Wolfgang Neipl

Artistic film practice Technically, the camera takes the pictures. But "film photography" is different from "still photography". What "creative controls" are available to the artists? "Rules" can be safe tools or deliberately broken. Artistic techniques are excellent sources of inspiration. Whether experimental or conventional, every filmmaker should know about them in order to find suitable settings and (also) conceptual resolutions… 2025W/2026S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

...how to hook the audience...? Whatever you want to present, it always works best with a story. Make it a story ! Conception of a short film (60sec). We think in images, fall in love with them and often get lost in them. Such images are important for filmmaking, but in order to take the viewer's breath away, we need… 2025W/2026S, artistic Seminar, 2.0 ECTS

Jan Jancik

Introduction to working with DaVinci Resolve, no previous knowledge necessary. All functions of DaVinci Resolve and a professional way of working with the editing program are taught using examples. Some of the topics discussed will be: Structured workflow for video editing Technical know-how on video formats and codecs Transitions and editing techniques Sound editing and music editing Audio/Video synchronization Color… 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS

Jan Jancik

Learning to work with Adobe Premiere Pro - no previous knowledge necessary. All functions of Premiere Pro and a professional way of working with the editing program are taught using examples. Some of the topics discussed will be: Structured workflow for video editing Technical know-how on video formats and codecs Transitions and editing techniques Sound editing and music editing Audio/Video… 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

Artistic film practice Filming a collaborative project in cinelook with professional equipment from the department. EXAMPLE   (performance)     pw: example To attend this course please also register:  Filming-Techniques/Kameraarbeit und Ton The work takes place in teams of about 6 people. The allocation for this takes place during the preliminary meeting and is then binding ! See below for possible dates.   2025W/2026S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

EXPERIMENTAL and APPLIED SOUND DESIGN Voice/Sound - Recording, Synthesisers, Sounddesign. How do I record speech, singing and sounds correctly, and what can I do with them? When do you need mono and when do you need stereo microphones? Creative audio editing. Practical introduction to synthetic sound generation (Synthesizers) and its artistic application in music and sound production. Relevant programme /… 2025W/2026S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

The course teaches professional dubbing by use of the soudlibrary of Logic. The procedure enables copyright independence. Contents: Music and sound as mood-creating elements. Sounddesign. Technical and artistic foundations of composing, arranging and producing musical structures on motion pictures. The term: »Music» is also interpreted as »Sound- and Noise Structure». Relevant Application (Digital Audio Workstation): Logic In line with systematic… 2025W/2026S, artistic Seminar, 2.0 ECTS

Tina Kult

What strategies and methods have artists developed in the medium of video? And how can these be made productive for one's own artistic practice? The seminar “Videoverwandte Medien / Video-related Media” offers a two-semester exploration of the genre of video art, combining analysis, discussion, and individual artistic production. The course takes place in close collaboration with the Ursula Blickle Video… 2025W/2026S, artistic Seminar, 2.0 ECTS

Sebastian Brauneis

Something with Media – Integration – Improvisation – Intervention This course focuses—taking its cue from film as a semi-industrially produced, collaborative medium—on the collective development of media-based artistic works situated between improvisation, political intervention, and inclusive organization. Together, we explore strategies for creating relevant, formally precise media works using minimal means—but with maximum clarity—and, crucially, for organizing their realization. Experiences… 2025W/2026S, artistic Seminar, 2.0 ECTS

Roswitha Schuller

VISUAL CASE STUDIES 1 – MUSICAL Objective: Further development of one's own artistic practice using newly developed methods of analysis and research. Students create visual vignettes: analogue and digital ‘microformats’ such as sketches and scribbles, short moving images, bits & pixels, memes, GIFs, stories, audios. The course focuses on our approach to visuality, a multi-perspective examination of the visual. Whose… 2025W, artistic Seminar, 2.0 ECTS

Roswitha Schuller

2026S, artistic Seminar, 2.0 ECTS

Michelle Kasprzak

In this course, we will look at the foundations of digital art and the strategies employed in its creation, dissemination, and presentation. The class will primarily be comprised of lectures, in-class discussions and assignments, and (possible) excursions. Readings will be provided and a full list will be presented on the first day of class. Some preparation before the first class… 2025W/2026S, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

