Florian Medicus

2027S, Lecture with Practical Exercises, 2.0 ECTS

Krassimira Kruschkova

Die Vorlesung stellt vor und diskutiert – mit konkreten historischen und zeitgenössischen Beispielen – künstlerische Arbeiten, die sich ortsbezogen mit Performance auseinandersetzen. Performative Ortsspezifik ist zugleich als ‚Ortsentzug‘ zu denken – in ihrer für Performance inhärenten situativen Spannung zwischen Realität und Fiktionalität, die reale Orte wie Körper zugleich virtualisiert, ins Mögliche wendet, gleichermaßen faktisch und fiktional. Die ortsspezifische Adressierung der… 2026W, Lecture with Practical Exercises, 2.0 ECTS

Bernadette Anzengruber

Ziel dieses Seminars ist es, den eigenen Kunst- und Gestaltungsunterricht oder den Unterricht anderer zu beforschen. Ergebnisse aus der eigenen Schulpraxis (selbst gehaltene Unterrichtseinheiten, Unterrichtserfahrung, Masterpraxis) werden diskutiert, dokumentiert, reflektiert und evaluiert. Aus der Er-, Beforschung der Praxis entsteht und besteht die Seminararbeit. Hierbei beschäftigt sich die Lehrveranstaltung exemplarisch mit Praxis-, Wirkungs- und Unterrichtsforschung. Studierende werden sowohl Werk-Ergebnisse der Schüler*innen… 2026W, Academic Seminar, 4.0 ECTS

Ruth Mateus-Berr

2027S, Academic Seminar, 4.0 ECTS

Jure Purgaj

2027S, Academic Seminar, 4.0 ECTS

Nikolaus Jantsch

In dieser Lehrveranstaltung sollen die Studierenden künstlerische Techniken und Methoden, sowie ästhetische und analytische Grundlagen der Produktion von Animationsfilmen erfahren. Ziel der Lehrveranstaltung ist der Erwerb von Kenntnissen des digitalen und analogen Visualisierens mittels Animationsfilmtechnik. Es soll die Fähigkeit vermittelt werden, die erlernten Fertigkeiten in ein Filmprojekt umsetzen zu können. 2026W/2027S, Lecture with Practical Exercises, 4.0 ECTS

Nikolaus Jantsch

Animationsfilm II ist die Fortsetzung von Animationsfilm, Voraussetzung für die Teilnahme ist die Absolvierung der Lehrveranstaltung Animationsfilm.   Ziel der Lehrveranstaltung ist ein eigenes Animationsfilmproject umzusetzen, entweder in der Gruppe oder individuell. Der Entstehungsprozess von Storyboard/Script bis zum fertigen Film wird in der Lehrveranstaltung behandelt und in der Gruppe besprochen. 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Julienne Lorz

2027S, Lecture, 2.0 ECTS

Tonica Hunter

This course continues a participatory and liberatory pedagogical practice conceptualised by the course leader since 2023: ars sciendi : www.instagram.com/ars_sciendi/ This iteration of ars sciendi focuses on ante/anti-colonial ways of knowing. It responds to increasing interest in colonial histories and their ongoing effects by exploring not only how colonial frameworks shape knowledge production, but also how we can position ourselves… 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Sophie Luger

This course introduces fundamental principles of sound generation and propagation, enabling participants to analyse and influence acoustic outcomes during the early stages of architectural design. It is intended for students interested in the built environment and its acoustic impact, examining historic and contemporary examples. Emphasis is placed on the interaction between sound, geometry, and materials, including frequency-dependent absorption characteristics and… 2026W, scientific seminar, 3.0 ECTS

Judith Fegerl

Arbeiten mit Buntmetall im Workshop wird behandelt: - Materialkunde: Metalle und deren Eigenschaften, Halbzeuge, Anwendungen - Theorie: Werkzeuge und deren Anwendung - Übungen zu genauem Skizzieren / Planen eines Körpers / Projekts - manueller/maschineller Zuschnitt - Biegen und Formen (heiß und kalt) - Feilen, Beizen, Polieren - Löttechnik Praxis: Vorbereiten des Werkstücks, verlöten von Messing und Kupfer, löten mit Lötkolben… 2026W/2027S, artistic Seminar, 2.0 ECTS

