1214 courses

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Bildpunkte in Bewegung I - Video Art (Teil 1)

Gerda Lampalzer-Oppermann

Videokunst ist in ihrer spezifischen Rolle als Übergangsstadium und Vermittlerin zwischen analoger und digitaler Bilderzeugung mediengeschichtlich besonders interessant. In einem historischen Überblick werden an Hand internationaler Beispiele ihre wichtigsten Entwicklungsphasen vorgestellt und ein Überblick über die zeitgenössische Produktion gegeben. Da sich kulturhistorischen Bezüge zwischen Medienkunstentwicklung und (kommunikations)gesellschaftlicher Bedingungen speziell in interdisziplinären Überschneidungen gut ablesen lassen, soll Videokunst auch speziell in… 2022W, Vorlesungen, 3.0 ECTS

Bildpunkte in Bewegung I – Video Art (Teil 2)

Gerda Lampalzer-Oppermann

2023S, Vorlesungen, 3.0 ECTS

Bildpunkte in Bewegung II - Dokumentarfilm/Video (Teil 1)

Gerda Lampalzer-Oppermann

In „Bildpunkte in Bewegung II“ wird audiovisuelle Medienarbeit an Hand von dokumentarischen Projekten untersucht. Dabei soll auf die Geschichte des Dokumentarfilms/videos ebenso eingegangen werden wie auf die zeitgenössische Produktion. Besonderes Augenmerk wird einerseits auf den Einfluss neuer Technologien (Video, digitale Medien) auf den Dokumentarfilm gelegt, anderseits auf die Entwicklung neuer Modelle in der Produktion. Medienzentren, Arbeitskollektive, partizipative Modelle als Versuche,… 2022W, Vorlesungen, 3.0 ECTS

Bildpunkte in Bewegung II - Dokumentarfilm/Video (Teil 2)

Gerda Lampalzer-Oppermann

2023S, Vorlesungen, 3.0 ECTS

Binde- und Klebemittel in der Restaurierung - Natürliche Binde- und Klebemittel

Karol Bayer

Throughout the history of painting there are various painting techniques known: oil painting, gouache, tempera, watercolour, acrylic painting, etc. Every painting consists of two basic components - pigments and binders. The binders determine not only the painting technique but also many properties of paint layers. Various natural macromolecular substances have been used and many of these substances have served also… 2022W, Vorlesungen, 2.0 ECTS

Biogene Schädigung von Kunstwerken

Guadalupe Dominica Piñar Larrubia

Bacteria _ ecology and diversity Fungi - ecology and morphology Algae and cyanobacteria Lichens Microbially caused damage, phenomenological analysis. Ecology of microorganisms as a basis for the development of treatment options Treatment methods, handling biocides Occupational safety in dealing with microorganisms Microbiological techniques (e.g. sterile work) Microscopic analysis of sample material Microscopy of microorganisms 2022W, Vorlesungen, 1.0 ECTS

Biogene Schädigung von Kunstwerken

Katja Sterflinger

Fungi - ecology and morphologyAlgae and cyanobacteriaLichensMicrobially caused damage, phenomenological analysis.Ecology of microorganisms as a basis for the development of treatment optionsTreatment methods, handling biocidesOccupational safety in dealing with microorganismsMicrobiological techniques (e.g. sterile work)Microscopic analysis of sample materialMicroscopy of microorganisms 2022W, Vorlesungen, 1.0 ECTS

Black Individuation

Clemens Apprich

Starting from Frantz Fanon’s famous as well as cryptic statement that “[t]here is a zone of nonbeing, an extraordinarily sterile and arid region, an incline stripped bare of every essential from which a genuine new departure can emerge” (Black Skin, White Masks, 2008: xii), this seminar will explore zones of nonbeing with regards to contemporary media cultures. Blackness, in this… 2022W, scientific seminar, 4.0 ECTS

Body X Space - Performative strategies for site-specific art

Julischka Stengele

2023S, Vorlesung und Übungen, 2.0 ECTS

Buchbinden - Grundlagen

Christina Petutschnigg

Within this course the basics of bookbinding are worked out in theory and experience. During the semester we manufacture different booklet - and bookforms in various binding techniques. 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Buchbinden - Techniken

Christina Petutschnigg

Within this course you get familiar with various bookbinding techniques on the basis of your own manufactured work pieces. 2022W/2023S, Übungen, 1.5 ECTS

Bühnenregie, Konzept und Umsetzung

Thomas Oliver Niehaus

fascination and boredom. realism and reality. ensemble and society. the plays of anton cechov  - whether / how they might still be relevant for today*s stage. 2022W/2023S, artistic Seminar, 2.0 ECTS