The course offers a technical and conceptual introduction to working with media such as video, light, and projection, making use of the department’s equipment. It is primarily aimed at students in the lower semesters of Transmedia Art. Through practical hands-on exercises and DIY approaches, students gain fundamental access to experimental work with media. In addition, engaging with different working techniques,… 2025W, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

2026S, artistic Seminar, 2.0 ECTS

Eva Maria Kitting

Diese Lehrveranstaltung bietet eine umfassende Einführung in Visualisierungstechniken für Gestaltende mit einem klaren Schwerpunkt auf der Anwendung der Rendering-Software KeyShot. Ziel ist es, praxisnahe Kompetenzen zu vermitteln, mit denen Designkonzepte überzeugend visualisiert werden können. Im Verlauf des Kurses werden sowohl grundlegende als auch fortgeschrittene Funktionen von KeyShot vermittelt. Dazu gehören der gezielte Einsatz von Materialien und Texturen, das realitätsnahe Beleuchten… 2025W, Vorlesung und Übungen, 2.0 ECTS

Gerald Grestenberger

"An utterance in space (the text to be written)"a structural look onto its creation and realization The purpose of the course is to support the realization of selectd artworks of students of Transmedia Art as self-empowerd entities within a show, in the tension field of a collective context of a group exhibition The focus is on deepening and communicating one’s… 2025W, artistic Seminar, 2.0 ECTS

Gerald Grestenberger

2026S, artistic Seminar, 2.0 ECTS

Roman Spieß

Die  Lehrveranstaltung vermittelt unterschiedliche Herangehensweisen an die figurative Formfindung und deren Umsetzung in keramische Plastiken.Im Zentrum steht das plastische Arbeiten mit Ton - mit  besonderen Augenmerk auf Proportion, Ausdruck und Präsenz der Form. 2025W, Vorlesung und Übungen, 2.0 ECTS

Judith Pichlmüller

The examination of moved images and the practical application of the media video as an artistic expression are central aspects of the course. Examples of contemporary video works in the visual arts are shown and own artistic themes are found. The interplay of video and other artistic media will be discussed and implemented. The main aspects of this seminar are… 2025W/2026S, artistic Seminar, 2.0 ECTS

Sofia Bempeza

Dieses Lehrformat unterstützt die Planung des (drei oder viersemestrigen) Masterstudiums. Falls ein 4. Semester anvisiert wird, gibt es eine Absprache bzw. schriftliche Vereinbarung hinsichtlich der individuellen Schwerpunktsetzung im 4. Studiensemester. 2025W/2026S, Künstl. Einzelunterricht, 1.0 ECTS

Ebba Fransén Waldhör

Dieses Lehrformat unterstützt die Planung des viersemestrigen Masterstudiums und sieht eine Absprache bzw. schriftliche Vereinbarung hinsichtlich der individuellen Schwerpunktsetzung im 4. Studiensemester vor.   2025W/2026S, Künstl. Einzelunterricht, 1.0 ECTS

Christoph Kaltenbrunner

!!! DIESE LEHRVERANSTALTUNG IST FÜR STUDIERENDE DES 4-SEMESTRIGEN MASTERSTUDIUMS VERPFLICHTEND UND MUSS SOFORT ZU BEGINN DES MASTERSTUDIUMS ABSOLVIERT WERDEN !!! --- Die VORSCHAU & KONZEPTION soll den persönlichen Lernweg sowie dessen rückblickende und vorausschauende Reflexion deutlich machen und den Bezug zu den individuellen Erweiterungen im 4-semestrigen Masterstudium klar erkennen lassen. 2025W/2026S, Künstl. Einzelunterricht, 1.0 ECTS

