Sophie Luger

The course aims at students interested in the acoustic impact and auditory perception of the built environment. It provides knowledge of sound generation and sound propagation fundamentals and enables one to understand and influence the possible auditory effects at an early design phase. Additional topics include the impact of sound on humans and potential strategies for reducing noise, explicitly concentrating… 2024W, scientific seminar, 3.0 ECTS

Judith Fegerl

working with non-iron metals, mainly brass - knowledge and theory on metals, characteristics and use - tools and how to employ them - scetching, planning and producing threedimensional objects - manual and machine lcutting - bending and forging (hot and cold) - filing and polishing - soldering: preperation, soldering with silver and brass and other useful techinques Please register ONLINE… 2024W/2025S, artistic Seminar, 2.0 ECTS

Elodie Grethen

In this course, participants will develop and execute the department's contribution to the Angewandte Festival 2025 as a task group. Students will gain a practice-oriented insight into different areas of exhibition production: curatorial conception, presentation forms / displays, spatial design, production and communication. The goal of the course is to actively and responsibly help shape and execute the conception of… 2025S, Vorlesung und Übungen, 2.0 ECTS

Armin Hess

The course will address various topics within the field digital imagery and CG production. By introducing advanced tools and techniques and through productive experimentation we will also address the ongoing discussion around the digital realm, image sciences and the iconic turn. Students are invoked to further develop their technical abilities as well as define/refine an attitude towards their style of… 2024W/2025S, scientific seminar, 4.0 ECTS

Sam Chermayeff

Studio class for 1st through 5th semester architecture students.  2024W/2025S, Künstl. Einzelunterricht, 15.0 ECTS

Fredrik Hellberg

THE AFTERMALL CONTENDING WITH THE WHITE ELEPHANTS OF LATE CAPITALISM Urban Vitality in the Age of E-commerce / Adaptive Reuse of Large Retail Structures / High Streets in the Era of the Virtual Storefront / The Marketplace in the Time of Online Shopping Cities generally develop around two key streams: water and trade. One a natural resource, the other a… 2024W/2025S, Künstl. Einzelunterricht, 15.0 ECTS

Sam Jacob

Architecture as Representation. For architecture, representation is simultaneously a technical, cultural and political question. From drawings through models to buildings and beyond, the semester will explore architecture as a form of media itself. Thinking of architecture as representation allows us to explore its direct relations to culture, material and ideology. And so use work to ask questions about architecture's relationship… 2024W/2025S, Künstl. Einzelunterricht, 15.0 ECTS

Lara Lesmes

THE AFTERMALL CONTENDING WITH THE WHITE ELEPHANTS OF LATE CAPITALISM Urban Vitality in the Age of E-commerce / Adaptive Reuse of Large Retail Structures / High Streets in the Era of the Virtual Storefront / The Marketplace in the Time of Online Shopping Cities generally develop around two key streams: water and trade. One a natural resource, the other a… 2024W/2025S, Künstl. Einzelunterricht, 15.0 ECTS

Matthias Boeckl

Survey of the most important episodes of Austrian architectural history in its international context. Topic in Winter Term 2024/25: From World War I to the Nazi Period. Lecture course in German. Registration via BASE required. The lecture course takes place online via Zoom.  https://dieangewandte-at.zoom.us/j/65276839630 Meeting-ID: 652 7683 9630 2024W, Vorlesungen, 2.0 ECTS

Tonica Hunter

a humanities, (social) science and social justice centric lens to facilitate dis-covering ourselves, our work(s) and our world. by providing expansive and inclusive understandings of art and science as not (only) outputs but as methods of knowledge collection, creation and distribution, the course will explore: what is/can be considered “knowledge” in art and/science? how do/can ways of learning and knowing… 2024W/2025S, Vorlesung und Übungen, 3.0 ECTS

Alexander Damianisch

Resources for Art and Research: What Makes a Project Successful? This course is all about your ideas and the resources you'll need to turn them into future research projects, with a specific focus on artistic research as a unique perspective. We'll explore how an art university, through artistic, scientific and interdisciplinary research, can bring something truly special to the academic… 2025S, scientific seminar, 2.0 ECTS

