Paulus Dreibholz

The seminar introduces the participants each term to different areas of typography and its related disciplines. Through a variety of briefs and projects the students are offered the opportunity to accumulate highly specific skills as well as process general and conceptual questions in the field of communication design. 2022W/2023S, Vorlesung und Übungen, 1.0 ECTS

Verena Panholzer

2023S, Vorlesung und Übungen, 3.0 ECTS

Elisabeth Schultz

The seminar Typography 4 introduces the participants each term to different areas of typography and its related disciplines. Through a variety of briefs and projects the students are offered the opportunity to accumulate highly specific skills as well as process general and conceptual questions in the field of communication design 2022W, Vorlesung und Übungen, 1.0 ECTS

Alexander Nussbaumer

The seminar provides insights into the extensive topic of typography and related fields in analog and digital media. How does typography affect content and/or media? What influences do the media have on typography? With a focus on artistic practice, basic knowledge is provided through research, case studies, and exercises that can be applied as a foundation for future projects and… 2022W, artistic Seminar, 2.0 ECTS

Alexander Nussbaumer

2023S, artistic Seminar, 2.0 ECTS

Paul Iby

Kaleidoscope Stories & mediation from the tube RESEARCH QUESTION: A moving image, designed in the coincidence of gravity, assembled from the smallest building blocks for a visual expansion of the senses. What can the motif of the kaleidoscope tell apart from its common, colourful glittering birefringence and what can didactic and artistic concepts for children and young people on this… 2022W/2023S, Proseminar, 3.0 ECTS

L. Vanessa Gruber

Das Proseminar Übersetzen I (kkp) befasst sich mit den Grundlagen des Fachs „Bildnerische Erziehung“ (BE) im System Schule. Gemeinsam wird im Seminar den Fragen nachgegangen, wie Unterricht gestaltet werden kann um Schüler:innen das Verstehen und Gestalten von Bildern zu ermöglichen, ihre kreativen Potentiale zu nutzen und die erworbenen Kompetenz im Alltag bewusst wahrzunehmen und sinnvoll einzusetzen. Zudem befasst sich das… 2022W, Proseminar, 3.0 ECTS

Clemens-Gregor Göller

Wir befassen uns in diesem Proseminar mit den Grundlagen von Kunst und Gestaltung im System Schule: Was ist ein Bild? Welche Art von Unterricht hilft Kindern und Jugendlichen, Bilder zu verstehen, Bilder selbst zu gestalten, sie im Alltag bewusst wahrzunehmen, sinnvoll zu nutzen und wirksam einzusetzen? Wir legen in diesem Semester einen Fokus auf die fachdidaktische und visuelle Gestaltung des… 2023S, Proseminar, 3.0 ECTS

Paul Iby

TITLE: The course of things Learning through making RESEARCH QUESTION: Action, reaction and evolution as series, chain or link by link; how can artefacts be communicated in an artistic or design context and ignite the desire to make? BACKGROUND: It all starts with a found object that the participating students discover away from their usual streams of movement. Taken along… 2022W/2023S, scientific seminar, 4.0 ECTS

Ruth Mateus-Berr

Mandatorily linked to the subject-based internship (FASP) at the school and supervision for applied students. ARTISTIC RESEARCH in the classroom and art and music teaching settings In this seminar, which is a compulsory part of the school internship, as well as the accompanying reflection (prerequisite: LV: Introduction to subject didactics/Einführung in die Fachdidaktik, Translate 1/Übersetzen 1 incl. internship/Praktikum & Supervision-Reflexion),… 2022W/2023S, scientific seminar, 4.0 ECTS

Michaela Schober

2023S, scientific seminar, 4.0 ECTS

Edith Futscher

2023S, Proseminar, 3.0 ECTS

Johanna Schwanberg

Wie kann ich das, was ich auf einem Bild sehe, in Worte fassen? Wie lässt sich die Oberfläche einer Skulptur am besten beschreiben? Wie kann ich eine Videoinstallation sprachlich adäquat wiedergeben? Fragen, die die Arbeit von Künstler/n/innen und Kunstwissenschaftler/n/innen stets begleiten. Ob in einer Seminararbeit, dem Vorstellen der eigenen künstlerischen Arbeit, bei einem Vortrag oder in einer Kunstkritik, Bildbeschreibungen sind… 2022W, Proseminar, 3.0 ECTS

