Dauer Diplomstudium: 8 Semester (240 ECTS)
Erster Studienabschnitt: 4 Semester, Abschluss: 1. Diplomprüfung, bestehend aus den positiv abgeschlossenen Lehrveranstaltungen des ersten Studienabschnitts
Zweiter Studienabschnitt: 4 Semester, Abschluss: 2. Diplomprüfung, bestehend aus den positiv abgeschlossenen Lehrveranstaltungen des zweiten Studienabschnitts, der Diplomarbeit und der abschließenden kommissionellen Diplomprüfung
169 courses

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Video, neue Medien

Max Hammel

The goal of the seminar is to understand video as an independent art form in order to better comprehend how various stylistic elements of video art can be abstracted on stage. The seminar is structured in three parts. In the first part film and video art will be explored on a theoretical level. In the second part we will collectively… 2023W, artistic Seminar, 2.0 ECTS

Video: 2D - Animation und Compositing - advanced

Wolfgang Neipl

The lecture takes place directly after the AfterEffects - elementary course. All students must have completed: 2D-Animation und Compositing-elementary  Contents: 3D - Layers, Camera _ Audio-synchronous Object Animation _ Tools for Charakteranimation _ Cropping with Roto Brush _  Colorgrading, Colorcorrection _ Possibilities and Limitations of Morphing _ Short Insight into Expressions. 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS

Video: 2D - Animation und Compositing - elementary

Wolfgang Neipl

Workflows of Videografik Animation and Compositing. No previous knowledge required. Step-by-step lectures by building up typical compositions. Digitale Videoformats, Importing Media _ Layerproperties _ Masks _ Keyframeinterpolation _ Economic Application of Effects _ Generation and Work with Templates _ Sequenzing (stop motion) _ Subcompositions _ Time Expansion, Time Distortion _ Shape Layers _ Rendering. Subsequent to this lecture it is… 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS

Video: Filming-Techniques/Kameraarbeit und Ton

Wolfgang Neipl

Artistic film practice Technically, the camera takes the pictures.But "film photography" is different from "still photography". What "creative controls" are available to the artists? "Rules" can be safe tools or deliberately broken. Artistic techniques are excellent sources of inspiration. Whether experimental or conventional, every filmmaker should know about them in order to find suitable settings and (also) conceptual resolutions for… 2023W/2024S, artistic Seminar, 2.0 ECTS

Video: Filmmaking/ Konzepte zeit-basierter Medien

Wolfgang Neipl

...how to hook the audience... Whatever you want to present, it always works best with a story. Make it a story ! Conception of a short film (60sec). We think in images, fall in love with them and often get lost in them. Such images are important for filmmaking, but in order to take the viewer's breath away, we need… 2023W/2024S, artistic Seminar, 2.0 ECTS

Video: Post-production tools 1

Jan Jancik

Introduction to working with DaVinci Resolve, no previous knowledge necessary. All functions of DaVinci Resolve and a professional way of working with the editing program are taught using examples. Some of the topics discussed will be: Structured workflow for video editing Technical know-how on video formats and codecs Transitions and editing techniques Sound editing and music editing A/V sync Color… 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS

Video: Post-production tools 2

Jan Jancik

Introduction to working with Adobe Premiere Pro, no previous knowledge necessary. All functions of Premiere Pro and a professional way of working with the editing program are taught using examples. Some of the topics discussed will be: Structured workflow for video editing Technical know-how on video formats and codecs Transitions and editing techniques Sound editing and music editing A/V sync… 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS

Video: Shooting/Anwendungen aus Videokunst und Videodesign

Wolfgang Neipl

Filming of a community project in Cinelook (Shooting Work on location). EXAMPLE (performance) pw: example To attend this course please also register: Filming-Techniques/Kameraarbeit und Ton The work takes place in teams of about 6 people. The allocation for this takes place during the preliminary meeting and is then binding ! See below for possible dates. Please understand that pre-reservation is… 2023W/2024S, artistic Seminar, 2.0 ECTS

Video: Tonkomposition für Kurzfilm und Video - advanced

Wolfgang Neipl

EXPERIMENTAL (!) SOUND DESIGN Voice/Sound - Recording, Synthesisers . How do I record speech and sounds correctly and what can I do with them? When do you need mono and when stereo miking? Practical introduction to synthesised sound generation. Relevant programme / digital audio workstation (DAW): Logic. Aim: Dubbing of a short video in Logic. The knowledge acquired in the… 2023W/2024S, artistic Seminar, 2.0 ECTS

