Erster Studienabschnitt: 4 Semester, Abschluss: 1. Diplomprüfung, bestehend aus den positiv abgeschlossenen Lehrveranstaltungen des ersten Studienabschnitts
Zweiter Studienabschnitt: 4 Semester, Abschluss: 2. Diplomprüfung, bestehend aus den positiv abgeschlossenen Lehrveranstaltungen des zweiten Studienabschnitts, der Diplomarbeit und der abschließenden kommissionellen Diplomprüfung
Silke Vollenhofer
Folgende Themenbereiche werden behandelt: - Kriterien einer wissenschaftlichen Arbeit: Umfang, Form, Sprache, Beurteilung - Wissenschaft und ihre Methoden, wissenschaftliche Quellen - Von der Idee um Thema inkl. Forschungsfrage und These - Was ist ein Expose? - Arbeiten mit Fußnoten und einige Themenbereiche mehr 2023W/2024S, Proseminar, 3.0 ECTS
Anna Margareta Spohn
Im Proseminar werden wir mögliche Herangehensweisen an wissenschaftliche Texte sowie die nötigen Arbeitsweisen kennen lernen. Ein Fokus liegt dabei auf der Entwicklung einer Idee oder eines Interessensgebietes zu einer konkreten Fragestellung und auf der Wahl geeigneter methodischer Herangehensweisen zur Ausarbeitung einer Thematik. In Hinblick darauf werden wir uns im Laufe des Semesters sowohl einen Einblick in einige theoretische und methodische… 2023W/2024S, Proseminar, 3.0 ECTS
Ina Peichl
"how colors tell a story" based on the two plays Jasmin Reza, "James Brown trug Lockenwichkler" Elfiede Jelinek "Rechnitz (der Würgeengel)" black and white, color, monochrome Costume Design in comparison, confrontation and research of the color concept, content and mood 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS
Kathrin Kemp
Model making and drawing as a medium of design and presentation in relation to theater and stage design. 2023W/2024S, Übungen, 1.0 ECTS
Kathrin Kemp
Model making and drawing as a design and presentation medium in connection with theater and stage design. 2023W/2024S, Vorlesung und Übungen, 1.0 ECTS
Anita Hosseini
The field trip will take place in context with the seminar Archives & Counterarchives by Anita Hosseini and Eva Kernbauer in autumn/winter 2023/24. Participation in the seminar is compulsory for participation in the excursion. Excursion dates: 31 October (afternoon) to 4 November (evening) 2023. Topics: Exhibition and studio visits and discussions related to the Archives/Counterarchives seminar: including Warburg Institute, University… 2023W, Vorlesungen, 1.0 ECTS
Eva Kernbauer
The field trip will take place in context with the seminar Archives & Counterarchives by Anita Hosseini and Eva Kernbauer in autumn/winter 2023/24. Participation in the seminar is compulsory for participation in the excursion. Excursion dates: 31 October (afternoon) to 4 November (evening) 2023. Topics: Exhibition and studio visits and discussions related to the Archives/Counterarchives seminar: including Warburg Institute, University… 2023W, Vorlesungen, 1.0 ECTS
Eva Maria Stadler
Gemeinsam mit Eva Kernbauer veranstalten wir vom 17.-22. Dezember 2023 eine Exkursion nach Polen. Wir besuchen Museen, Ateliers und Institutionen wie die Foksal Foundation in Warschau und Lódz. 2023W, Exkursionen, 2.0 ECTS
Max Moswitzer
“Electronic avatars first arise in the most primitive form as moving cursor on the grid screen, when that screen becomes networked with other screens. The cursor on the user's screen opens a mouse hole into the unified power grid. Through the moving cursor we see the mind of a human subject revealed, who navigates information. The seed of this avatar… 2023W/2024S, Projektarbeit, 4.0 ECTS
Kristina Pia Hofer
This course is a ‘Proseminar,’ literally a class that will prepare you for the academic Seminars (i.e., classes that require a 15-20 page academic term paper) offered at Angewandte, with a focus on methodologies used in Media Studies. Our topical frame for thinking methodology will be extractivism in sound and music research, both historical and current: How are anthropological sound… 2023W, Proseminar, 3.0 ECTS
Nina Stalzer
Applied dyeing and finishing techniques on textile raw materials and products, Dyeing with natural fabrics/ Natural dyeing, costume painting and costume editing; In the Department of Textile Technology – Dyeing – a wide variety of dyeing processes can be used in practice under professional guidance. This refers to a wide variety of reservation techniques (batik, etc.) Gradient dyes, multi-color effects,… 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS
Nanna Heidenreich
The family, according to sociologist Gisela Notz, has never existed - what does exist, however, is the ideology of familism (or familialism), the social organizational norm derived from the concept of an "ideal family." This familism, Notz argues, has shaped politics and social structure in most Western countries for several centuries. But although the family has practical (i.e., material) relevance… 2023W, scientific seminar, 2.0 ECTS
Viktoria Luisa Metschl
