Tulay Atak
The course "Research Methods in Architecture and Design" introduces master and PhD students to the logic of research in the field of the built environment. An overview of research methods and a diversity of perspectives on research in architecture present the different ways that research is framed and currently carried out. Invited guest lecturers will present their projects, approaches, strategies… 2025W, Vorlesungen, 1.0 ECTS
Petra Gruber
The course "Research Methods in Architecture and Design" introduces master and PhD students to the logic of research in the field of the built environment. An overview of research methods and a diversity of perspectives on research in architecture present the different ways that research is framed and currently carried out. Invited guest lecturers will present their projects, approaches, strategies… 2025W, Vorlesungen, 1.0 ECTS
Christoph Schleßmann
Die systematische Fotodokumentation ist ein unerlässlicher Teil der Konservierung, Restaurierung und Denkmalpflege und soll den Studierenden nach einer grundlegenden theoretischen Einführung durch praktische Übungen näher gebracht werden. In komprimierter Form wird auf folgende Aspekte eingegegangen: technische Grundlagen der Fotografie Belichtung, Licht und Beleuchtung Studiotechnik Fotografieren von zwei- und dreidimensionalen Objekten (Textil/Gemälde/Objekt/Stein) Nachbearbeitung Fallbeispiele aus der Praxis 2025W/2026S, Vorlesung und Übungen, 1.0 ECTS
Henriette Leinfellner
Photointaglio experimental advanced course after having taken part in Tiefdruck 1 (or having recent experience with Intaglio printing and with Aquatint ) content: introduction into the history and development of photointaglio.. Basic technical instruction to transform an idea (image) into a photointaglio print. impartment of basic techniques to produce Photopolymerprinting plates . application of the plate into the printing process.… 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS
Alexi Kukuljevic
In this seminar, we will read Freud’s Jokes and Their Relation to the Unconscious (Der Witz und seine Beziehung zum Unbewußten) and the first part of Jacques Lacan’s seminar The Formations of the Unconscious from 1957-58 in which he introduces his audience to the core thesis that the “unconscious is structure like a language” through a reading of Freud’s book… 2025W, scientific seminar, 4.0 ECTS
Kamen Stoyanov
How do I describe the image in my head in the format of a film script? Trained in the visual arts, we approach the cinematic medium, with the first step being writing for the camera. The lecture and exercises are divided into three main focuses: (1) First, we will explore the fundamentals of screenwriting: How are stories told? How do… 2025W/2026S, artistic Seminar, 2.0 ECTS
Edith Futscher
This lecture offers some orientation in the very broad field of artistic practices from about 40.000 BCE to the 14th century CE. The course is organized around basic questions that come along with material and artistic production; we will focus on different functions of cultural artefacts, their roots in cultic or religious practices: We will ask what they can tell… 2025W, Vorlesungen, 2.0 ECTS
Jogi Neufeld
Digital Games I: From Mainframe to Metaverse - Introduction and Perspectives The first games on computers were created during the Cold War with the aim of making new technologies understandable through play. These approaches fueled the university hacker scene, which spawned the first mass-produced games and allowed the medium to become the largest economic factor in the entertainment industry and… 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS
Ivana Miloš
The garden is so many things at once: ubiquitous phenomenon and practice, lively concept and physical, ever-changing place where encounters with the other and making kin can take place. As an emblematic, metaphorical, ambiguous and absolutely concrete place, the garden brings together diverse aspects of more-than-human worlds. In an intimate interaction with soil, water, plants, animals, weather and seasons, practice… 2026S, scientific seminar, 4.0 ECTS
Nastasja Penzar
1. GV Çağla Ilk 08.10., 18.30 Uhr, Hörsaal 1 (OKP) 2. GV EsRap 22.10., 18 Uhr 2025W/2026S, 1.0 ECTS
Elisabeth Falkinger
2026S, Vorlesung und Übungen, 2.0 ECTS
Boris Odehnal
We look at art work with striking relations to geometry and describe the geometric objects occuring there 2026S, Vorlesung und Übungen, 2.0 ECTS