Virgil Widrich

The central artistic subject "Interdisciplinary Project Work Art & Science" serves to deepen the individual orientations within the study program and gives the students the necessary space to independently develop a specific implementation of this positioning. A transdisciplinary research involving different methods is thereby made possible and professionally supervised. The subject consists of conceptualization, presentation and discussion of project work,… 2024W, Projektarbeit, 12.0 ECTS

Virgil Widrich

Continuation of Art & Science Interdisciplinary Project Work 1: The central artistic subject "Interdisciplinary Project Work Art & Science" serves to deepen the individual orientations within the study program and gives the students the necessary space to independently develop a specific implementation of this positioning. A transdisciplinary research involving different methods is thereby made possible and professionally supervised. The subject… 2025S, Projektarbeit, 16.0 ECTS

Martin Reinhart

In this class, methodological approaches from different disciplines are presented, compared and examined for their value to artistic ways of working. The lessons and content are determined and organised by the students themselves. 2024W, scientific seminar, 6.0 ECTS

Ines Doujak

Art and Research I: Research and Form: Get Together There would be no point in making art, or going to see it, or writing about it if it does not evoke something powerful that can be brought forth in no other way. Otherwise why bother?Critical and reflective discussions; practical exercises along / with images, text, and sound; collective work; performative… 2025S, Vorlesung und Übungen, 3.0 ECTS

Helmut Draxler

How can the relationship between science and art be conceived? This question presupposes that the two fields are clearly separated from each other, and accordingly, most attempts at historical reconstruction always presuppose such a separation, and thus the respective autonomy. There is a history of science and there is a history of art; what does not exist, or only exists… 2025S, scientific seminar, 2.0 ECTS

Edith Futscher

This semester, the lecture will focus on the possibilities of visual media in European art and visual culture of the early modern period. We will discuss pictorial strategies, questions of genre, the unfolding of representation, and image politics. Starting point of every single lecture will be an individual work of art that raises a specific question to be discussed in… 2025S, Vorlesungen, 2.0 ECTS

Gabriele Rothemann

During the once-weekly plenum of the photography class, the students present their artistic work and convey their current projects to those present in terms of language and content. A discussion develops, during which the presented projects are questioned and argued. The focus placed on this process enables the students to address the content of the contributions to the discussion, which… 2024W/2025S, Künstl. Einzelunterricht, 8.0 ECTS

Anne Faucheret

The question of the transformative potential of art or rather the challenge posed to art to be a transformative practice is at the core of this course. What role should art play in neo-liberal societies? How can art – which is always rooted in political and social realities – react to them and intervene in them? Which are the terms… 2024W, Übungen, 2.0 ECTS

Bouchra Khalili

In the last four years, this course has engaged with various formats: publication, lectures, exhibitions making, and performance. The focus of this year - Winter and Summer Semester - is on working with and through film in relation to questions of self-representation, agency, and public visibility, at the intersection of the individual memory and the collective history. During the Winter… 2024W/2025S, artistic Seminar, 2.0 ECTS

Bouchra Khalili

Open Space is a course dedicated to long-term students’ individual projects. Operating as a transdisciplinary platform focusing on the group members’ projects and work, the course aims at supporting students with the development and the implementation of artistic strategies based on the specifics of their personal projects. As a group, we collectively investigate relevant artistic strategies contributing to the development… 2024W/2025S, artistic Seminar, 2.0 ECTS

2024W/2025S, 4.0 ECTS

2024W/2025S, 9.0 ECTS

Marion Elias

Die Vorbesprechung findet am Mittwoch, den 19. März, um 13.00 Uhr, im Seminarraum des GAL (Salzgries 14, 2. Stock), statt. Die LV dann generell mittwochs zwischen 12.30 und 14.00 Uhr . In den Vorlesungen und Übungen sollen sämtliche aktuellen und traditionellen "Maltechniken" (bzw. auch Zeichentechniken) und Werkstoffe vorgestellt, geprüft, ihre Vor- und Nachteile besprochen und praktisch erarbeitet respektive kontrolliert werden.… 2025S, Vorlesung und Übungen, 3.0 ECTS