Elodie Grethen

2027S, Lecture with Practical Exercises, 2.0 ECTS

Armin Hess

The course addresses a range of topics within digital imagery and CG production. Through the introduction of advanced tools, techniques, and productive experimentation, we will also engage with ongoing discussions around the digital realm, image sciences, and the iconic turn. A particular focus will be placed on artificial intelligence as a multimodal and collaborative tool for design, research, experimentation, and… 2026W/2027S, scientific seminar, 4.0 ECTS

Sophie Grell-Prix

ARCHITECTURAL LIGHTING DESIGN An advanced design seminar that treats light as a spatial and conceptual design tool. Students examine the material, perceptual and psychological dimensions of light in theory and in practice, focusing on how light shapes form, sets atmosphere and gives a space its identity. The course covers lighting concepts from historical developments to current strategies: the evolution of… 2027S, scientific seminar, 4.0 ECTS

Matthias Moroder

Making an architecture exhibition can be a way of changing the world as much as designing a building. Exhibitions operate in many ways. They can be statements or manifestos, or a means of staking a position. They can take the form of surveys or overviews, consolidating differences and similarities across forms of practice, themes, or periods.Exhibitions may be descriptive, analysing… 2026W, scientific seminar, 4.0 ECTS

Sam Chermayeff

Studio Sam Chermayeff tests collective living through tensions of comfort and consumption, community and privacy, grid and no‑grid, focusing on urban housing as a place where habits, structures, and social life are constantly negotiated. We are proposing buildings. We work on housing projects in Vienna. How we inhabit, how we construct, how we relate? Architecture, in this sense, becomes a… 2026W/2027S, Individual Artistic Instruction, 15.0 ECTS

Fredrik Hellberg

Architecture as a field is larger than the canon that claims to define it. Through spatial practices that engage buildings and the worlds that surround, extend and reshape them, in this course we address the disciplinary transformation and expansion architecture is going through today. We pursue alternatives towards responsibility and solidarity in the ways we design, build and inhabit our… 2026W/2027S, Individual Artistic Instruction, 15.0 ECTS

Sam Jacob

Architecture as Representation. For architecture, representation is simultaneously a technical, cultural and political question. From drawings through models to buildings and beyond, the semester will explore architecture as a form of media itself. Thinking of architecture as representation allows us to explore its direct relations to culture, material and ideology. And so use work to ask questions about architecture's relationship… 2026W/2027S, Individual Artistic Instruction, 15.0 ECTS

Lara Lesmes

Architecture as a field is larger than the canon that claims to define it. Through spatial practices that engage buildings and the worlds that surround, extend and reshape them, in this course we address the disciplinary transformation and expansion architecture is going through today. We pursue alternatives towards responsibility and solidarity in the ways we design, build and inhabit our… 2026W/2027S, Individual Artistic Instruction, 15.0 ECTS

Matthias Boeckl

Selected episodes from Austrian architectural history in their international context. Topics in winter 2026/27: Modernism in Austria, 1918-1945 Lectures are given in German! Registration (starting 31 August 2026) via BASE required. The lecture course takes place on Zoom: https://dieangewandte-at.zoom.us/j/66976100943 Meeting-ID: 669 7610 0943 Images and texts from the lecture course are available at architekturgeschichte.at. Pass word will be conveyed in… 2026W, Lecture, 2.0 ECTS

Alexander Damianisch

Where is the money for my research? Resources for Art and Science: What makes a project sustainably successful? What makes a strong project proposal? We will read and evaluate real proposals... How do ideas take shape, how does one’s own practice become successful, and which perspectives emerge—individually and collectively? This course introduces the Angewandte and its shared research milieu—welcome to… 2026W/2027S, scientific seminar, 2.0 ECTS

