Schneiderei

The exhibition shows two installations, which explore in different ways the representation and the utilization of objects as tools, depicting a change of the meaning, depending on whether established by usage or by contemplation. Kristin Weissenberger works on different aspects of perception in relation with space and its organizational power, shaping perception and thought of the individual. She studied Art History at the University of Vienna and graduated in Stage Design at the University of Applied Arts Vienna in 2009. The work “A Statute of Matter” has been produced in collaboration with pavillon_35. [Quelle: http://seeyounextthursday.com/]

Mohammad Salemy will be speaking via internet from NYC. The talk will look at the challenges that telecomputation, the synthesis of mass telecommunication and computation have created for the field of art. It will also include a discussion about the further co-integration of humans and machines not only in regards to the production and distribution but also understanding and interpretation of images Mohammad Salemy is an independent NYC/Vancouver-based critic and curator from Iran. He has curated exhibitions at the Satellite Gallery, Access Gallery and Dadabase. He co-curated Faces exhibition at the Morris and Helen Belkin Art Gallery. In 2014, Salemy organized the Incredible Machines conference in Vancouver. Salemy holds a masters degree in Critical and Curatorial Studies from the University of British Columbia. He is one of the cofounders of the Fixing the Future platform and is one of the organizers of the New Centre for Research & Practice. [Quelle: http://seeyounextthursday.com/]

For Introduce, we invite an artist to present a piece by another artist that is important to him/her. Here, artist is broadly defined to include every form of cultural producers, and what a piece entails is also left open, to be defined at each occasion. [Quelle: Einladung]

For this project, which was conceived in a conversation with artist Aaron Gemmill, a selected group of artists have been invited to submit digital documentation or original works and subject them to Google’s reverse image search. The exhibition is then created with a number of resulting images from these searches. There will also be a catalogue for the exhibition, which will include several short texts by theorists, philosophers, critics, artists and curators about machinic vision and the inhuman future of the image.

Die Ausstellung widmet sich der Frage nach dem Anderen. Im Widerspruch zur Idee von Slavoj Žižek, der eine fixe Definition der Grenzen des Balkans verneint und den Anderen immer „irgendwo anders“ lokalisiert, wird behauptet, dass der Andere inzwischen zu einem fixen Bestandteil der europäischen Metropolen geworden ist und als solches appropriiert wird. Das in den Anderen projizierte Gewaltpotenzial wird dabei als identitätsstiftendes Selbstbild übernommen oder sogar als Label eingesetzt. Jede Migrationswelle basiert auf rechtlichen Grundlagen, die die aufnehmende Gesellschaft für diese entworfen hat. Vordergründig an die jeweiligen politischen Konstellationen angepasst werden dabei in erster Linie die eigenen historischen Traumatas aufgearbeitet, wenn etwa Deutschland JüdInnen aus den Nachfolgestaaten der Sowjetunion als Kontingentflüchtlinge aufnimmt oder Österreich den Kriegsvertriebenen aus dem ehemaligen Jugoslawien einen Sonderstatus erteilt. Die AkteurInnen der Migrationsprozesse werden zu TrägerInnen eines national-geschichtlichen Narrativs, das ihnen von außen zugewiesen wird, und verkörpern gleichzeitig das kollektiv Verdrängte. The exhibition addresses the question of the other. It stands in opposition to Slavoj Žižek idea, which denies a fixed definition of the Balkan borders and constantly locates the other “somewhere different”. The artists claim that the other has already become an integral part of European cities and is appropriated as such. The potential for violence, which is projected in the other, is adopted as an identity conveying self-image or even used as a label.

Gezeigt wird eine neue Installation aus Collagen, Baulampen und diversen Materialien von Thea Moeller neben dem Replikat einer Arbeit, die 2010 in Zusammenarbeit mit Carmen Loch für eine gemeinsame Ausstellung entstanden ist. [Quelle: http://seeyounextthursday.com/]

Part 2 Mühlbauer M13518 Kuno Adam 2013 Michael Part Nr. 88.11 2013

In a series of three evenings Schweiger is going to present a quilted blanket each time with a piece of selected applied art and work by another artist conceived especially for this occasion. The exhibited pieces are available for a special price throughout the exhibition. Part 1 Hacked IKEA furniture Elisabeth Kihlström Nobody is doing nothing Nobody is doing nothing 2013

Performance: 9-10 pm / 21.00 - 22.00 Uhr * Swiftingerbräu - special edition homebrew * Stew will be ready from 8 pm / 20.00 Uhr on! Thursday 1st June 2017, 8 pm. Donnerstag 1. Juni 2017, 20.00 Uhr Studio Ruyter, Brucknerstraße 6, 1040 Wien Bernhard Rasinger is engineer, visual sound artist and cofounder of Kunstverein New Jörg Vienna. He performs on a system that combines a modular synthesizer and state of the art laser technology to create a lucidly hypnotic audiovisual experience. He is a regular guest at international experimental music festivals, music fairs and soldering workshops. Performances 2016 at Ars Electonica in Linz, Superbooth in Berlin, Modular Days Barcelona and Machines in Music in New York, 2017 concerts in Japan and London

Please join us for a discussion: Victoria Dejaco introduces the work of Patrick Lundberg On Thursday 4 May 2017, at 7:30pm SCHNEIDEREI IS MOVING – TEMPORARY LOCATION: Studio Ruyter, Brucknerstraße 6, 1040 Wien Patrick Lundberg and Victoria Dejaco know each other since a 2013 duo show at her Hallway Gallery. Lundberg’s recent exhibition at Station Gallery in South Yarra, Australia, sparked a further conversation with Dejaco about a completely new form of intimate experience and interaction with a work of art. This conversation has since developed into an ongoing project. The evening at Schneiderei will function as a development laboratory around the open questions of this collaboration. Patrick Lundberg, born 1984 in Stockholm, lives and works in Auckland. He is represented by Robert Heald Gallery, Wellington; Ivan Anthony, Auckland and Station, Melbourne. Recent exhibitions include The Basil Plant and other works, Robert Heald Gallery and Necessary Distraction, Auckland Art Gallery Toi o Tamaki. He has work held in public and private collections in New Zealand and Australia. Victoria Dejaco is an Italian writer and curator, currently full time manager of the Stefan Stolitzka Collection (AT) alongside being an external program advisor for Galleria Doris Ghetta (IT), head curator of the Bunker Now series (IT) and editor for Petunia magazine (FR). She produced exhibitions in Austria, Italy, Switzerland and Bulgaria since 2012 while running an offspace called Hallway Gallery in Vienna (2011-2013), working as gallery assistant at Galerie Emanuel Layr (2012-2014) and as curatorial assistant at Grazer Kunstverein (2013-2015). [Quelle: Einladung]

“I heard you say once, that a lie is sweet in the beginning and bitter in the end, and truth is bitter in the beginning, and sweet in the end” Marita Fraser is an artist working with installation, text and intimate objects. She is currently a researcher at RCA London and was the founding director of Bell Street Project Space Vienna from 2006 - 2010. Marita Fraser arbeitet mit Installation, Text und alltäglichen Objekten. Sie forscht aktuell an der RCA London und hat von 2006 - 2010 den Off-space "Bell Street Project" in Wien betrieben. SCHNEIDEREI IS MOVING / SCHNEIDEREI ZIEHT UM: TEMPORARY LOCATION: Studio Ruyter, Brucknerstraße 6, 1040 Wien [Quelle: http://seeyounextthursday.com/]