Markus Roskar
The classes deal with the structural build of three-dimensional things. The main goal is to understand spacial interrelations and improove the spacial sense. The focus is on freehand drawing. Teaching contents are orthogonal and oblique parallel projection, interpreting multiview depictions, perspective, various approaches to drawing (additive and subtractive drawing, section lines, plane- and space curves...). 2025W, Übungen, 3.0 ECTS
Markus Roskar
The course deals with the representation of three-dimensional things in freehand drawing. It builds on the basics put over in winter term and dwells on the depiction of more complex subjects. Teaching contents are multiview depictions and their interpretation, perspective (1-, 2-, 3-point-perspective, curvilinear perspective), shadows. 2026S, Übungen, 3.0 ECTS
Gert Hasenhütl
Taking recourse to the concept of "product culture" – coined by Gert Selle in 1978 – the lecture is treating its issue rather according to perspectives from technology and social studies, and not primary from a history of styles in architecture und design. With recourse to theoretical considerations made by, i.a. Sigfried Giedion, Lewis Mumford, Penny Sparke, Uta Brandes or… 2025W/2026S, Vorlesungen, 2.0 ECTS
Walter Moser
Geschichte und Theorie der Fotografie: Turning Points Die Vorlesung stellt anhand thematischer Schwerpunkte wesentliche Entwicklungen in der Geschichte der Fotografie vor, von ihren Anfängen bis zur Gegenwart. Den vielfältigen technischen Experimenten und den ehrgeizigen dokumentarischen Unternehmungen in ihrer Frühzeit wird ebenso nachgegangen wie der Etablierung der Fotografie als Kunstform in Konkurrenz zur Malerei und der Entdeckung der ihr eigenen Mittel… 2025W, Vorlesungen, 2.0 ECTS
Anita Kern
Description of the lecture in summer semester 2026 to follow. 2026S, Vorlesung und Übungen, 2.0 ECTS
Renate Vergeiner
Inhalt: Im Anschluß an die Thematik der Vorlesung werden im Seminar ihre Nachfahrinnen - „Töchter der LilitH“ - in einzelnen Referaten vorgestellt. Dazu wird in der ersten Stunde die Einführung in die Vorlesung mit Anregungen für Referate wiederholt. In der ersten Stunde und in den Sprechstunden werden Ihre Vorschläge von mir aufgegriffen und Hilfestellung bei der Ausarbeitung der Referate und… 2025W, scientific seminar, 4.0 ECTS
Renate Vergeiner
Zum Inhalt: Im Anschluß an die Thematik der Vorlesung werden im Seminar ihre Nachfahrinnen - „Töchter der LilitH“ - in einzelnen Referaten vorgestellt. Dazu wird in der ersten Stunde die Einführung in die Vorlesung mit Anregungen für Referate wiederholt. In der ersten Stunde und in den Sprechstunden werden Ihre Vorschläge von mir aufgegriffen und Hilfestellung bei der Ausarbeitung der Referate… 2026S, scientific seminar, 4.0 ECTS
Gerhard Prikoszovits
The course Tissue Technology covers all technical and mechanical skills which are necessary for the production of a shaft tissue. The weaving of the patterns takes place in the course of the lessons on site. In addition, the designing and technical presentation of tissues are mediated. In the development of personal projects, depending on the objectives and requirements, all available… 2025W/2026S, Übungen, 2.5 ECTS
Roman Spieß
Plaster and Moulding Techniques 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS
Julia Geissler
This course focuses both theoretically and practically on simple solutions for applying glazes based on recipes, exploring various application methods and different mixing techniques. Additionally, the basic properties and design possibilities of engobes and surface techniques will be discussed, with practical exercises to follow. The goal of the course is to help participants develop an initial understanding of their options… 2025W, Vorlesung und Übungen, 2.0 ECTS
Barbara Reisinger
2026S, Vorlesungen, 2.0 ECTS
Jogi Neufeld
Game Dev Studio visit guided by SUBOTRONThe participants of the tour will get the chance to experience different fields of work in game development and usage, gaining insight to the daily routine as well as the professional environment. The fields of work are explained by studio members in informal conversations on the basis of concrete projects and the (team)work is… 2025W/2026S, Projektarbeit, 2.0 ECTS
Richard Hilbert