Bühnentechnik / Technisches Zeichnen

Kathrin Kemp

Theaterrelevantes technisches Zeichnen (2D) mit Hilfe des Programms AutoCAD. Der Kurs wird in je zwei Stunden für Unerfahrene und Fortgeschrittene geteilt. AnfängerInnen:  14:00 - 16:00 Fortgeschrittene:  16:00 - 18:00 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Building Construction A

Franz Sam

Description The lecture imparts expertise on the interplay of building parts in constructions, while taking into account selected building materials. The focus is concepts of “monomateriality” – i.e., one single material is used for creating the volume, the load-bearing structure and the skin of the building. Special attention is also given to the strains having an impact on the building… 2022W, scientific seminar, 3.0 ECTS

Building Construction B

Anja Jonkhans

The focus is on facade connections of resource-optimized and cycle-compatible design. Prominent architectural examples (both solid and lightweight construction) will be shown in the seminar. Followed by elaboration of details for an actual studio project. For all building construction courses pre-start in winterterm: "Building Construction Basics" (crash course):05.10.2022, 09:00- 11:00 (Karin), 11:15-13:00 (Franz), 14:00-16:00 (Anja) | Seminar room 09 (OKPV,… 2023S, scientific seminar, 3.0 ECTS

Building Construction C

Clemens Preisinger

This seminar deals with construction systems and techniques currently used in the building industry - their properties, liabilities and how they are used to assemble large scale structures. A selection of typical structural problems will be discussed and contextualized by referring to existing buildings. 2023S, scientific seminar, 3.0 ECTS

Building Construction Integration

Karin Raith

Building construction concepts are integrated into the studio project, creating a logical link between the architectural design and its technical elaboration. The course accompanies Architectural Design 5 (the pre-diploma project). According to their individual interests, the students define a construction topic that supports and/or complements the design topic. The design is to be concretised, deepened and enriched through constructive considerations.… 2022W/2023S, scientific seminar, 3.0 ECTS

Building Construction Integration

Franz Sam

Description Based on the topic of the studio design project (Architectural design 5) the construction design shall be developed concurrently with the form and spatial design in an integrative process.Focusing its content on to the aspects of realisation of building constructions as well as the process of cooperation with contributing experts it helps to implement relevant knowledge during an ongoing… 2023S, scientific seminar, 3.0 ECTS

Building Construction Practice

Franz Sam

2023S, scientific seminar, 3.0 ECTS

Building Information Modeling

Michael Wögerbauer

The course will introduce students to office-level project development and BIM. Therefore, each student is asked to develop a small-scale project. Each seminar is structured in three parts: The first part consists of a short lecture giving insights into all planning phases, from competition to construction. During the second part, all aspects will be put into the context of BIM.… 2022W, scientific seminar, 4.0 ECTS

Building Ties: Das Bild und sein Gegenstand

Ulrike Königshofer

Medien wie die Fotografie knüpfen im Gegensatz etwa zu frei abstrakter Malerei anihren Abbildungsgegenstand an, indem sie in erweitertem Sinn Information davonableiten. Klassischerweise bezeichnete man ihr Bild als eine Art „Spur“, die durcheine tatsächlich physikalische Verbindung entstanden ist. Der Begriff der „Ähnlichkeit“dient oft als Gradmesser der Nähe einer Aufnahme zum Bildgegenstand. In der Lecture soll der sehr grundsätzlichen Frage nachgegangen… 2022W, Vorlesung und Übungen, 2.0 ECTS

CAD - Schnittkonstruktion

Christine Ostermaier

Das Ziel dieser Übung liegt in der Erarbeitung von persönlichen, für die Kollektion brauchbaren, digitalen Grundschnitten. Grundfunktionen des CAD Programmes Grafis-V12 werden durch die Anwendung an eigenen Projekten der Studierenden trainiert.   2022W, Übungen, 1.5 ECTS

CAD - Schnittkonstruktion Basic

Christine Ostermaier

Grundfunktionen des CAD-Schnittzeichen-Programmes Grafis V12. Erstellen von Grundschnitten. Modifizieren von Grundschnitten zu Modellschnitten. ZIEL: Die Studen*innen erlernen in der Lehrveranstaltung computerunterstützte Schnittkonstruktion. Die Tools von Grafis V12 können zur Umsetzung von Basisschnitten und Modellentwicklungen  angewendet werden. 2022W, Vorlesung und Übungen, 2.0 ECTS

CDC Application Lab

Adnan Balcinovic

This academic year we will develop our yearly projects around the annual theme of energy. The CDCLab will be developed and run with the whole CDS faculty team, mainly in close coordination with the courses Intensification in Science and Technology by Fabian Fischer and Intensification in Economics and Politics by Sarah Hager. As we work on the year-long projects, individually… 2022W/2023S, Projektarbeit, 8.0 ECTS