Virgil Widrich

The central artistic subject "Interdisciplinary Project Work Art & Science" serves to deepen the individual orientations within the study program and gives the students the necessary space to independently develop a specific implementation of this positioning. A transdisciplinary research involving different methods is thereby made possible and professionally supervised. The subject consists of conceptualization, presentation and discussion of project work,… 2026W, Project Work, 11.0 ECTS

Virgil Widrich

Continuation of Art & Science Interdisciplinary Project Work 1: The central artistic subject "Interdisciplinary Project Work Art & Science" serves to deepen the individual orientations within the study program and gives the students the necessary space to independently develop a specific implementation of this positioning. A transdisciplinary research involving different methods is thereby made possible and professionally supervised. The subject… 2027S, Project Work, 12.0 ECTS

Valerie Deifel

Writing has nothing to do with signifying. It has to do with surveying, mapping, even realms that are yet to come. —Deleuze and Guattari, A Thousand Plateaus How can the written component of your master project represent and enrich your art-based research? As you begin to reflect on your artistic practice and your chosen topic through writing, you might ask… 2026W/2027S, scientific seminar, 4.0 ECTS

Noor Stenfert Kroese

Art Science Forum is a practice-anchored course built around direct encounter with people currently working in the field of Art Science. What is ArtScience?It is a term that keeps resisting definition, no matter how often people try to pin it down. We will certainly not settle what Art Science is. The resistance to definition might even hold the very complexity… 2027S, Project Work, 4.0 ECTS

Noor Stenfert Kroese

This bi-weekly course offers a shared space for 2+ year Art&Science students to stay connected and reflect on your work. It supports the ongoing development of each student's trajectory within the MA Art & Science by focusing on your questions, process dilemmas, shared learning, and dialogue across disciplines. Students can use the space to reflect on their work-in-progress / master… 2026W, scientific seminar, 4.0 ECTS

Sophie Thun

ZKF/Plenum every Tuesday 14:00: work presentations, exhibition visits, guest lectures, excursions, film screenings Individual talks: by appointment 2026W, Individual Artistic Instruction, 8.0 ECTS

Lina Morawetz

"Das Werk und ich suchten uns gegenseitig und wir fanden uns in Etappen." — Linda Stift, gehört bei Lese.Auslese (Österreichischen Gesellschaft für Literatur) Ein sogenanntes Artist Statement ist eine geschriebene Stellungnahme über die eigene künstlerische Arbeit. Seminarziel ist das Verfassen eines sochen Statements – über die eigene Arbeit, Motivation und Praxis –, etwa auch zur Verwendung für Bewerbungen oder Portfolios.… 2027S, Lecture with Practical Exercises, 2.0 ECTS

Antoine Turillon

This course embraces group critique as an artistic and discursive collective practice. Participants bring an ongoing project, work in progress, or unresolved artistic question to serve as the basis for shared observation, discussion, and experimentation. Together, we will examine formal, material, conceptual, social, and institutional relations in order to test interpretations, question decisions, trace references, identify blind spots, and discuss… 2026W/2027S, artistic Seminar, 2.0 ECTS

Bouchra Khalili

Open Space is a course dedicated to long-term students’ individual projects. Operating as a transdisciplinary platform focusing on the group members’ projects and work, the course aims at supporting students with the development of artistic strategies based on the specifics of their personal projects. The segment "Method" is devoted to the conceptualisation and definition of individual artistic strategies. Students share… 2026W/2027S, artistic Seminar, 2.0 ECTS

Bouchra Khalili

Open Space is a course dedicated to long-term students’ individual projects. Operating as a transdisciplinary platform focusing on the group members’ projects and work, the course aims at supporting students with the implementation of artistic strategies based on the specifics of their personal projects. The segment "Practice" focuses on the production of individual artistic strategies relevant to each students' projects.… 2026W/2027S, Project Work, 4.0 ECTS

2026W/2027S, 4.0 ECTS

2026W/2027S, 9.0 ECTS

Judith Burger

The seminar focuses on the conservation and cataloguing of a set of objects from the art collection and archive of the University of Applied Arts. In addition to contextualizing the artifacts in the context of artistic teaching, this practice-oriented course offers a general introduction to handling museum objects and the various challenges of working with historically grown collections and archives.… 2026W, Academic Seminar, 4.0 ECTS