Kristina Pia Hofer

The course focuses on field recording as an artistic practice and as a subject for critical academic inquiry. We will question field recordings as a practice of capture: how are they entangled with extractivist logics old and new, with binary epistemologies of ‘Nature’ and ‘Culture,’ with gendered and racialized structures and dynamics of power? You will be able to approach… 2025S, scientific seminar, 4.0 ECTS

Caroline Heider

Moving Image I covers the technical basics of photographic shooting with a focus on the moving image including post-production. Specific photographic production activities are introduced ans a introduction for working with equipment of the departement is included. The course is required for using equipment of the departement Applied Photography and Time-based Media independently. We record e.g. with the Nikon D810,… 2024W, Vorlesung und Übungen, 2.0 ECTS

Caroline Heider

Recording Technology - Moving Image II covers the technical basics of recording techniques in moving images and post-processing applications. We work with artificial and existing light in the two studios of the department and the multimedia studio of the Institute of Design. The focus is on setting and handling light. In terms of equipment, we will work with still photography… 2024W, Vorlesung und Übungen, 2.0 ECTS

Caroline Heider

MOVE THE CAM - MOVE THE BODY In this course we deal with the movement of the camera. We will practise filmic storytelling as well as the apparatus technique of the Black Magic Pocket, PYXIS 6K, floating tripod, etc. automatically through application. In cooperation with the Angewandte Performance Lab, four units are planned in which we will experience our own… 2025S, Vorlesung und Übungen, 2.0 ECTS

Elodie Grethen

This class focuses on the theoretical and practical basics of photographic processes through an applied approach. Basic photographic and lighting techniques are tested using practical exercises. The aim is to integrate and apply processes in one's own photographic practice.Successful completion of the course is a prerequisite for students in the first semester of the Department of Applied Photography and Time-Based… 2024W, Vorlesung und Übungen, 2.0 ECTS

Tobias Ehrhardt

In this course we will look into additional technical aspects of photographic image-production. We will delve into topics like:-Properties of natural and artificial light-Lens characteristics and their impact on photographic images-Handling of studio-equipment-Raw-development in Camera Raw-Retouching in Photoshop 2024W, Vorlesung und Übungen, 2.0 ECTS

Tobias Ehrhardt

In this course, we will take an in-depth look at different photographic techniques. On a theoretical but mostly practical level, we will cover topics such as true color workflows, reproduction techniques, focus bracketing, high resolution stitching, tethering and raw development in Capture One and advanced post-production in Photoshop. A basic knowledge of photographic techniques is required for participation in this… 2025S, Vorlesung und Übungen, 2.0 ECTS

Tobias Ehrhardt

In this course, we will take an in-depth look at various aspects of light and lighting. On a theoretical but mostly practical level, we will cover topics such as combining natural light with flash and continuous light, high-speed synchronization, parabolic light shapers, freezing motion, faking sunlight, grip and lightstand knowledge, lighting analysis, etc A basic knowledge of photographic techniques is… 2025S, Vorlesung und Übungen, 2.0 ECTS

Judith P Fischer

The implementation of an idea can lead to complex results at the interface between art, culture and society.In the course, strategies are developed and methods are taught, which lead to an exhibition project, including all available resources. The individual brainstorming (idea/concept) results in (fictitious, independent) projects that are accompanied on the way from the idea through planning to implementation. In… 2024W, scientific seminar, 4.0 ECTS

Veronika Loiskandl

Das Seminar widmet sich der präventiven Konservierung in Museen und Sammlungen. Die Studierenden setzen sich im Laufe der Lehrveranstaltung mit den Themen Inventarisierung, Dokumentation und Sammlungspflege unter Berücksichtigung von international anerkannten Richtlinien auseinander. Schwerpunkt ist die Durchführung von praktischen Maßnahmen zur Optimierung von Depots und Ausstellungen. Kernelement ist die Vermittlung von Strategien zur langfristigen Erhaltung von Kunst- und Kulturgut. Der… 2024W, artistic Seminar, 2.0 ECTS

