1197 courses

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Fotoradierung (Tiefdruck 2)

Henriette Leinfellner

Photointaglio experimental advanced course after having taken part in Tiefdruck 1 (or having recent experience with Intaglio printing and with Aquatint ) content: introduction into the history and development of photointaglio.. Basic technical instruction to transform an idea (image) into a photointaglio print. impartment of basic techniques to produce Photopolymerprinting plates . application of the plate into the printing process.… 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Free Dissociation. Contemporary Queer and Trans Poetics

Maxi Wallenhorst

This seminar examines queer and trans writing in recent decades. In doing so, it doesn't take these labels personally. Rather than as an identity marker or as a overgeneralized word for "somehow transgressive," it uses queer and trans to explore specific, historical poetic approaches, scenes like New Narrative, trans literature or the poetry scene around the Nighboat publishing house. Central… 2026W, scientific seminar, 4.0 ECTS

From the thought image into the script 1

Kamen Stoyanov

Wie beschreibe ich das Bild in meinem Kopf im Format eines Filmskripts? Geschult in der bildenden Kunst nähern wir uns dem filmischen Medium an, der erste Schritt hierfür ist das Schreiben für die Kamera. Die Vorlesung und Übung ist in drei Schwerpunkte aufgeteilt: (1) Erstens beleuchten wir die Grundlagen des Drehbuchschreibens: Wie werden Geschichten erzählt? Wie entwickele ich eine erste… 2026W/2027S, artistic Seminar, 2.0 ECTS

Game History. Hardware, Art, Technology, Society

Jogi Neufeld

Digital Games I: From PDPs to LLM NPCs - Introduction and Perspectives The first games on computers were created during the Cold War with the aim of making new technologies understandable through play. These approaches fueled the university hacker scene, which spawned the first mass-produced games and allowed the medium to become the largest economic factor in the entertainment industry… 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Garden Times: Raum, Zeit und Gemeinschaft

Ivana Miloš

The garden is so many things at once: ubiquitous phenomenon and practice, lively concept and physical, ever-changing place where encounters with the other and making kin can take place. As an emblematic, metaphorical, ambiguous and absolutely concrete place, the garden brings together diverse aspects of more-than-human worlds. In an intimate interaction with soil, water, plants, animals, weather and seasons, practice… 2027S, scientific seminar, 4.0 ECTS

Gastvorträge

Nastasja Penzar

Die Gastvorträge sind für alle Interessierten offen, richten sich in erster Linie aber an MA Studierende der Sprachkunst.   4.11., 18 Uhr: Laura Weber (ZoraLit, ehem. Hanser) 2. Termin: tba 2026W/2027S, 1.0 ECTS

Gemäldekopie

Agnes Szökrön-Michl

2027S, artistic Seminar, 2.0 ECTS

Geometrie für Künstler*innen

Boris Odehnal

We look at art work with striking relations to geometry and describe the geometric objects occuring there 2027S, Lecture with Practical Exercises, 2.0 ECTS

Geometrisches Skizzieren 1

Markus Roskar

The course imparts essentials for pictorial representation of spacial structures. Its aim is to strenghten spacial sense, imagination and efficiency. The focus is on freehand sketching as medium on-hand. Topics are orthogonal and oblique parallel projections, draft views/multiview depictions and their interpretation, perspective, various approaches like additive and subtractive drawing, drawing with section lines, plane and space curves. 2026W, Practical Exercises, 3.0 ECTS

Geometrisches Skizzieren 2

Markus Roskar

The course deals with build and depiction of spacial structures and objects by freehand sketching. It builds upon the basics imparted in winter term and enhances complexity. Goal is to  strenghten  the spacial sense and foster sketching as visual manifestation of the thinking process. Topics are multiview depictions and interpretations, perspective, shadows, reflection, plain- and spacecurves  2027S, Practical Exercises, 3.0 ECTS

Geschichte und Theorie der Architektur und des Designs

Gert Hasenhütl

Taking recourse to the concept of "product culture" – coined by Gert Selle in 1978 – the lecture is treating its issue rather according to perspectives from technology and social studies, and not primary from a history of styles in architecture und design. With recourse to theoretical considerations made by, i.a. Sigfried Giedion, Lewis Mumford, Penny Sparke, Uta Brandes or… 2026W/2027S, Lecture, 2.0 ECTS