Florian Buchegger

Dieser Kurs beschäftigt sich mit grundlegenden Methoden der Audioproduktion in einem Design Umfeld. Wir beschäftigen uns mit einem Musik Produktions-Workflow von der Differenzierung der Hardware (akustischen und elektronischen Instrumenten) und Software (mit Apple Logic und Ableton Live):dem Setup und Zusammenspiel der Geräte, Audio und Midi Formaten, dem "Triggern" von internen und externen elektronischen Instrumenten, generativen Konzepten, einfachen Arrangieren von Intrumenten,… 2026W, Lecture with Practical Exercises, 2.0 ECTS

Kristina Pia Hofer

2027S, Academic Seminar, 4.0 ECTS

Regina Menke

2027S, Workshop, 1.0 ECTS

Caroline Heider

Moving Image I covers the technical basics of photographic shooting with a focus on the moving image including post-production. Specific photographic production activities are introduced ans a introduction for working with equipment of the departement is included. The course is required for using equipment of the departement Applied Photography and Time-based Media independently. We record e.g. with the Nikon D810,… 2026W, Lecture with Practical Exercises, 2.0 ECTS

Caroline Heider

Recording Technology - Moving Image II covers the technical basics of recording techniques in moving images and post-processing applications. We work with artificial and existing light in the two studios of the department and the multimedia studio of the Institute of Design. The focus is on setting and handling light Recording technology is a product of human invention and it… 2026W, Lecture with Practical Exercises, 2.0 ECTS

Caroline Heider

2027S, Lecture with Practical Exercises, 2.0 ECTS

Elodie Grethen

This semester, we will learn theoretical and practical basics of photographic processes through an applied approach: basic photographic and lighting techniques, equipment handling, printing Goals: apply processes in one's own photographic practice, being able to work independently in the studio, use the rental equipment 2026W, Lecture with Practical Exercises, 2.0 ECTS

Tobias Ehrhardt

In this class we will look into additional technical aspects of photographic image-production. We will engage with topics like:-Properties of natural and artificial light-Lens characteristics and their impact on photographic images-Handling of studio-equipment-Raw-development in Camera Raw-Retouching in Photoshop 2026W, Lecture with Practical Exercises, 2.0 ECTS

Tobias Ehrhardt

2027S, Lecture with Practical Exercises, 2.0 ECTS

Tobias Ehrhardt

2027S, Lecture with Practical Exercises, 2.0 ECTS

Judith P Fischer

The realization of an idea at the intersection of art, culture, and society can lead to multifaceted results. This course develops strategies and teaches methods for creating an exhibition project that incorporates all available resources. Individual brainstorming sessions (idea + concept) result in (fictional, independent) projects, which are supported from the initial idea through planning to implementation. In addition to… 2026W, scientific seminar, 4.0 ECTS

Caroline Ocks

2026W, Lecture with Practical Exercises, 2.0 ECTS

Eva Lenhart

2026W, Lecture with Practical Exercises, 2.0 ECTS

Katharina Fuchs

This seminar focuses on the conservation treatment of the epitaph of Sigmund Khevenhüller V.W. (Epitaph 53, †1561) in the parish church of St. Jakob in Villach, Carinthia. As part of the church's extensive epitaph ensemble, the object comprises a range of materials, including polychromed and unpolychromed marble as well as stucco. The conservation work will focus in particular on the… 2026W, Lecture with Practical Exercises, 1.0 ECTS

Marija Milchin

This seminar focuses on the conservation treatment of the epitaph of Sigmund Khevenhüller V.W. (Epitaph 53, †1561) in the parish church of St. Jakob in Villach, Carinthia. As part of the church's extensive epitaph ensemble, the object comprises a range of materials, including polychromed and unpolychromed marble as well as stucco. The conservation work will focus in particular on the… 2026W, Lecture with Practical Exercises, 1.0 ECTS

Tanja Kimmel

2026W, Artistic Seminar, 2.0 ECTS