Elina Kränzle

Trustmaking - Methods of Co-Research and Co-Creation explorations of the social-ecological urban transformation and the role of youth as changemakers In the lecture and tutorial for teamskills we will experimentally explore the sometimes scarce, sometimes plentiful resources we have at hand to approach people, moments and sites of urban transformation. Pooling the knowledge and strategies transdisciplinary teams can provide (e.g.… 2022W, Übungen, 1.0 ECTS

Antoinette Marie Catherine Rhomberg

2023S, Vorlesungen, 2.0 ECTS

Johannes Weber

Materialwissenschaftliche Bearbeitung von Probenmaterial aus aktuellen studentischen Arbeiten mittels Polarisations- und Rasterelektronenmirkoskopie, inkl. Einführung in die betreffenden Techniken und den untersuchungstechnischen Kontext 2022W, Übungen, 1.0 ECTS

Marta Anghelone

Methods for the analyses of objects (metal, glass, ceramics) will be explained with practical examples - UV induced fluorescence, XRF (X- Ray fluorescence spectroscopy), FTIR (Fourier Transform Infrared Spectroscopy), SEM-EDS (Scanning Electron Microscopy/Energy Dispersive Spectroscopy). Microchemical spot tests will be performed on metals. The students will learn how to define the analytical questions that need to be answered for the… 2023S, Vorlesung und Übungen, 2.0 ECTS

Tatjana Bayerova

2023S, Vorlesung und Übungen, 2.0 ECTS

Farkas Pintér

2023S, Vorlesung und Übungen, 2.0 ECTS

Tatjana Bayerova

2023S, Vorlesung und Übungen, 2.0 ECTS

Christian Höller

Digitality and ecology – how can they go together? How could an artistic mediation between these two, admittedly immense, complexes look like? And where exactly would a yet to be defined “eco-digitality” have to start in order to promote a transformational process in a positive sense? Climate catastrophe on the one hand, advancing digitization on the other – and virtually… 2022W/2023S, scientific seminar, 4.0 ECTS

Isabel Hufschmidt

How is museum history told? This is the initial question of the lecture, which is considered as an experiment and thinking lab on how historiographies of the institution can be shaped in order to arrive at authentic narratives. And does authenticity in this case mean linearity? The lecture is a journey through times, geographies and languages that breaks new ground… 2022W, Vorlesungen, 2.0 ECTS

Andrea Börner

Urban Strategies Integration provides a framework for articulating and deepening an urban aspect of their pre-diploma project. In individual meetings, students are guided through the process of formulating and testing a hypothesis by anchoring their reasoning in urban discourses on a relevant focus of their choice. Note: Individual projects do not have to tackle large-scale urban designs in order to… 2022W/2023S, scientific seminar, 3.0 ECTS

Andrea Börner

FAR-FETCHED Every spatial manipulation of a given environment triggers changes of an existing, complex system of mutual dependencies. As the natural and the built environment is constituted by manifold reciprocal relationships between material and immaterial conditions, the particular temporal, geographical and socio-political situation make up the specific framework for adopting change. Accordingly, the course puts emphasis on shifting from a… 2022W, scientific seminar, 3.0 ECTS

Peter Knobloch

The objective of the lecture is to impart & develop fundamental theories, principles and approaches for the design of user interfaces. By the means of examples and practical exercises the following topics will by gradually developed: History, people, literature, references Information- and interaction elements Design principles Evaluation criteria Types of user interfaces Strategies for the design process 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Haspinger

In dieser Lehrveranstaltung werden die Grundlagen von Adobe Indesign, Illustrator und Photoshop unterrichtet. Illustrator: Erstellen und Ändern von Pfaden –> einfache Pfadmanipulationen (Pfade auftrennen, zusammenfügen, …) Arbeiten mit Farben/Farbräumen, Volltonfarben –> Druckausgabe Sinnvolles Anwenden der verschiedenen Werkzeuge: Drehen/Spiegeln/Skalieren, Pathfinder, Angleichenwerkzeug, Farbverläufe, Arbeiten mit Schriften Photoshop : Dateiformate/Dateigrößen/Bildgrößen/Bildauflösung einstellen & ändern / Farbräume/Profile –> Dateiausgabe; Auswahlwerkzeuge / Alphakanal, FarbkorrekturenIndesign: Text- und… 2022W, Vorlesung und Übungen, 1.0 ECTS