Geschichte und Theorie des Grafikdesigns II

Anita Kern

2027S, Lecture with Practical Exercises, 2.0 ECTS

Gewebte Textilien

Sabine Svec

Lehrziel: Erkennen eines Gewebes und dessen Bindung (Grundbindungen bis zu einfachen Kompositbindungen); Erfassen des Webprozesses, Entwicklung und Funktionsweise eines Webstuhles; Dekomponieren und Dokumentieren von Geweben (Herangehensweise, Terminologie, grafische Darstellung) 2026W, Lecture with Practical Exercises, 2.0 ECTS

Gips- und Abformtechniken

Roman Spieß

Plaster and Moulding Techniques 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Glasuren, Engoben und Sgraffito; verstehen und kombinieren - erste Schritte

Julia Geissler

This course addresses both the theoretical and practical aspects of the basic properties and design possibilities of slips and surface techniques, followed by hands-on exercises. A further focus is placed on simple approaches to applying glazes based on recipes, their various methods of application, and different mixing techniques. The aim of this course is for participants to gain an initial… 2026W, Lecture with Practical Exercises, 2.0 ECTS

Globale Gegenwartskunst (Kunstgeschichte 4)

Anita Hosseini

2027S, Lecture, 2.0 ECTS

Going Public: Experimental Game Cultures and Subotron.

Jogi Neufeld

Game Dev Studio visits guided by SUBOTRONThe participants of the tour will get the chance to experience different fields of work in game development and usage, gaining insight to the daily routine as well as the professional environment. The fields of work are explained by studio members in informal conversations on the basis of concrete projects and the (team)work is… 2026W/2027S, Project Work, 2.0 ECTS

Grafik, 3D-Gestaltung und Simulation 1

Richard Hilbert

Physical Computing – Fundamentals for Creative Practice and Interactive Installations This course introduces students to the fundamentals of electronics and programming and lays the technical foundation for interactive and media art projects. Starting with simple soldering exercises and basic electronics, students gradually explore the world of microcontrollers and minicomputers. In the area of programming, the fundamentals of Processing and Python… 2026W, artistic Seminar, 2.0 ECTS

Grafik, 3D-Gestaltung und Simulation 2

Richard Hilbert

2027S, artistic Seminar, 2.0 ECTS

Grafik, 3D-Gestaltung und Simulation I

Franz Schubert

3D Animation, Character Animation and Simulation Techniques Advanced techniques in 3D computer visualization and animation, including individual supervision with project-based support. The focus is on simulation methods as well as character rigging, retargeting, motion capture and animation in Blender, complemented by digital sculpting in ZBrush and 3D painting/texturing in Substance Painter. Alternatively, participants can focus on camera tracking and CGI… 2026W, artistic Seminar, 2.0 ECTS

Grafik, 3D-Gestaltung und Simulation II

Franz Schubert

2027S, artistic Seminar, 2.0 ECTS

Graphics Programming

Leonard Weydemann

2027S, Lecture with Practical Exercises, 2.0 ECTS

Groundwork of Masters Project

Virgil Widrich

  Preparation for Master Project: Presentation and discussion of students' master's projects, and related group feedback, lectures, papers, and discussions.   Obligatory to receive certificate at the end of semester: – Development and presentation of Groundwork The Groundwork may be presented EITHER in Winter Semester OR in Summer Semester.   Registration online via base. 2026W/2027S, Project Work, 18.0 ECTS

Grundlagen Compositing- und Animationssoftware

Wolfgang Haspinger

In der Lehrveranstaltung werden die Grundlagen von Adobe After Effects erarbeitet. Programmoberfläche / Fensterkonzept / Kompositionseinstellungen, Footage / Datenvor- bzw. aufbereitung Animation / Keyframes, Ankerpunkte, Exporteinstellungen, Arbeiten/Einbinden von Sounddaten, Arbeiten/Einbinden von Videodaten, Funktionen der wichtigsten Werkzeuge, Textanimationen, Masken• Programmversion: Adobe CC 202x 2026W, Lecture with Practical Exercises, 1.0 ECTS