Annette Krauss

Dieses Lehrformat unterstützt die Planung des (drei oder viersemestrigen) Masterstudiums. Falls ein 4. Semester anvisiert wird, gibt es eine Absprache bzw. schriftliche Vereinbarung hinsichtlich der individuellen Schwerpunktsetzung im 4. Studiensemester. 2025W/2026S, Künstl. Einzelunterricht, 1.0 ECTS

Jan Völker

2026S, scientific seminar, 4.0 ECTS

Jan Völker

2026S, Vorlesungen, 2.0 ECTS

Jakob Schillinger

Kritikalität bestimmt den Diskurs der Gegenwartskunst. Ob eine bestimmte künstlerische Praxis kritisch genug ist, ob Institutionskritik bereits akademisiert und vereinnahmt worden ist oder ob sie als Infrastrukturkritik erneuert werden sollte, welche kritischen Strategien heute überhaupt noch Erfolg versprechen … – die Fragen, die die Kunstwelt beschäftigen, kreisen um die Figur einer kritischen Kunst. Man könnte sagen, die Unterscheidung kritisch/nicht-kritisch funktioniert… 2025W, scientific seminar, 4.0 ECTS

Christophe Charon

2026S, Lecture with Practical Exercises, 2.0 ECTS

Andrea Klaura

This course will introduce you to modern web development basics in a playful approach by (re)creating simple web-based game prototypes. Throughout this course you will develop your own skills to develop websites and simple games that can be run in (almost) any web browser and be integrated into (almost) any web page. Course Webpage: https://tantemalkah.at/web-coding (Note: This course was formerly… 2025W, Vorlesung und Übungen, 2.0 ECTS

Naemi Luckner

Das Ziel dieser Lehrveranstaltung ist eine Auseinandersetzung mit gängigen Technologien die die Basis zur Konzipierung und praktischen Umsetzung von Webseiten darstellen. Es werden HTML und CSS Konzepte vorgestellt und anhand von praktischen Beispielen erlernt. Ziel ist die Vermittlung von Basiswissen, um vertiefendes Selbststudium zu ermöglichen. Für diese Lehrveranstaltung sind keine Vorkenntnisse notwendig.Es gibt keine Vorbesprechung! Die Lehrveranstaltung wird in 6… 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS

Naemi Luckner

Basierend auf Vorwissen von HTML und CSS, werden noch weitere HTML/CSS Themen erklärt und angewandt (zB forms). Zusätzlich beschäftigen wir uns mit JavaScript und jQuery (einer JavaScript library), um unsere Websites interaktiver gestalten zu können und Bootstrap (einem front-end open source Toolkit), um zu lernen, wie man existierenden Code kopieren und auf die eigenen Bedürfnisse anpassen kann. Als Abschlussarbeit wird… 2026S, Vorlesung und Übungen, 2.0 ECTS

Hanin Eisa

Webcoding: Let’s Build a Personal Website! is a course about making your unique mark on the web, whether that be a website about fixing bikes to a site dedicated to your favourite character. In this case, a Personal Website is place to show the internet/world who you are. By carving this little space on the net, you and the people… 2025W, artistic Seminar, 1.0 ECTS

Olga Grjasnowa

2026S, Project Work, 5.0 ECTS

Cordula Cerha

Die Rahmenbedingungen für die Werbung sind auf den heutigen Märkten schwierig. De r hohe Grad der Bedürfnisbefriedigung bei den Konsumenten und das große Angebot an vielfach austauschbaren Produkten haben zu einem nachlassenden Interesse der Konsumenten an Werbebotschaften geführt. Von den zwischen 2.000 und 4.000 Werbebotschaften, die täglich auf den Konsumenten einströmen, werden nur wenige überhaupt wahrgenommen und noch weniger dauerhaft… 2025W, Lecture, 1.0 ECTS

Cordula Cerha

2026S, Lecture, 1.0 ECTS

Farkas Pintér

2026S, Vorlesungen, 1.0 ECTS

Amanda Holmes

2026S, scientific seminar, 4.0 ECTS

Karin Michalski

What expectations do we as the audience/public and also as artists and media professionals have of genres such as interviews and portraits? What rules do we face as interviewers, but also as interviewees? Artists such as Adam Pendleton, Natascha Sadr Haghighian and mandla rae question the conventions of these genres in their works and reject expectations with their queer and… 2025W, scientific seminar, 4.0 ECTS