Introduction to the 3-dimensional modeling with Maxon Cinema 4D • Modeling (Polygonal, NURBS, Sculpting) • Animation • physical simulation • Rendering • Video/Picture - Compositing, Motion Tracking • Preparation for 3D printing 2025W, artistic Seminar, 2.0 ECTS
Richard Hilbert
Introduction to programming and application with microcontrollers for interactive installations To be announced 2026S, artistic Seminar, 2.0 ECTS
Franz Schubert
3D Animation, Character Animation and Simulation Techniques Advanced techniques in 3D computer visualization and animation, including individual supervision with project-based support. The focus is on simulation methods as well as character rigging, retargeting, motion capture and animation in Blender, complemented by digital sculpting in ZBrush and 3D painting/texturing in Substance Painter. The course combines theoretical input with practical application of… 2025W, artistic Seminar, 2.0 ECTS
Franz Schubert
2026S, artistic Seminar, 2.0 ECTS
Julian Hessenthaler
Welcome to Grammar and Architecture of New Media - a space for disruption, deconstruction, and radical reflection. New media are not only communication channels; they shape and deform the foundations of our reality. Fake news, deep fakes—these are not random disruptions. But aren’t they also artistic acts? Do they not create a kind of “hyperreality” in which truth and fiction… 2025W/2026S, artistic Seminar, 2.0 ECTS
Leonard Weydemann
We will use Blender's Scripting workspace to automate 3D-Scene creation with the help of LLMs. This lecture serves as an introduction to programming in Python. More details to be announced... 2026S, Vorlesung und Übungen, 2.0 ECTS
Martina Fröschl
This course explores the contradictory intersection of computing and sustainability and how technology can be aligned with ecological and social resilience. Students gain hands-on insights into research projects of the Science Visualization Lab (www.scivizlab.com). Other key topics in the course include: Sustainability in Computer Graphics (PIXELvienna Panel), Collective Care (IEEE VISAP exhibition), Hacker Ethics & Environmental Activism (e.g., communities like… 2025W/2026S, artistic Seminar, 2.0 ECTS
Virgil Widrich
Preparation for Master Project: Presentation and discussion of students' master's projects, and related group feedback, lectures, papers, and discussions. Obligatory to receive certificate at the end of semester: – Development and presentation of Groundwork Registration online via base. 2025W/2026S, Projektarbeit, 20.0 ECTS
Wolfgang Haspinger
In der Lehrveranstaltung werden die Grundlagen von Adobe After Effects erarbeitet. Programmoberfläche / Fensterkonzept / Kompositionseinstellungen, Footage / Datenvor- bzw. aufbereitung Animation / Keyframes, Ankerpunkte, Exporteinstellungen, Arbeiten/Einbinden von Sounddaten, Arbeiten/Einbinden von Videodaten, Funktionen der wichtigsten Werkzeuge, Textanimationen, Masken • Programmversion: Adobe CC 202x 2025W, Vorlesung und Übungen, 1.0 ECTS
Farkas Pintér
Lichtmikroskopie ist eine der wichtigsten begleitenden Untersuchungsverfahren in der restauratorischen Praxis und den Konservierungswissenschaften. Die Vielfalt der Methode lässt sich gut am breiten Spektrum der Untersuchungsmöglichkeiten erkennen. Ob es sich um Holz, Natur- oder Kunstfaser, Metalle oder mineralische Baumaterialien wie Stein, Keramik, Mörtel oder Pigmente handelt, mithilfe der Mikroskopie können materialspezifische Fragen mit großer Sicherheit und rasch beantwortet werden. Fundierte… 2025W, Vorlesungen, 1.0 ECTS
Tatjana Bayerova
The content of the course can be summarized in the following points: basics of sampling paint layer samples, sample processing for further analysis, preparation of crossed-sections, microscopic examination of cross-sections (paint layer structure), theoretical basic knowledge of spot tests for identification of natural binding media, demonstration and practice of individual spot tests and histochemical identification of natural binding media. 2025W, Vorlesung und Übungen, 2.0 ECTS
Gerald Pfaffl
Basics of silicate chemistry 2025W/2026S, Vorlesung und Übungen, 1.0 ECTS
Dragan Espenschied
During this 4 day seminar (with one online session), students will be introduced to strategies and techniques for the long-term conservation of software, accompanied by practical exercises. Theoretical discussion on the unique properties of software and methods for setting conservation goals in different contexts—ranging from (personal) artistic practice, artist studios, artist collectives, to collecting institutions—will support students in understanding the… 2025W/2026S, Vorlesungen, 1.0 ECTS