Eva Lenhart

Im Mittelpunkt des Seminars steht in diesem Jahr die Sammlung des Museums Lilienfeld (http://www.zdarsky-ski-museum.at/). Das Museum zeigt die kulturelle, geschichtliche und wirtschaftliche Entwicklung des Bezirkes Lilienfeld. Die Museumsobjekte veranschaulichen Themenschwerpunkte wie die Wallfahrtsstraße von Wien nach Mariazell, den Bergbau (Eisen, Silber, Steinkohle), die industrielle Entwicklung sowie das Schaffen der Künstler*innen in der Region. Als Universalmuseum beherbergt es zudem eine Sammlung… 2024W, artistic Seminar, 2.0 ECTS

Marija Milchin

Das Seminar widmet sich der präventiven Konservierung in Museen und Sammlungen. Die Studierenden setzen sich im Laufe der Lehrveranstaltung mit den Themen Inventarisierung, Dokumentation,  Sammlungspflege, Bewegung, Verpackung und Lagerung von Objekte. Schwerpunkt ist die Durchführung von praktischen Maßnahmen zur Optimierung von Depots und Ausstellungen (Handling!). Kernelement ist die Vermittlung von Strategien zur langfristigen Erhaltung von Kunst- und Kulturgut.   2024W, artistic Seminar, 2.0 ECTS

Tanja Kimmel

Das Seminar widmet sich der Präventiven Konservierung in Museen und Sammlungen. Die Studierenden setzen sich im Laufe der Lehrveranstaltung mit den Themen Inventarisierung, Dokumentation und Sammlungspflege unter Berücksichtigung von international anerkannten Richtlinien auseinander. Schwerpunkt ist die Durchführung von praktischen Maßnahmen zur Optimierung von Depots und Ausstellungen. Kernelement ist die Vermittlung von Strategien zur langfristigen Erhaltung von Kunst- und Kulturgut. 2024W, artistic Seminar, 2.0 ECTS

Sabine Dreher

Exhibition conception and planning is an interdisciplinary process at the interface of content, space and media. We deal with the fundamentals of exhibition design in a broad context and in different formats. The characteristic and common denominator of the analysis and conception is the fact that the individual measures are developed from the content. In the summer semester, we will… 2024W/2025S, Vorlesung und Übungen, 2.0 ECTS

Martina Haselberger

As part of the seminar, an exhibition concept is developed and then realised as part of the Angewandte Festival 2025 as a contribution by the Institute of Conservation. The students work together to develop the theme, title and formal design, plan the exhibition and then realise it in practice. The seminar deals with the principles of exhibition conception as well… 2025S, Vorlesung und Übungen, 2.0 ECTS

Doris Grossi

Exhibition planning is a process of collaboration between many people and different disciplines. What tools do you choose to share your plans with a larger group? How many people work on an exhibition? Can curators et al. be replaced by AI? Is there a perfect location?What does the exhibit say? Who is responsible for staging an exhibition? Who does the… 2024W/2025S, Vorlesungen, 2.0 ECTS

Ernst Strouhal

Im Wintersemester werden wir uns wieder mit unterschiedlichen Aspekten des Narrativen vom 19. Jahrhundert bis zu Beginn des 21. Jahrhunderts beschäftigen. Entlang ausgewählter Erzählungen (u. a. voraussichtlich von Nikolai Gogol, Anton Tschechow, Fleur Jäggy, Marie-Luise Scherer, Friedl Benedikt und Barbara Kingsolver) werden zunächst unterschiedliche Erzählstrategien und -stimmen analysiert und diskutiert und versucht, das Verhältnis von Welterkundung und Welterfindung zu beleuchten.… 2024W, scientific seminar, 4.0 ECTS

Renate Vergeiner

modern bathing and wellness as a modern cult of body,  instead of praying to the gods.... 2024W, scientific seminar, 4.0 ECTS