Lisa Rastl-Dorner

2026S, Vorlesung und Übungen, 1.0 ECTS

Claudia Rohrauer

To participate in the course, it is necessary to register for the course of the same name S04717 by Lisa Rastl in order to receive 2 ECTS.  Advanced knowledge of analogue laboratory practice (film processing, positive processing) is a prerequisite for participation in the course as well as attendance at the 1st meeting. 2026S, Vorlesung und Übungen, 1.0 ECTS

Stefan Wykydal

2026S, Vorlesung und Übungen, 1.0 ECTS

Mary Maggic

2026S, Vorlesung und Übungen, 2.0 ECTS

Manfred Nowak

The overall goal of this course is to equip the students with knowledge and skills necessary to conduct interdisciplinary scientific and artistic research in human rights. In particular, the course focuses on the process of preparing a scientific or artistic research thesis. It re-introduces and expands on the main tools and tenets of scientific and artistic research, with a special… 2025W/2026S, Konversatorium, 2.0 ECTS

Walter Suntinger

The overall goal of this course is to equip the students with knowledge and skills necessary to conduct interdisciplinary scientific and artistic research in human rights. In particular, the course focuses on the process of preparing a scientific or artistic research thesis. It re-introduces and expands on the main tools and tenets of scientific and artistic research, with a special… 2025W/2026S, Konversatorium, 3.0 ECTS

Marilyn Volkman

The overall goal of this course is to equip the students with knowledge and skills necessary to conduct interdisciplinary scientific and artistic research in human rights. In particular, the course focuses on the process of preparing a scientific or artistic research thesis. It re-introduces and expands on the main tools and tenets of scientific and artistic research, with a special… 2025W/2026S, Konversatorium, 2.0 ECTS

Simon Goritschnig

Comics are everywhere! In this block lecture, we explore the vast landscape of visual storytelling, graphic novels and image-based narration. We will build a deeper understanding of what comic is, what it can do and how far it’s boundaries can be pushed. From writing to drawing this course will cover all the basics in the conceptualisation and production of a… 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS

Simon Goritschnig

In this course, we will focus on different aspects of drawing from nature. We will explore figure drawing, still life and the way we perceive the world. THE COURSE CONSISTS OF: Drawing Diskuasion & group feedback 1-to-1 feedback WHO SHOULD TAKE THIS COURSE? This course is for people who want to practice, develop their skill set, and deepen their understanding… 2025W/2026S, Vorlesung und Übungen, 2.0 ECTS

Maria Ziegelböck

The ZKF takes place every Wednesday and includes the development of semester topics, project meetings, internal and open presentations, workshops and field trips. Programs and additional dates will be communicate per email - subject ZKF update.   Field trip: 7.-10.10.2025 2025W/2026S, Künstl. Einzelunterricht, 12.0 ECTS

Maria Ziegelböck

The ZKF takes place every Wednesday and includes the development of semester topics, project meetings, internal and open presentations, workshops and field trips. Programs and additional dates will be communicate per email - subject ZKF update.   Field trip: 7.-10.10.2025 2025W/2026S, Künstl. Einzelunterricht, 15.0 ECTS

Bernhard Kleber

Semesterthemata  :   -   RITUAL , ERDE , OPFER , SCANDALON  -  „ le sacre du printemps „. – strawinsky , nijinsky -    eine erarbeitung von bühne kostüm licht technik zu kompletter werkstattabgabe -    eine freie künstlerische position 2025W/2026S, Künstl. Einzelunterricht, 15.0 ECTS

Bernhard Kleber

Semesterthemata  :   -   RITUAL , ERDE , OPFER , SCANDALON  -  „ le sacre du printemps „. – strawinsky , nijinsky -    eine erarbeitung von bühne kostüm licht technik zu kompletter werkstattabgabe -    eine freie künstlerische position 2025W/2026S, Künstl. Einzelunterricht, 14.0 ECTS