Ruth Brauner
The content of the course "Fundamentals of Nude Drawing" focuses on observing and capturing the human figure, proportions, human anatomy and its location in space. The study of the nature of drawing, the examination of formal visual design elements such as page layout and spatial representation, but also the different properties of the respective drawing materials on the paper form… 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS
Judith P Fischer
The content of the course "Fundamentals of Nude Drawing" is the understanding of the human form, the proportions and anatomy of a person and their position in space. The course teaches the basic concepts of nude drawing. The study of the nature of drawing and the examination of the formal pictorial design elements form the basis for further artistic considerations.… 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS
Max Angerbauer
In dieser Lehrveranstaltung werden Grundlagen des Programmierens vorgestellt und anhand der Programmiersprache Python mit praktischen Beispielen erlernt. Ziel ist die Vermittlung von Basiswissen um eine Vertiefung im Selbststudium zu ermöglichen. Für diese Lehrveranstaltung sind keine Vorkenntnisse notwendig.Es gibt keine Vorbesprechung! Die Lehrveranstaltung wird in 6 x 4h abgehalten.programmieren, grundlagen, python 2025W, Vorlesung und Übungen, 2.0 ECTS
Patrícia Reis
Hacking is in nowadays a common practice among post-internet artists. By subverting the system, reverse engineering, hacking the world, defending access and openismus, we employ a top-down methodology using deconstruction as a method to “make” art. Acknowledging Vilém Flusser's (1986) challenge of opening the “black box” we question what is behind the tech industries, unravel its toxic commodity chains at… 2025W/2026S, artistic Seminar, 2.0 ECTS
Wolfgang Haspinger
2026S, Vorlesung und Übungen, 1.0 ECTS
Franz Schubert
Artistic and Technical Fundamentals of 3D Animation Introduction to key artistic and technical methods of 3D computer animation. The course provides foundational skills in: polygonal modeling digital sculpting keyframe animation shading, lighting, and rendering simulation (e.g. particle systems, fluids, cloth) procedural animation texturing and 3D painting Creative concepts are developed, the use of professional open-source software is taught, and the… 2025W, artistic Seminar, 3.0 ECTS
Franz Schubert
2026S, artistic Seminar, 3.0 ECTS
Kristina Pia Hofer
2026S, Proseminar, 3.0 ECTS
Roland Reiter
In der Lehrveranstaltung werden den Studenten die verschiedenen Verfahren der Guss- Abformtechniken näher gebracht. Der Umgang mit den Materialien Gips, Zement und Silikon steht im Vordergrund. Ziel ist es, den Studenten anhand der erlernten Abform-Techniken in verschiedenen Materialien, eine selbstständige Umsetzung des Formenbaus der eigenen Projekte zu ermöglichen. Da nur eine beschränkte Anzahl von Arbeitsplätzen zur Verfügung steht, ist die… 2025W, Vorlesung und Übungen, 2.0 ECTS
Roland Reiter
2026S, Vorlesung und Übungen, 2.0 ECTS
Ludwig Kittinger
The course is segmented into two parts, both in practical and theoretical form: 1 - Cooking, Food and Artist Bars 2 - Paulusplatz Debate Club - This House Would Abolish the Venice Biennale. (example) 2026S, Vorlesung und Übungen, 2.0 ECTS
Sophie-Marie Geretsegger
Vor allem in den 60iger und 70igerJahren wurde der Alltag im Privatleben zum Thema in der Kunst. Naheliegenderweise beschäftigten sich häufig Künstlerinnen damit. Die Emanzipation einzelner Topoi, ihre Bildwürdigkeit, bzw. Kunstwürdigkeit und deren historische Entwicklung soll in diesem Proseminar untersucht werden. Das Interesse an den Zwängen des Alltags und der Gesellschaft unter wechselnden Vorzeichen hat auch in gegenwärtigen Kunstproduktionen und… 2025W, Introductory Seminar, 3.0 ECTS
Leonie Licht
What does the sky look like from above? This paradoxical question marks the center of the seminar, which will deal with a specific form of seeing: the vertical perspective. Using aesthetic material from art and popular culture, we will explore this particular view and understand it as a way of looking at the world that shapes our understanding of space… 2025W, scientific seminar, 4.0 ECTS
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