Grundlagen der Schriftgestaltung

Elisabeth Schultz

The course extends over two semesters. In the winter semester (Part 1), we will explore the fundamentals of type design. We will discuss type anatomy and terminology, legibility, rhythm, type sketching, and type selection – both theoretically and through short exercises. A special guided tour to the Österreichische Nationalbibliothek will provide additional insights into the formal development of typefaces from… 2026W, Lecture with Practical Exercises, 1.0 ECTS

Grundlagen der Silikatchemie

Gerald Pfaffl

2026W/2027S, Lecture with Practical Exercises, 1.0 ECTS

Grundlagen der Werkbetrachtung

Anita Hosseini

In dieser Lehrveranstaltung arbeiten wir direkt vor Originalen und widmen uns der systematischen Beschreibung und Analyse von Kunstwerken sowie Objekten des Kunsthandwerks in Sammlungen, Ausstellungen und Werkstätten. Im Zentrum steht die Untersuchung ausgewählter Objekte unter besonderer Berücksichtigung ihrer Materialität, Gattung, Funktion, Narration und Präsentation. Ein zentrales Anliegen ist die Auseinandersetzung mit jenen Aspekten, die in Reproduktionen oft unsichtbar bleiben: Oberflächenstrukturen,… 2026W, Practical Exercises, 2.0 ECTS

Grundlagen des Aktzeichnen

Ruth Brauner

The content of the course "Fundamentals of Nude Drawing" focuses on observing and capturing the human figure, proportions, human anatomy and its location in space. The study of the nature of drawing, the examination of formal visual design elements such as page layout and spatial representation, but also the different properties of the respective drawing materials on the paper form… 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Grundlagen des Aktzeichnen

Judith P Fischer

The content of the course "Fundamentals of Nude Drawing" is the understanding of the human form, the proportions and anatomy of a person and their position in space. The course teaches the basic concepts of nude drawing. The study of the nature of drawing and the examination of the formal pictorial design elements form the basis for further artistic considerations.… 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Grundlagen des Performativen: Körper als Methode

Peter Kozek

Fundamentals of the Performative: Body as Method This one-hour course introduces students in the Art and Science department to key concepts of embodiment and explores how the body itself can be understood as a vehicle for cognition, expression and action. The starting point is the question of how performative strategies and frameworks expand and transform both artistic and scientific processes.… 2026W, artistic Seminar, 1.0 ECTS

Grundlagen des Programmierens mit Python

Max Angerbauer

In dieser Lehrveranstaltung werden Grundlagen des Programmierens vorgestellt und anhand der Programmiersprache Python mit praktischen Beispielen erlernt. Ziel ist die Vermittlung von Basiswissen um eine Vertiefung im Selbststudium zu ermöglichen. Für diese Lehrveranstaltung sind keine Vorkenntnisse notwendig.Es gibt keine Vorbesprechung! Die Lehrveranstaltung wird in 6 x 4h abgehalten. 2026W, Lecture with Practical Exercises, 2.0 ECTS

Grundlagen des technologischen Gestaltens 1

Patrícia Reis

Hacking is nowadays a common practice among post-digital artists. By subverting systems, reverse engineering technologies, “hacking the world”, and advocating for open access technologies, we employ a top-down methodology that uses deconstruction as a method to “make” art. Acknowledging Vilém Flusser's (1986) challenge to open the "black box," the course approaches technology as a cultural, political, and sensorial apparatus. We… 2026W, artistic Seminar, 2.0 ECTS

Grundlagen des technologischen Gestaltens 2

Patrícia Reis

2027S, artistic Seminar, 2.0 ECTS

Grundlagen Layout & Satzprogramm

Wolfgang Haspinger

2027S, Lecture with Practical Exercises, 1.0 ECTS

Grundlagen technologischen Gestaltens (HTML/JS) 1

Hanin Eisa

Ur Brain on Web Design 1 Want to learn how to make a website? Have you tried making one and you just don't get it? Afraid of programming a little bit? This course is for you! Make your unique mark on the web by building your own website. For this course, you will need: A Computer. A Text Editor. It… 2026W, artistic Seminar, 1.0 ECTS

Grundlagen technologischen Gestaltens (HTML/JS) 2

Hanin Eisa

Ur Brain on Web Design 2 Want to know more about building a website? Want to add a fancy feature but it's not working? Afraid of programming a little bit? This course is for you! Make your unique mark on the web by building your own website. For this course, you will need: A Computer. A Text Editor. It comes… 2027S, artistic Seminar, 1.0 ECTS

