Cristina Díaz Moreno
The studio díazmoreno garcíagrinda cultivates a contemporary, plural, non-dogmatic, social-culturally engaged and optimistic approach, while believing in the necessity of radically expanding the fundamentals of architecture. Working as a laboratory and experimental office focused on the entangled relations between architecture and the urban, rather than as a conventional academic design studio, we strongly support a change of paradigm that could… 2023W/2024S, Künstl. Einzelunterricht, 15.0 ECTS
Efrén García Grinda
The studio díazmoreno garcíagrinda cultivates a contemporary, plural, non-dogmatic, social-culturally engaged and optimistic approach, while believing in the necessity of radically expanding the fundamentals of architecture. Working as a laboratory and experimental office focused on the entangled relations between architecture and the urban, rather than as a conventional academic design studio, we strongly support a change of paradigm that could… 2023W/2024S, Künstl. Einzelunterricht, 15.0 ECTS
Sam Jacob
Architecture as Representation. For architecture, representation is simultaneously a technical, cultural and political question. From drawings through models to buildings and beyond, the semester will explore architecture as a form of media itself. Thinking of architecture as representation allows us to explore its direct relations to culture, material and ideology. And so use work to ask questions about architecture's relationship… 2023W/2024S, Künstl. Einzelunterricht, 15.0 ECTS
Greg Lynn
Our mission is to engage contemporary culture and technology with architecturalinnovation in order to create new spatial experiences and invent new buildingtypes. Our studio embraces diversity and our students come from all placesaround the globe uniting knowledge and cultures in an intense studioenvironment.Our vision is to educate designers as thought leaders representing civic societyand a quality sustainable built environment. Our… 2023W/2024S, Künstl. Einzelunterricht, 15.0 ECTS
Matthias Boeckl
Survey of the most important episodes of Austrian architectural history in its international context. Topic in winter term 2023/24: Selected buildings from the Baroque to today. Lecture course in German. Registration via BASE required. 2023W, Vorlesungen, 2.0 ECTS
Anita Hosseini
Archives facilitate the consolidation, preservation and accessibility of materials and knowledge practices. As such, they give material form to events, ideas and questions and provide places for the investigation of purposefully created collections as well as randomly obtained convolutions. The concept of archive, however, does not only encompass (spatially fixed or digital) depots and the materials they contain, but, more… 2023W, scientific seminar, 2.0 ECTS
Eva Kernbauer
Archives facilitate the consolidation, preservation and accessibility of materials and knowledge practices. As such, they give material form to events, ideas and questions and provide places for the investigation of purposefully created collections as well as randomly obtained convolutions. The concept of archive, however, does not only encompass (spatially fixed or digital) depots and the materials they contain, but, more… 2023W, scientific seminar, 2.0 ECTS
Anita Hosseini
2024S, scientific seminar, 4.0 ECTS
Virgil Widrich
The central artistic subject "Interdisciplinary Project Work Art & Science" serves to deepen the individual orientations within the study program and gives the students the necessary space to independently develop a specific implementation of this positioning. A transdisciplinary research involving different methods is thereby made possible and professionally supervised. The subject consists of conceptualization, presentation and discussion of project work,… 2023W, Projektarbeit, 12.0 ECTS
Virgil Widrich
Continuation of Art & Science Interdisciplinary Project Work 1: The central artistic subject "Interdisciplinary Project Work Art & Science" serves to deepen the individual orientations within the study program and gives the students the necessary space to independently develop a specific implementation of this positioning. A transdisciplinary research involving different methods is thereby made possible and professionally supervised. The subject… 2024S, Projektarbeit, 16.0 ECTS
