Absprache bzw. schriftliche Vereinbarung hinsichtlich der individuellen Schwerpunktsetzung im 4. Studiensemester. 2024W/2025S, Künstl. Einzelunterricht, 1.0 ECTS

Christoph Kaltenbrunner

!!! DIESE LV IST NUR FÜR STUDIERENDE DAS 4 SEMESTRIGEN MASTERSTUDIUM VERPFLICHTET UND MUSS SOFORT BEI ANTRITT DES MASTERSTUDIUMS ABSOLVIERT WERDEN !!! Die VORSCHAU & KONZEPTION soll den persönliche Lernweg und dessen rückblickende bzw. vorausschauende Reflexion mit Bezug auf die individuellen Erweiterung (MASTER Studium mit 4 Semester) klar erkennen lassen. 2024W/2025S, Künstl. Einzelunterricht, 1.0 ECTS

Annette Krauss

Dieses Lehrformat unterstützt die Planung des (drei oder viersemestrigen) Masterstudiums. Falls ein 4. Semester anvisiert wird, gibt es eine Absprache bzw. schriftliche Vereinbarung hinsichtlich der individuellen Schwerpunktsetzung im 4. Studiensemester. 2024W/2025S, Künstl. Einzelunterricht, 1.0 ECTS

Antonia Birnbaum

What is capitalism? A horrendous, universal nightmare, a crisis-ridden system of valorisation that structurally expands its own limits through their reproduction, and thus relentlessly encroaches on all processes, both human and non-human, an enemy to be identified? Marx does not understand capitalism as a unified whole, but rather through a series of tensions that have led to various implementations. But… 2025S, scientific seminar, 4.0 ECTS

Philipp Nolz

This seminar (language English, German) takes the form of a workshop in which all doctoral students present a “work in progress” and a broad discussion with all interested students can arise. The workshop is based on the support of colleagues (Nolz, Holmes, Kukulejevic) and gives an insight, so to speak, into a workplace, into a question that concerns us all.… 2025S, Konversatorium, 2.0 ECTS

Andrea Klaura

This course will introduce you to modern web development basics in a playful approach by (re)creating simple web-based game prototypes. Throughout this course you will develop your own skills to develop websites and simple games that can be run in (almost) any web browser and be integrated into (almost) any web page. Course Webpage: https://tantemalkah.at/web-coding (Note: This course was formerly… 2024W, Vorlesung und Übungen, 2.0 ECTS

Naemi Luckner

Das Ziel dieser Lehrveranstaltung ist eine Auseinandersetzung mit gängigen Technologien die die Basis zur Konzipierung und praktischen Umsetzung von Webseiten darstellen. Es werden HTML und CSS Konzepte vorgestellt und anhand von praktischen Beispielen erlernt. Ziel ist die Vermittlung von Basiswissen, um vertiefendes Selbststudium zu ermöglichen. Für diese Lehrveranstaltung sind keine Vorkenntnisse notwendig.Es gibt keine Vorbesprechung! Die Lehrveranstaltung wird in 6… 2024W/2025S, Vorlesung und Übungen, 2.0 ECTS

Naemi Luckner

Basierend auf Vorwissen von HTML und CSS, werden noch weitere HTML/CSS Themen erklärt und angewandt (zB forms). Zusätzlich beschäftigen wir uns mit JavaScript und jQuery (einer JavaScript library), um unsere Websites interaktiver gestalten zu können und Bootstrap (einem front-end open source Toolkit), um zu lernen, wie man existierenden Code kopieren und auf die eigenen Bedürfnisse anpassen kann. Als Abschlussarbeit wird… 2025S, Vorlesung und Übungen, 2.0 ECTS

Olga Grjasnowa

The collaborative seminar by Jan Svenungsson and Olga Grjasnowa focuses on the combination of image and text. Students will learn about the history, different types and functions of children's and young adult literature. We will look at many examples of these works: successful and rather unsuccessful, beautiful and garish, historical and contemporary, literary works and non-fiction, products of dictatorships and… 2025S, Projektarbeit, 5.0 ECTS

Cordula Cerha

Die Rahmenbedingungen für die Werbung sind auf den heutigen Märkten schwierig. De r hohe Grad der Bedürfnisbefriedigung bei den Konsumenten und das große Angebot an vielfach austauschbaren Produkten haben zu einem nachlassenden Interesse der Konsumenten an Werbebotschaften geführt. Von den zwischen 2.000 und 4.000 Werbebotschaften, die täglich auf den Konsumenten einströmen, werden nur wenige überhaupt wahrgenommen und noch weniger dauerhaft… 2024W, Vorlesungen, 1.0 ECTS

Cordula Cerha

Die Rahmenbedingungen für die Werbung sind auf den heutigen Märkten schwierig. Der hohe Grad der Bedürfnisbefriedigung bei den Konsumenten und das große Angebot an vielfach austauschbaren Produkten haben zu einem nachlassenden Interesse der Konsumenten an Werbebotschaften geführt. Von den zwischen 2.000 und 4.000 Werbebotschaften, die täglich auf den Konsumenten einströmen, werden nur wenige überhaupt wahrgenommen und noch weniger dauerhaft gespeichert.… 2025S, Vorlesungen, 1.0 ECTS

Vera Hammer

Die Vorlesung wird als Blockvorlesung in der Woche vom 3.-7. Februar 2025 von 9-15 Uhr geführt Grundlagen zur Bestimmung der gängigsten Edel- und Schmucksteine (Theorie und Praxis) Einführung in die Edelsteinkunde I (Definitionen: Natursteine, Synthesen, Behandlungsmethoden, historisch wichtige Edelsteine) Einführung in die Edelsteinkunde II (zersörungsfreie Bestimmungsmethoden: 10fach Lupe, diverse Filter, UV-Lampe, Dichte, Lichtbrechung,...) Einführung in die Edelsteinkunde III (Vorkommen und… 2024W, Vorlesungen, 1.0 ECTS