The family, according to sociologist Gisela Notz, has never existed - what does exist, however, is the ideology of familism (or familialism), the social organizational norm derived from the concept of an "ideal family." This familism, Notz argues, has shaped politics and social structure in most Western countries for several centuries. But although the family has practical (i.e., material) relevance… 2023W, scientific seminar, 2.0 ECTS
Kristina Pia Hofer
2024S, scientific seminar, 4.0 ECTS
Nour Shantout
I will weave your story into the library born within these bones so our stories will never have to die so our stories will never have to live alone -Travis T. and William Nu’utupu Giles, Oral traditions Learning feminist and indigenous methodologies is a journey of unlearning, and in this course, we will learn to unlearn. Starting with Eve Tuck… 2023W, scientific seminar, 4.0 ECTS
Johannes Salat
Im kommenden Wintersemester werden wir uns mit den Gestaltungsmöglichkeiten von Szenenbild auseinandersetzen. Wir werden versuchen einen Katalog zu erarbeiten, der die wichtigsten Punkte beinhalten soll, um außergewöhnliches Production Design entwickeln zu können. 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS
Edith Futscher
This lecture offers some orientation in the very broad field of artistic practices from prehistory to late Middle Ages. We will focus on basic questions that come along with material and artistic production, on different functions of cultural artefacts: We will explore ways of using images in different contexts and periods of time and deal with the respective significance of… 2023W, Vorlesungen, 2.0 ECTS
Marina Vishmidt
This seminar is about how questions of value have been articulated since the financial crisis that started roughly15 years ago and into the ecological crisis that has been accelerating in recent years. Questions of value articulate themselves through modalities as different as price, management and aesthetics, and they have systemic consequences for how we know, feel, and react to crises… 2023W, scientific seminar, 4.0 ECTS
Boris Odehnal
2024S, Vorlesung und Übungen, 2.0 ECTS
Markus Roskar
The course deals with the structural build of spacial things. The focus is on freehand drawing as medium on tap. Topics are orthogonal and oblique parallel projections, draft views and their interpretation, perspective, various approaches like additive and subtractive drawing, drawing with section lines, plane and space curves. 2023W, Übungen, 3.0 ECTS
Markus Roskar
The course deals with the structural build of spacial things in freehand drawing. It builds upon the basics put over in GS1 in winterterm and imparts the depiction of complex objects. Topics are draft views, interpreting draftviews, perspective and shadows. 2024S, Übungen, 3.0 ECTS
Eva Kernbauer
2024S, Vorlesungen, 2.0 ECTS
Claudia Rohrauer
This course offers a theoretical and practical introduction to analogue color photography: explanation of the physical and chemical basics, an overview of materials and chemicals, introduction to common negative and positive developing processes C41 and RA4 and to the department's enlargers and developing machines. During the course of the semester we will go through the classic darkroom workflow from exposure… 2023W, Vorlesung und Übungen, 2.0 ECTS
Lisa Rastl-Dorner
Im Rahmen der VU werden technologische, chemische und physikalische Grundlagen der analogen SW-Fotografie theoretisch und praktisch vermittelt: Materialien- und Chemikalienkunde, Belichtung und Entwicklung von SW Negativfilmen, SW Positiv-Verarbeitung: Arbeiten mit den Vergrößerungsapparaten. Ziel ist es im Laufe des Semesters Fähigkeiten zu erlangen, den Arbeitsprozess von der Belichtung und der Entwicklung des Negativs bis zur Ausarbeitung von Vergrößerungen selbst ausführen zu… 2023W, Vorlesung und Übungen, 2.0 ECTS
Maria Temnitschka
Students' engagement with the nature of drawing, examination of formal pictorial design elements, search for visual aids to describe observed form, exposure to the variety of drawing techniques, grasp of proportion, and representation of the human form are the focus of the course. 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS
Eva Maria Stadler
2024S, Vorlesungen, 2.0 ECTS
Florian Bettel
Play is one of the elementary cultural techniques of mankind. No childhood was ever without games, no society is imaginable without them. In the joint discussion, in the context of excursions and guest lectures and through the individual research work of the participants, we investigate in the seminar: Play as a contradictory and multidimensional cultural practice, Critically questioning cultural-historical developments… 2023W/2024S, scientific seminar, 4.0 ECTS
Alexi Kukuljevic
2024S, scientific seminar, 4.0 ECTS
Boris Roland Manner
Grenze und Phantasma. „Die Grenzen meiner Sprache bedeuten die Grenzen meiner Welt. “ Dieses Zitat von Ludwig Wittgenstein dient als Ausgangspunkt um im Seminar über den Begriff und die Rolle von Grenzen in unserem Denken und Handeln zu diskutieren. Staatsgrenzen gelten ja als Relikt des Nationalismus und als Sinnbild der Provinzialität. Das Auflösen aller Grenzen würde wohl auch ein Ende… 2023W, scientific seminar, 4.0 ECTS