Martin Reinhart
In this class, methodological approaches from different disciplines are presented, compared and examined for their value to artistic ways of working. The lessons and content are determined and organised by the students themselves. 2023W, scientific seminar, 6.0 ECTS
Stefanie Kitzberger
„Instead of artists being proletarianized, Hardt and his co-thinkers in effect hold that the entire proletariat has been aestheticized.”(Ben Davis, 95. Thesis on Art and Class, Chicago: Haymarket Books, 2013, p. 11) How does contemporary art engage with aspects of class, class relations, class struggle and their multifaceted intersections with other categories of social and cultural analysis such as race,… 2023W, scientific seminar, 2.0 ECTS
Jenni Tischer
„Instead of artists being proletarianized, Hardt and his co-thinkers in effect hold that the entire proletariat has been aestheticized.”(Ben Davis, 95. Thesis on Art and Class, Chicago: Haymarket Books, 2013, p. 11)How does contemporary art engage with aspects of class, class relations, class struggle and their multifaceted intersections with other categories of social and cultural analysis such as race, gender,… 2023W, scientific seminar, 2.0 ECTS
Gabriele Jutz
Dem dynamischen und expandierenden Feld der „moving image-based art“ wird durch das Seminar „Art and the Moving Image“ Rechnung getragen. Es wird in Form von vier Zyklen (ein Zyklus pro Semester) abgehalten, die anhand konkreter Beispiele einen Überblick über die Geschichte und Theorie des Bewegtbildes im Kunstkontext geben. Dazu zählen der Experimentalfilm und die überlappende Kategorie des so genannten „artists’… 2023W, scientific seminar, 4.0 ECTS
Gabriele Jutz
In diesem Semester werden wir uns mit der Basis filmischer Bilder, dem fotografischen Bild, und seinen Wurzeln im 19. Jahrhundert sowie den Anfängen der Kinematographie beschäftigen. Ein zweiter Schwerpunkt liegt auf der Filmavantgarde der 1920er Jahre, insbesondere den dadaistischen Filmen und ihrer performativen Praxis. Zentrales Anliegen ist es dabei, die historischen Beispiele mit zeitgenössischen künstlerischen Arbeiten zu konfrontieren und die… 2024S, scientific seminar, 4.0 ECTS
Brigitte Lachmayer-Felderer
2024S, Vorlesungen, 2.0 ECTS
Brigitte Lachmayer-Felderer
2024S, scientific seminar, 4.0 ECTS
Leander Gussmann
So to Speak - Interview as Method and Artistic Practice. The one-semester transdisciplinary and practice-oriented seminar focuses on the interview as a social science methodology and an artistic strategy. Rooted in the principles of practice-led research, this seminar encourages you to explore the multifaceted character of interviews, not merely as a method of data collection but as an artistic form.… 2023W, Workshop, 1.0 ECTS
Bouchra Khalili
In the last three years, this course has engaged with various formats: publication, lectures, exhibitions making. The focus of this year - Winter and Summer Semester - is on working with and through performance in relation to questions of self-representation, agency, and public visibility, at the intersection of the individual and the collective. Artistic strategies in relation to performance will… 2023W/2024S, artistic Seminar, 2.0 ECTS
Bouchra Khalili
Open Space is a course dedicated to long-term students’ individual projects. Operating as a transdisciplinary platform focusing on the group members’ projects and work, the course aims at supporting students with the development and the implementation of artistic strategies based on the specifics of their personal projects. As a group, we collectively investigate relevant artistic strategies contributing to the development… 2023W/2024S, artistic Seminar, 2.0 ECTS
Herwig Turk
Based on the current artistic research projects on cultural landscapes and complex water systems by Herwig Turk, the course will address the transdisciplinary collaboration of local residents, scientists and artists. The central question is: How can artistic research contribute a necessary and at the same time real-utopian perspective and thereby highlight what has remained invisible or all too easily overlooked,… 2023W, Übungen, 2.0 ECTS
Martina Haselberger
2024S, Exkursionen, 2.0 ECTS
Judith Burger