Marta Anghelone

Topics already described in Einführung in die Werkstoffkunde für Restaurator*innen – Metall will be deepened. In particular, the focus will be on corrosion processes and behaviour of metals in different environments, analytical methods for the identification and study of metals and corrosion processes, case studies reported in the literature. The students will learn how to approach and solve problematics related… 2025S, Vorlesungen, 1.0 ECTS

Peter Sziemer

This lecture will take place every second Monday, 3.30 pm to 5 pm in the lecture hall at the 3rd floor, Salzgries 14. The lecture will be given in German, unless there is a majority of English speaking students. The lecture days are: Oct 7 Oct 21 Nov 11 Nov 18 Dec 2 Dec 16 Jan 13 Jan 27 The… 2024W, Vorlesungen, 1.0 ECTS

Farkas Pintér

Die LVA ist die Fortsetzung der VLS „Einführung in die Werkstoffkunde für RestauratorInnen – Stein“ und beinhaltet folgende Themen:  Gesteinskunde / Verwitterung der Gesteine, mineralische Bindemittelsysteme (Luftkalke, puzzolanische Kalke, NHL, Romanzement, Portlandzement, Aluminatzement, Sorelzement, Gips), Eigenschaften von Beton, mineralische Steinfestiger- und Anstrichsysteme, Hydrophobierung, u.v.m. 2025S, Vorlesungen, 2.0 ECTS

Jeanette Pacher

What’s going on? More Faces, More Places What defines the character of a city, what gives it its face? Architecture, parks, infrastructure, institutions, as well as the city’s population, its communities, its nightlife, its cultural facilities… Art is ever-present in the urban context, more so than we often realise. While certain artworks and art spaces are firmly anchored in collective… 2025S, Vorlesung und Übungen, 2.0 ECTS

Lisa Rastl-Dorner

OH, FOR MATERIAL'S SAKE! Studies of analogue matter In the summer semester 2025, we will develop the concept and content for an exhibition in the group as part of the course, which will take place in November 2025 as part of the Rotlicht Festival from 21.11. - 30.11. The basics of analog photography - the light-sensitive materials and the associated… 2025S, Vorlesung und Übungen, 1.0 ECTS

Claudia Rohrauer

OH, FOR MATERIAL'S SAKE! Studies of analogue matter In the summer semester 2025, we will develop the concept and content for an exhibition in the group as part of the course, which will take place in November 2025 as part of the Rotlicht Festival from 21.11. - 30.11. The basics of analog photography - the light-sensitive materials and the associated… 2025S, Vorlesung und Übungen, 1.0 ECTS

Philipp Nolz

Wie Verlorenes dauert Wenn es zutrifft, dass man eine bestimmte Sache nicht mehr will, sobald man sie hat, so könnte man umgekehrt vermuten, wirklich glücklich seien erst jene, die etwas verloren haben: Sie wüssten, woran sie sind, wüssten die Sache nun wirklich zu schätzen, da sie fehlt. Glücklich wäre damit unsere Gegenwart, die sich als ein vielförmiges Danach versteht: post-modern,… 2024W, scientific seminar, 4.0 ECTS

Stefanie Kitzberger

The seminar explores strategies of repetition in artistic practices as a critical form of knowledge production. Repetition holds the potential to uncover and disrupt everyday rituals and tacit agreements embedded within ideological, discursive, and medial frameworks. Since the 1960s, artists have employed diverse methods of appropriation, modification, reconfiguration, and deformation to interrogate and challenge the material-visual structures underpinning the social… 2024W/2025S, scientific seminar, 2.0 ECTS

Jenni Tischer

The seminar explores strategies of repetition in artistic practices as a critical form of knowledge production. Repetition holds the potential to uncover and disrupt everyday rituals and tacit agreements embedded within ideological, discursive, and medial frameworks. Since the 1960s, artists have employed diverse methods of appropriation, modification, reconfiguration, and deformation to interrogate and challenge the material-visual structures underpinning the social… 2024W/2025S, scientific seminar, 2.0 ECTS

Jenni Tischer

The seminar deals with aspects of repetition in artistic practices as a critical form of knowledge by means of practical exercises and text readings. Repetition has the potential to reveal and undermine everyday performed rituals and silent agreements as part of an ideological, discursive and medial network. We approach artistic processes of modification, reconfiguration and deformation with regard to the… 2025S, scientific seminar, 4.0 ECTS

Marion Elias

Die Vorbesprechung findet am 10. Oktober, um 12.30 Uhr im Seminarraum des GAL, Salzgries 14, 2. Stock statt. Die Lehrveranstaltung findet dann dort generell donnerstags, von 12.30 bis 14.00 Uhr statt. Schreiben - kann so gut wie jeder, der ein wenig Zeit an schulischer Ausbildung hinter sich gebracht hat. Es tut auch - fast - jeder. Wie aber verhält sich… 2024W, Proseminar, 3.0 ECTS

Johanna Schindler

The aim of the class is to learn about and work on different types of texts that are used in museums everyday (curatorial texts, wall texts, press materials, institutional mission statements, etc.). Recent developments such as "leichte Sprache" will also be considered. To that aim, we are going to analyze texts from a current exhibition and the seminar participants will… 2024W, Vorlesung und Übungen, 2.0 ECTS