CDC Bachelor Final Project Lab

Christine Böhler

For CDS students who are working on their Bachelor Thesis Project in the winter term 2022/23. 2022W/2023S, Projektarbeit, 16.0 ECTS

CLO 3D Modekonstruktion - Advanced

Jeung Guy Song

2023S, Vorlesung und Übungen, 2.0 ECTS

CLO 3D Modekonstruktion - Basic

Jeung Guy Song

CLO ist eine 3D-Kostümdesign-Software, die den tatsächlichen Kostümherstellungsprozess reproduziert. In typischer 3D-Modellierungssoftware wie Maya oder Max wird die Oberfläche des 3D-Netzes geformt, um ein Kostüm zu erstellen. CLO hingegen erstellt 2D-Musterteile und näht sie zu 3D-Kostümen. Dieser Ansatz ist sehr effizient, da der Modellierungsprozess der 3D-Seite minimiert wird, und er ist intuitiv für diejenigen, die Modedesign studiert haben oder studierend.… 2022W, Vorlesung und Übungen, 2.0 ECTS

Chemische Grundlagen - Chemische Grundlagen für Restaurator*innen 1

Robert Linke

TEIL I (WS, 2h) Aggregatzustände (Phasendiagramm Wasser, Luftfeuchtigkeit, Sublimation (Gefriertrockung für Papierentsäuerung, überkritisches CO2) Atombau, Bohr-Modell, Elektronenkonfiguration, EN, Nuklide (Isotope, Isobare, Isomere…) Ionisierungsenergie, Radioaktivität Elektromagnetisches Spektrum und andere Strahlungen (Röntgen, UV, IR, Flammenfärbung) PSE: Orbitale (Hauptgruppen-Eigenschaften) Molbegriff: Molrechnungen Chemische Bindung Atombindung Ionenbindung Metallbindung Chemische WW Chemisches Gleichgewicht (Bsp. Ionentauscher) Wasserhärte-Wasserenthärtung Löslichkeit, Löslichkeitsprodukt (Bsp. AC-kompressen, Salzstabilisierungsverfahren) Konzentrationsangaben in der Chemie (Molarität… 2022W, Vorlesungen, 2.0 ECTS

Circular Strategies

Lukas Allner

Intelligent use of resources is essential for a future-oriented building culture. Topics such as reuse, adaptation, modularity, and design for disassembly are addressed, with design and materialization conceptualized in mutual exchange. 2023S, scientific seminar, 3.0 ECTS

City of Bits - Mediating Architectures

Yona Schreyer

city of bits an expedition into what makes a city Our cities are complex systems that interconnect all our social, economic, cultural, and infrastructural elements. Within these large systems, we then build own smaller networks – trying to make the city work for us. A good city allows the interdependency of the smaller and bigger systems to be a space… 2022W/2023S, scientific seminar, 4.0 ECTS

Cobot Studio Pilotfabrik Industrie 4.0

Bernd Hader

The aim of the course is to convey the basic knowledge required for the use of collaborative robots. In addition to the theoretical content, students learn how to operate and program collaborative robots. The practical exercises are held in the pilot factory of the TU Vienna (Seestadt). After positive completion of the course students ... - know the basics about… 2022W, Vorlesung und Übungen, 3.0 ECTS

Code & Repräsentation I

Stefano D'Alessio

Performing digital spacesThis Lecture is associated with the Angewandte Performance LabThe seminar is practical and will focus on building generative and reactive virtual environments. We will create digital spaces that can respond to physical inputs and also "behave" independently.We will experiments with real time 3D spaces, visuals, sound design and how to make them dynamic and interactive in performance or… 2022W, artistic Seminar, 2.0 ECTS

Code & Repräsentation II

Stefano D'Alessio

2023S, artistic Seminar, 2.0 ECTS

Code & Repräsentation III

Roland Schöny

DIGITAL FORENSICS as a Method of Critical Political Art Forensic investigations are based on the analysis of storage media in order to reconstruct sequences of movements and communication flows. This often involves extracting deleted, damaged or overwritten files. This raises questions about the interpretive power over the data. On the basis of which preliminary decisions are data evaluated and interpreted.… 2022W/2023S, artistic Seminar, 1.0 ECTS

Code & Repräsentation V

Patrícia Reis

In the last decades many contemporary artists have been exploring the tactile qualities of motion image as a critical response to the excess of visuality that characterizes today's visual culture. A large number of these works employs multisensory strategies of affection that call for the engagement of the spectator's body in the process of experiencing art. Those strategies were acknowledged… 2022W/2023S, artistic Seminar, 2.0 ECTS