Grundlagen technologischen Gestaltens I

Franz Schubert

Artistic and Technical Fundamentals of 3D Animation Introduction to key artistic and technical methods of 3D computer animation. The course provides foundational skills in: - polygonal modeling - digital sculpting - keyframe animation - shading, lighting, and rendering - simulation (e.g. particle systems, fluids, cloth) - procedural animation - texturing and 3D painting Creative concepts are developed, the use of… 2026W, artistic Seminar, 3.0 ECTS

Grundlagen technologischen Gestaltens II

Franz Schubert

2027S, artistic Seminar, 3.0 ECTS

Guided Reading: Sonic Thinking

Kristina Pia Hofer

2027S, Introductory Seminar, 3.0 ECTS

Guss-Abformtechnik. Gips- und Silikonform

Roland Reiter

in der Lehrveranstaltung werden den Studenten die verschiedenen Verfahren der Guss- Abformtechniken näher gebracht. Der Umgang mit den Materialien Gips, Zement und Silikon steht im Vordergrund. Ziel ist es, den Studenten anhand der erlernten Abform-Techniken in verschiedenen Materialien, eine selbstständige Umsetzung des Formenbaus der eigenen Projekte zu ermöglichen. Da nur eine beschränkte Anzahl von Arbeitsplätzen zur Verfügung steht, ist die… 2026W, Lecture with Practical Exercises, 2.0 ECTS

Guss-Abformtechnik. Gips- und Zementguß

Roland Reiter

2027S, Lecture with Practical Exercises, 2.0 ECTS

Gute Kunst

Eva Maria Stadler

Kaum gibt es eine schwierigere Frage, als jene nach der Guten Kunst. Was soll die Gute Kunst ausmachen? Angenommen, es gäbe Kriterien, die für die Zuschreibung ‚gut‘ zulässig wären, wie sähen diese aus, wer legte die Kriterien fest? Wer schriebe sie fort? Die Vorlesung behandelt diese und weitere Fragen um das diskursive Feld von Kanon und Gegenkanon, Stil und Geschmack… 2026W, Lecture, 2.0 ECTS

Gute Kunst. steirischer herbst 94

Eva Maria Stadler

2027S, Academic Seminar, 4.0 ECTS

Health and Safety

Marta Anghelone

2027S, Lecture with Practical Exercises, 1.0 ECTS

Hidden No More: How Women Changed Science

Tanja Traxler

2027S, scientific seminar, 2.0 ECTS

History of Architecture Integration

Matthias Boeckl

Ongoing individual discussion and guidance of developing diploma thesis / of developing Pre-diploma-integration paper in architectural history. Dates by appointment. 2026W/2027S, scientific seminar, 3.0 ECTS

History of Economic Thought around the World

Ludwig List

2026W, scientific seminar, 4.0 ECTS

Hochdruck 1

Anya Triestram

This course introduces the fundamentals of woodcut and linocut printmaking. Participants will learn how to work with tools, materials, printing inks, and the printing press, while gaining an introduction to the workflow and practices of the printmaking studio. Limited places available! Please register only if you are able to commit to attending the course, so that others on the waiting… 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Hochdruck 2

Anya Triestram

This course offers the opportunity to further explore relief printing techniques and supports the increasingly independent development and realization of individual ideas and projects. Successful completion of the course “Relief Printmaking 1” is required for participation. There are no fixed requirements or scheduled seminar times. Individual consultation and printing sessions will be arranged by appointment. Limited places available! 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

HOMER I. Die Ilias.

Renate Vergeiner

Um sich selbst und andere besser zu verstehen, bedarf es bestimmter Grundlagen. In meinen Proseminaren geht es um die zwei grossen Erzählungen des Abendlandes: die homerischen Epen und die Bibel, beide haben den europäischen Sprach- und Bildwortschatz geprägt und sind als die sogenannte humanistische Allgemeinbildung unverzichtbar für den allgemeinen kulturellen Austausch und insbesondere die Künste. Im Proseminar werden die längst… 2026W, Introductory Seminar, 3.0 ECTS

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