Video: Tonkomposition für Kurzfilm und Video - elementary

Wolfgang Neipl

The course teaches professional dubbing by use of the soudlibrary of Logic. The procedure enables copyright independence. Contents: Music and sound as mood-creating elements. Technical and artistic foundations of composing, arranging and producing musical structures on motion pictures. The term: »Music» is also interpreted as »Sound- and Noise Structure». Relevant Application (Digital Audio Workstation): Logic Musical previous knowledge is not… 2023W/2024S, artistic Seminar, 2.0 ECTS

Visual Cultures - Krieg und Protest in Sozialen Medien

Ramón Reichert

In the seminar we examine visual cultures of war and protest in social media with a particular focus on: Russia's war against Ukraine, Anti-Maidan, Syria war, Iranian women's revolution, Occupy Wall Street, revolution in Egypt, protests against AfD, protest movement of Israeli civil society. Warfare on social media and online platforms has introduced a new type of mediatization of war:… 2024S, scientific seminar, 4.0 ECTS

Vom Still zur Bewegung

Judith Pichlmüller

The examination of moved images and the practical application of the media video as an artistic expression are central aspects of the course. Examples of contemporary video works in the visual arts are shown and own artistic themes are found. The interplay of video and other artistic media will be discussed and implemented. The main aspects of this seminar are… 2023W/2024S, artistic Seminar, 2.0 ECTS

Was unter die Haut geht - Körper(un)tiefen, Psychosomatik u. gesell. Herrschaft

Moriz Stangl

Whenever European philosophy has dealt with the body at all, it has mostly remained on the surface. Thus even the phenomenology of the lived body, for example in Merleau-Ponty's work, remains on the surface of the skin where the imperceptible coincides with organ of perception. In this seminar, we want to look at the opaque depths of the body, which… 2024S, scientific seminar, 4.0 ECTS

ZKF - Bühnen- und Filmgestaltung I-IV

Bernhard Kleber

Iphigenie auf Tauris von Christoph Willibald Gluck Bühnenbildnerische Ausarbeitung im Modell im Verhältnis dazu andere Iphigenien von Euripides / Racine / Goethe /P.Bausch   Begleitende Details an Anforderungen werden fixiert nach dem ZKF Termin am 6.3. 2023W/2024S, Künstl. Einzelunterricht, 15.0 ECTS

ZKF - Bühnen- und Filmgestaltung V-VII

Bernhard Kleber

Iphigenie auf Tauris von Christoph Willibald Gluck Bühnenbildnerische Ausarbeitung im Modell im Verhältnis dazu andere Iphigenien von Euripides / Racine / Goethe /P.Bausch   Begleitende Details an Anforderungen werden fixiert nach dem ZKF Termin am 6.3. 2023W/2024S, Künstl. Einzelunterricht, 14.0 ECTS

Zuhören. (Ver)Lernen. Kunstschaffen. Machtkritische Theorie und Praxis.

Zehra Baraçkılıç

Black, Indigenous and People of Color (BIPoC), Personen, die Rassismuserfahrungen machen, werden nach wie vor, trotz dem kontinuierlich klaren und lauten Erheben der eigenen Stimmen und der Sichtbarkeit, häufig nicht gehört, gesehen und weiterhin verdrängt. Wenn wir uns diese Gegebenheit bewusst machen, wird klar erkennbar, wie wichtig es ist, das (aktive) Zuhören zu (er)lernen und fortwährend zu üben. Doch was… 2023W, Workshop, 1.0 ECTS

Zyklus Mode und Textil 1

Silke Geppert

FASHION AND TEXTILE I ANTIQUITY - MIDDLE AGES (lecture in german) How did different identities dress in antiquity and the Middle Ages? Where did raw materials come from and how were they traded? What do we know about dress codes in antiquity and how do they live on in the Middle Ages? These and other questions of the material cultural… 2023W, Vorlesungen, 2.0 ECTS

Zyklus Mode und Textil 2

Silke Geppert

FASHION AND TEXTILE II ( german) From the Renaissance to the French Revolution How have different identities dressed since the Renaissance? Where did textile raw materials come from and how were they traded? What do we know about dress codes since the Renaissance and how do they live on to this day? These and other questions of the material cultural… 2024S, Vorlesungen, 2.0 ECTS

trouble. rupture. glitch - speculative movements emerging from discomfort

Djamila Grandits

this workshop aims for a conversation around speculative (curatorial) movements emerging from discomfort. departing from readings on concepts of glitch and discomfort, we exchange upon (epistemic) ruptures, glitches and shifts in relation to artistic, curatorial and institutional practice.    2024S, Workshop, 2.0 ECTS

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