Renate Vergeiner

……Heute sind Wellness, die Reinigung und Erfrischung von Leib und Seele hoch im Kurs, ein sozusagen ganzheitliches Detoxing, das an die Stelle alter religiöser Kulte getreten ist und ebenso rituell vollzogen wird. Im Anschluss an die antiken Badefreuden, die im Wintersemester vorgestellt wurden und als Höhepunkt der Badekultur gelten, wird im Sommersemester ihr europäisches Weiterleben und ihre vorbildhafte Wirkung auf… 2025S, scientific seminar, 4.0 ECTS

Krassimira Kruschkova

Unser be-coming together wie das Zusammentreffen differenter Gründe und Begründungen in zeitgenössischer Performancetheorie und -praxis – weg von der Doxa hin zum Paradox – stellen die Problematik dieser Lehrveranstaltung dar. Untersucht wird – entlang der Analyse von künstlerischen und theoretischen Arbeiten – die Spezifik von Performance als labor und lab, als Arbeits- und Forschungspraxis zugleich. Neben Performancetheorie bietet der Kurs… 2024W/2025S, Vorlesung und Übungen, 2.0 ECTS

Isabel Kranz

„Begin at the beginning”, the King said, very gravely, „and go on till you come to the end: then stop.” So der einfache und zugleich rätselhafte Ratschlag des Königs in Lewis Carrolls Alice’s Adventures in Wonderland (1865). Denn wo genau fängt etwas an? Was geht einer Eröffnung voraus, und wie kann man einen Beginn erzählen? Diesen Fragen geht das Seminar… 2025S, scientific seminar, 4.0 ECTS

Alexi Kukuljevic

Despite being unfinished and rushed to publication – appearing in 1927 in Edmund Husserl’s “Annals of philosophy and research in phenomenology” – Being and Time is Martin Heidegger’s magnum opus and remains one of the most decisive and impactful philosophical interventions of the twentieth century. Being and Time effort to post the question of being (die Seinsfrage) influences the entirety… 2024W, scientific seminar, 4.0 ECTS

Alexi Kukuljevic

Despite being unfinished and rushed to publication – appearing in 1927 in Edmund Husserl’s “Annals of philosophy and research in phenomenology” – Being and Time is Martin Heidegger’s magnum opus and remains one of the most decisive and impactful philosophical interventions of the twentieth century. Being and Time effort to post the question of being (die Seinsfrage) influences the entirety… 2025S, scientific seminar, 4.0 ECTS

Simon Mayer

Being Moved & Finding Home: BUILDING BRIDGES "Queering, Tradition and the feeling of home"A workshop on bubbles and bridges Discussions, sharing practices, selfcare, dance, movement&voice work. Which bubble do I belong to? Where do I feel home?How do I build bridges between the bubbles I belong to? How does my artistic practice build those bridges? How does it support my… 2024W, Vorlesung und Übungen, 2.0 ECTS

Didi Drobna

Literaturwettbewerbe sind ein fixer Teil des Literaturbetriebs. Besonders live-Events wie die Klagenfurter Literaturtage, der Open Mike oder die Literaturbiennale Floriana sind wichtige Veranstaltungen für den Betrieb, da sie einen starken performativen Charakter haben und verschiedene Akteur*innen zusammenkommen: Autor*innen lesen coram publico, die Jury formuliert direkt im Anschluss ihre Einschätzung, Agent*innen und Lektor*innen scouten gerne nach Nachwuchstalenten oder Buchhändler*innen bilden sich… 2024W, Vorlesung und Übungen, 3.0 ECTS

Senta Wagner

Betriebssystem Literatur – das klingt groß, nach Ordnung und vielen Funktionen. Was ist dran? Als Verlagslektorin bin ich Teil dieses Systems, ein Rädchen, und auch Sie als Studierende gehören schon irgendwie dazu. Gemeinsam möchte ich mit Ihnen einzelne relevante Bereiche und Prozesse rund ums Buch erkunden. Also: Wie kommen die Bücher auf die Erde? Im Fokus sollen dabei Ihre eigenen… 2025S, Vorlesung und Übungen, 3.0 ECTS