The seminar is dedicated to the conservation treatment and technological determination of metal objects from the Collection and Archive of the Angewandte. The objects are jewelry and artistic goldsmith works by students from the classes of Eugen Mayer, who taught as a professor of metalworking at the then (Reichs-)Hochschule, later Akademie für Angewandte Kunst, between 1936 and 1961. In addition… 2024S, scientific seminar, 2.0 ECTS
Eva Marie Klimpel
The seminar is dedicated to the conservation treatment and technological determination of metal objects from the Collection and Archive of the Angewandte. The objects are jewelry and artistic goldsmith works by students from the classes of Eugen Mayer, who taught as a professor of metalworking at the then (Reichs-)Hochschule, later Akademie für Angewandte Kunst, between 1936 and 1961. In addition… 2024S, scientific seminar, 2.0 ECTS
Caroline Heider
Applied Filmmaking I covers the technical basics of photographic shooting with a focus on the moving image including post-production. Specific photographic production activities are introduced ans a introduction for working with equipment of the departement is included. The course is required for using equipment of the departement Applied Photography and Time-based Media independently. We record e.g. with the Nikon D810,… 2023W, Vorlesung und Übungen, 2.0 ECTS
Caroline Heider
Applied Filmmaking II covers the fundamentals and practice of moving image recording techniques. Specific photographic production activities are introduced. We work with the equipment of the departement and play around producing "Photo-Fingerings". We will work mainly in the two studios of the department and the multimedia studio of the Institute of Design with artificial and existing light. The focus is… 2023W, Vorlesung und Übungen, 2.0 ECTS
Caroline Heider
2024S, Vorlesung und Übungen, 2.0 ECTS
Tobias Ehrhardt
The course focuses on the theoretical fundamentals of photographic image production. 2023W, Vorlesung und Übungen, 2.0 ECTS
Tobias Ehrhardt
The course focuses on practical aspects of photographic image production and postproduction. 2023W, Vorlesung und Übungen, 2.0 ECTS
Tobias Ehrhardt
2024S, Vorlesung und Übungen, 2.0 ECTS
Judith P Fischer
The implementation of an idea can lead to complex results at the interface between art, culture and society.In the course, strategies are developed and methods are taught, which lead to an exhibition project, including all available resources. The individual brainstorming (idea/concept) results in (fictitious, independent) projects that are accompanied on the way from the idea through planning to implementation. In… 2023W, scientific seminar, 4.0 ECTS
Veronika Loiskandl
Das Seminar widmet sich der präventiven Konservierung in Museen und Sammlungen. In Schloss Loosdorf befinden sich Räume die museal genutzt werden. Im Fokus steht die Bestands- und Schadenskartierung der bemalten Wandbespannungen und Holzvertäfelungen mit dem Ziel einer Maßnahmenevaluierung. 2023W, artistic Seminar, 2.0 ECTS
Eva Lenhart
Im Rahmen des Seminars wird die Ausstellung "Conservator at Work" vorbereitet, die von 12.10.23 bis zum 24.11.23 im AIL (Postsparkasse) zu sehen sein wird. Im Zuge des Ausstellungsaufbaus werden die Leihgaben verschiedener Museen und Sammlungen konservatorisch betreut. Kunstwerke werden gemeinsam oder in Kooperation mit einer Kunsttransportfirma verpackt, transportiert und vor Ort ausgepackt. Vor und nach dem Transport werden Zustandsprotokolle angefertigt.… 2023W, artistic Seminar, 2.0 ECTS
Marija Milchin
Das Seminar widmet sich der präventiven Konservierung in Museen und Sammlungen. Die Studierenden setzen sich im Laufe der Lehrveranstaltung mit den Themen Inventarisierung, Dokumentation, Sammlungspflege, Bewegung, Verpackung und Lagerung von Objekte. Schwerpunkt ist die Durchführung von praktischen Maßnahmen zur Optimierung von Depots und Ausstellungen (Handling!). Kernelement ist die Vermittlung von Strategien zur langfristigen Erhaltung von Kunst- und Kulturgut. 2023W, artistic Seminar, 2.0 ECTS
Tanja Kimmel