Korinna Lindinger

Städte kulminieren soziale Verhältnisse. Ein forschender Blick auf ihre räumlichen und sozialen Strukturen zeigt auch wie Gesellschaften die Verteilung von Ressourcen und Lebenschancen verhandeln und normalisieren – was als „gerecht“ oder zumindest als „er/duldbar“ definiert wird. Dieses Seminar beschäftigt sich mit Definitionen von Armut und Reichtum. Auf Basis von empirischen Befunden der Sozialberichterstattung sowie eigenen Stadtbeobachtungen und Exkursionen gehen wir… 2022W, scientific seminar, 4.0 ECTS

Alexandra Thurner

Grundbegriffe des Vertragsrechts Abschluss von Verträgen AGB und sonstige Vertragsinhalte Vertragsmängel vor und nach Abschluss Vertragsabschluss im Internet Vertragstypen ua Urheberrecht Schutzvoraussetzungen, Schutzgegenstand Urheberschaft Rechte der Urheber:innen (Werkverwertung, Persönlichkeitsrechte) Urhebervertragsrecht Ansprüche bei Urheberrechtsverletzungen ua   2022W/2023S, Vorlesungen, 2.0 ECTS

Franz Schubert

Video editing and compositing:   Artistic and technical basics of non-linear video editing.   Media acquisition, editig techniques, compositing, color–keying. Color correction, color grading, video effects, audio mastering. tracking and stabilization techniques.   Digital media formats, compression methods, transcoding   Software: Adobe Premiere CC   Please bring your own laptop! 2022W, artistic Seminar, 3.0 ECTS

Franz Schubert

2023S, artistic Seminar, 3.0 ECTS

Wolfgang Neipl

The lecture takes place directly after the AfterEffects - elementary course. All students must have completed: 2D-Animation und Compositing-elementary  Contents: 3D - Layers, Camera _ Audio-synchronous Object Animation _ Tools for Charakteranimation _ Cropping with Roto Brush _  Colorgrading, Colorcorrection _ Possibilities and Limitations of Morphing _ Short Insight into Expressions. 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

Workflows of Videografik Animation and Compositing. No previous knowledge required. Step-by-step lectures by building up typical compositions. Digitale Videoformats, Importing Media _ Layerproperties _ Masks _ Keyframeinterpolation _ Economic Application of Effects _ Generation and Work with Templates _ Sequenzing (stop motion) _ Subcompositions _ Time Expansion, Time Distortion _ Shape Layers _ Rendering. Subsequent to this lecture it is… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

The camera takes the pictures, sure !But film photography is different from still photography.What creative parameters do I have at my disposal to portray people and objects ?Understand and apply: Composition, perspective, camera angle, framing, eye-line, ect.Rules can be deliberately broken if I know them. And how do I record good film sound ? Directly after this course, there is… 2022W/2023S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

Make it a story ! Conception of a short film (30sec). We think in images, fall in love with them and often get lost in them. Such images are important for filmmaking, but in order to take the viewer's breath away, we need action. In order for it to emerge in our visual worlds and get moving, it needs drive.… 2022W/2023S, artistic Seminar, 2.0 ECTS

Andreas Braito

VISUAL SOUNDSCAPES The term soundscape is an English artificial word composed of the terms sound and landscape. Soundscape describes the acoustic shell that surrounds us in a certain place, the interaction of all acoustic phenomena or events that are produced in and through a room. Canadian composer, music educator and researcher R. Murray Schafer coined the term soundscape in his… 2022W/2023S, artistic Seminar, 2.0 ECTS

Jan Jancik

Introduction to working with DaVinci Resolve, no prior knowledge required. All functions and a professional way of working with the essentials of the editing program will be taught using examples. From the first steps in Resolve and how to create a project correctly, what relevance frame rates, codecs and resolutions have, to color grading and the use of transitions, effects… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Jan Jancik