Colonial Sediments

Belinda Kazeem-Kaminski

2023S, Vorlesung und Übungen, 2.0 ECTS

Common People

Hannes Zebedin

Starting from Pulp ́s song Common People we will discuss forms of classism at universities, the artworld, and the everyday. We will structure the seminar in a historical overview of classism embedded in cultural discourse of the last century, ranging from Russian Constructivism to bel hooks, from Italian Neorealism to Britpop. Then we will define possibilities to make artwork in… 2022W, Vorlesung und Übungen, 2.0 ECTS

Communication & Presentation Skills for Interdisciplinary and Transdisciplinary

Christian Newman

The ability to present your ideas clearly and persuasively is one of the most important skills in the modern workplace. However, nearly everyone has anxieties when it comes time to make a presentation, especially if the presentation is not in one’s native language. This highly interactive course will help students gain confidence as speakers and presenters regardless if they present… 2022W, Übungen, 2.0 ECTS

Computer als Medium (Medienästhetik)

Michael Huber

Based on historical-sociological considerations (cybernetics, Weizenbaum e.a.) (cybernetics, Weizenbaum e.a.), cornerstones of digital culture are illuminated (Hofstadter, Penrose, Rheingold e.a.). Besides the consideration of strictly formal systems (Mandelbrot e.a.), the interest is mainly directed to the social effects of technology ("net culture", "social media", Postman e.a.).The dominant theme of "AI and creativity" is also found here. Specific "applied" topics such… 2022W, scientific seminar, 4.0 ECTS

Computergestützte Entwurfs- und Zeichentechniken

Birgit Hertel

You'll learn techniques in Photoshop and Illustrator and working with a tablet. (with regard to drawing, painting, illustrating, scribble and layout). Good basic knowledge of both programs is already required for the course. (Layers, masks, basic knowledge of tools, selections ). Contents of the course: - Workplace settings Photoshop/Illustator- Preparing and creating files - determining dimensions pixels vs. dpi.- Using… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Confrontations with the Void

Alexi Kukuljevic

“It is no longer possible to think in our day other than in the void left by man’s disappearance.” - Michel Foucault This seminar takes its point of departure from what Alain Badiou, at the end of The Century, terms the joint disappearance of man and God. In the place of God and man, we encounter instead a void. To… 2022W, scientific seminar, 4.0 ECTS

Conservation Teaching Workshop II - Preparations

Gabriela Krist

The course serves as preparation for the Conservation Teaching Workshop in Bangkok. The main aim is students individually preparing a project paper on a selected topic in conservation practice, related to their planned Master thesis. Topics will be assigned in the first and second lecture. Students will afterwards prepare a comprehensive literature research and a teaching manual on their topic.… 2022W, Proseminar, 3.0 ECTS

Construction Management

Hans Lechner

2023S, scientific seminar, 4.0 ECTS

Counter Appropriation

Thomas Edlinger

Kulturelle Aneignung ist Diebstahl, heißt es heute im antirassistischen Diskurs. Räuberische Kulturindustrien, zynische Jäger*innen des Neuen und unbedachte Multikulti-Fans plündern in neokolonialer Manier marginalisierte Kulturen, um eigene Lebensstile oder Werke zu bereichern. Sei es durch Rastazöpfe auf weißen Köpfen, Twerking-Importe in Popvideos oder die Einverleibung indigener Traditionen durch westliche Künstler*innen. Beklagt und geächtet wird in der Regel eine gefrässige, westlich-hegemoniale… 2022W/2023S, scientific seminar, 4.0 ECTS

Creative Coding 1

Jonas Bohatsch

This course teaches basic programming skills with the language Processing and it's Javascript equivalent P5js. Students will learn how to write code and simple algorithms to generate visual outputs. Wether designer or artist; after successfully completing the course, students posses basic coding skills and gained insight in how to use coding as a tool in their creative practice. Content: •… 2022W, Vorlesung und Übungen, 2.0 ECTS

Creative Coding 2

Jonas Bohatsch

2023S, Vorlesung und Übungen, 2.0 ECTS

Cross-disciplinary Project Work I

Katharina Gsöllpointner

In the line of experimenting with innovative learning and teaching structures, this course will be distinguished by features which are intended to reflect the idea of transformative and sustainable acting in the context of the semester topic "SPECIES". It gives students an insight in selected methodologies in the conception and realisation of cross-discplinary group projects expanded by theoretical inputs, practical… 2022W, Projektarbeit, 9.0 ECTS

Cross-disciplinary Project Work I

Elisabeth Kopf

The course is held together with Katharina Gsöllpointner (Arts and Society, International Programs in Sustainable Developments / IPSD): https://base.uni-ak.ac.at/courses/2022W/S03707/ 2022W, Projektarbeit, 3.0 ECTS

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