Das Seminar widmet sich der präventiven Konservierung in Museen und Sammlungen. Die Studierenden setzen sich im Laufe der Lehrveranstaltung mit den Themen Inventarisierung, Dokumentation und Sammlungspflege unter Berücksichtigung von international anerkannten Richtlinien auseinander. Schwerpunkt ist die Durchführung von praktischen Maßnahmen zur Optimierung von Depots und Ausstellungen. Kernelement ist die Vermittlung von Strategien zur langfristigen Erhaltung von Kunst- und Kulturgut. 2023W, artistic Seminar, 2.0 ECTS
Doris Grossi
2023W/2024S, Vorlesungen, 2.0 ECTS
David Ross
2024S, Projektarbeit, 4.0 ECTS
Camille Belmin
Intersecting Data, Discourses, and Politics in Environmental and Population Science. How do narratives shape the world around us? How are data used (or not) to feed these narratives? This course will equip you with a combination of technical skills, such as (creative) data visualization, and theoretical knowledge about common scientific and political narratives on environmental and population issues. Focusing on… 2023W, scientific seminar, 4.0 ECTS
Heribert Friedl
BUM BUM TSCHAK is going into the next round. After the “Festival Genialer Dilletanten”, 1981 in Berlin, especially in the environment of art schools, an artistic vehemence developed, which was characterized by cross-genre experimentation and the use of new electronic devices. Painters played in bands or founded clubs, musicians made Super 8 films. Dada and Fluxus were revitalized. Virtuosity was… 2023W, Vorlesung und Übungen, 2.0 ECTS
Ernst Strouhal
Im Wintersemester werden wir wieder mit unterschiedlichen Aspekten des Narrativen auseinandersetzen. Wir werden dabei nach einem Einstieg Erzählungen und literarische Reportagen u. a. von Joan Didion, Cheryl Dunye und Marie-Luise Scherer lesen und intensiv diskutieren. Danach wird "Die Rattenlinie" von Philippe Sands im Mittelpunkt stehen. Das genaue Programm wird wie stets bei der Vorbesprechung am Di., 10. Okt., 17:00 (SE… 2023W/2024S, scientific seminar, 4.0 ECTS
Bernhard Sommer
This seminar initially was intended for students whose Bachelor degree has gaps in the field of building physics. There will be regular lectures on climate, thermal behaviour of buildings, thermal comfort, moisture in buildings, daylight supply, airborne noise and impact noise as well as room acoustics. The teaching methode will connect the theory to instant application in design byhands-on teaching… 2023W, scientific seminar, 3.0 ECTS
Bernhard Sommer
This seminar initially was intended for students whose Bachelor degree has gaps in the field of building physics. There will be regular lectures on climate, thermal behaviour of buildings, thermal comfort, moisture in buildings, daylight supply, airborne noise and impact noise as well as room acoustics. The teaching methode will connect the theory to instant application in design byhands-on teaching… 2024S, scientific seminar, 3.0 ECTS
Anna Laner
Digging deep im love triangle: Autor:innen, Verlag & Theater Manchmal erscheint es als ein einseitiges Verhältnis, aber in dieser Lehrveranstaltung versuchen wir eine literarisch-theatrale Beziehung auf Augenhöhe zu skizzieren.Wir setzen uns mit dem Literaturbetrieb im Kontext Theater und folgenden Fragen auseinander: Wie kommen die Theater zu den Autor:innen und umgekehrt? Ist die Verlagsgesellschaft als Match Maker in der Zusammenarbeit von… 2023W, Vorlesung und Übungen, 3.0 ECTS
Nikolas Heep
2024S, Ringvorlesung mit Workshop, 3.0 ECTS
Katrin Sailer
2024S, Ringvorlesung mit Workshop, 3.0 ECTS
Juliane Bischoff
2024S, Vorlesung und Übungen, 2.0 ECTS
Renate Vergeiner
The Holy BIble I. Stories, Lies and Drawings 2023W, Proseminar, 3.0 ECTS
Renate Vergeiner
2024S, Proseminar, 3.0 ECTS
Gerda Lampalzer-Oppermann
Videokunst ist in ihrer spezifischen Rolle als Übergangsstadium und Vermittlerin zwischen analoger und digitaler Bilderzeugung mediengeschichtlich besonders interessant. In einem historischen Überblick werden an Hand internationaler Beispiele ihre wichtigsten Entwicklungsphasen vorgestellt und ein Überblick über die zeitgenössische Produktion gegeben. Da sich kulturhistorischen Bezüge zwischen Medienkunstentwicklung und (kommunikations)gesellschaftlicher Bedingungen speziell in interdisziplinären Überschneidungen gut ablesen lassen, soll Videokunst auch speziell in… 2023W, Vorlesungen, 3.0 ECTS
Gerda Lampalzer-Oppermann
2024S, Vorlesungen, 3.0 ECTS
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