Introduction to working with Adobe Premiere Pro, no prior knowledge required. All functions and a professional way of working with the essentials of the editing program will be taught using examples. From the first steps in Premiere Pro and how to create a project correctly, what relevance frame rates, codecs and resolutions have, to color grading and the use of… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

Shooting Work on location. To attend this course please also register:  Filming-Techniques/Kameraarbeit und Ton The work takes place in teams of 5 people. The allocation for this takes place during the preliminary meeting and is then binding ! See below for possible dates. Please understand that pre-reservation is not possible!   2022W/2023S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

VOICE - RECORDING, SYNTHESIZER. How do I record speech sound and how do I process it for Film, Video, "Massive Open Onlie Communication" and Social Media. Studio recording. When do you need mono and when stereo microphonics. Relevant programme / Digital Audio Workstation (DAW): Logic. Practical introduction to synthetic sound production Teaching Objective: Dubbing a short video in Logic. The… 2022W/2023S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

The course teaches professional dubbing by use of the soudlibrary of Logic. The procedure enables copyright independence. Contents: Music and sound as mood-creating elements. Technical and artistic foundations of composing, arranging and producing musical structures on motion pictures. The term: »Music» is also interpreted as »Sound- and Noise Structure». Relevant Application (Digital Audio Workstation): Logic Musical previous knowledge is not… 2022W/2023S, artistic Seminar, 2.0 ECTS

Friedrich Oelberg

Videotechnik, digitale und analoge Fotografie -Basics, Optische Stile, Kameraführung, kameratechnisches Wissen, Lichtgestaltung, digitale Videobildaufbereitung, Blue/Greenbox Techniken 2022W, artistic Seminar, 2.0 ECTS

Friedrich Oelberg

2023S, artistic Seminar, 2.0 ECTS

Franz Schubert

In the seminar, possibilities of Realtime 3D with the free game engine Unity in connection with 3D animation/texturing software (Cinema4D, Substance Painter) for interactive applications are developed. Game Asset and Level Creation (Modular Low Polycount Modeling, Composite Texture Maps, Modular Animations), User Interaction, Character Controller C#: User Interaction, Triggering Animations, Scripting Projectiles, Scripting Impacts, Collisions, Game Object Destruction, Timers, Spawning… 2022W/2023S, artistic Seminar, 2.0 ECTS

Jan Lauth

This time demands fundamental new and also paradoxical utopias.The course is an invitation to participate in the project "morphoPoly", designed for several years."morphoPoly", at the same time city and game, is the setting of such a paradoxical utopia, because it is not a city of wishful dreams, but also a testing ground for dealing with conflicts in urban space, with… 2022W/2023S, artistic Seminar, 1.0 ECTS

Michael Huber

- Drone workshop at the beginning of October (technically limited number of students)- 3D Special Unit- Presentation - Representation- Representation and Virtualization- Scientific Visualization - screenings- Workflow, Project Management and Presentation 2022W/2023S, artistic Seminar, 2.0 ECTS

Michael Huber

- Systematic studies on the moving image complex- The image-taking and image-giving apparatus- Mutual manipulation of time and image axis - Digital Production and Postproduction- Diminished Reality- The invisible spectrum in the (moving) image- The optical unconscious- AI & Bias/Weight/Error- Screenings, especially on current phenomena- Project management and presentation- Support individual artistic projects 2022W, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

The course, which is primarily aimed at the lower semesters of students of Transmedia Art, is intended as an introduction to working with technical media such as video, light or projection, but also to experimental techniques of visual work. In dealing with working techniques, visualization and work processes of other artists, procedures are to be discussed and applied in small… 2022W, artistic Seminar, 2.0 ECTS

Michael Huber

2023S, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

2023S, artistic Seminar, 2.0 ECTS

Maximilian Geymüller

The relationship between language and the visual has been a central theme in Western art since the mid-20th century at the latest, and in the process has been constantly accompanied by a great discursive dynamic. The territories of word and image are in motion, overlapping and opening up, reflections and theorems wandering back and forth. Concrete - above all also… 2022W, artistic Seminar, 2.0 ECTS