Lukas Kaufmann
Using the inventory of the art collection and the archive of the Angewandte, we will devote ourselves to the various forms of reference to works of art and integrate them into our own artistic practices and concepts. In doing so, we will take a closer look at approaches and processes that span the spectrum between referentiality and the positions inscribed… 2023W/2024S, scientific seminar, 4.0 ECTS
Maria Bussmann
The Soul in art and (feminist) philosophy: from Aristoteles to Audre Lorde’s soul performances About the „Innest part“ of us and how it was interpreted by artists and philosophers. Men have long denied women to have a soul. If it exists, is their’s different from that of men, does it wander? Does it need „soul food“ or Wellness? „Peri psyche“,… 2024S, scientific seminar, 4.0 ECTS
Katharina Jesberger
The sentence "It takes a whole village to raise a child" is often quoted as an african proverb. In this seminar we will use it as a starting point to think about the meaning of the village, community and cultural production. We will look at artistic grassroots practices that take social achievements as their aesthetic value. 2023W, Proseminar, 3.0 ECTS
Stefan Baumann
Institute for Visual and Media Arts, Photography Lecture and Exercises (VU), 2.0 ECTS, 2.0 SemHrs., LV-Nr. S03789 The course is aimed at the first year of the Department of Photography I Visual Arts. Theoretical and practical basics of analog photographic techniques as well as first steps of digital photography including RAW development and digital workflow are taught. The following aspects… 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS
Jenni Tischer
Rethinking Feminisms. Past, Present, Future Feminism is not a singular concept - and never has been: there is not just one feminism, but a multitude of divergent theoretical and practical approaches. Even today, what is meant by feminism is contested and disputed. This is evident in the negotiation of which genealogies enter into feminist struggles against the backdrop of different… 2023W/2024S, Vorlesungen, 2.0 ECTS
Eva Kernbauer
This course offers an introduction to the emergence of Modern Art (1800-1950) in the global context. It focuses on the formation of Europe and European Art as cultural entities framed and shaped by political and economic struggle, emerging nationalism, colonialism and global expansion. We will also look at art centres and practices in East and South Asia, North- and Central… 2023W, Vorlesungen, 2.0 ECTS
Anita Hosseini
2024S, Vorlesungen, 2.0 ECTS
Christian Höller
The planet is on fire (or sinking in floods), and digital culture must accept the reproach of having stood by and watched for too long. Or even more seriously, of having contributed decisively to this global conflagration. Ecology and digital culture have a number of historically far-reaching, mutually productive relationships with one another that need to be reassessed in light… 2023W/2024S, scientific seminar, 4.0 ECTS
Hubert Christian Ehalt
In den letzten 45 Jahren wird die Welt in einer sich ständig beschleunigenden Entwicklung digitalisiert. Analoge Darstellungs-, Denk-, ja Seinsweisen, Existenzmöglichkeiten werden zurückgedrängt. Das entspricht dem Wunsch, alles und jedes, Handlungen und Aktivitäten, Bilder und Symbole unabhängig von kulturellen Kontexten in einer Welt identer Module, deren Charakteristika nur technisch, mathematisch, digital und nicht mehr kulturell sind, zu transformieren. Die Digitalisierung… 2023W/2024S, scientific seminar, 4.0 ECTS
Sophie-Marie Geretsegger
2024S, Proseminar, 3.0 ECTS
Sophie-Marie Geretsegger
Art, like science, is an experimental field of knowledge. Be it technical solutions in both fields, be it mutual influences or assistance in thinking, art and science have always had a close relationship. Defining the boundaries is futile, but recognising and analysing cross-fertilisation will be the subject of this proseminar. Starting with exponents of contemporary art such as Matthew Barney… 2023W, Proseminar, 3.0 ECTS
Boris Roland Manner
Im Zuge der Vorbereitung zu einem Projekt können diverseste Probleme auftreten. Im Konversatorium besteht die Möglichkeit in Einzelgesprächen den Schwierigkeiten auf die Spur zu kommen und Strategien zu entwickeln, um das Projekt verwirklichen zu können.Konkrete künstlerische Vorhaben (von der Ausstellungsplanung – zur Intervention im öffentlichen Raum) werden von der Idee bis zur Verwirklichung begleitet. Alle Stufen einer Projektentwicklung werden in… 2023W/2024S, Konversatorium, 1.0 ECTS
Kathrin Heinrich
What does it mean to write about art and what forms of thinking and writing about art shape our understanding of art criticism today? Art criticism is regularly described as 'in crisis' or even pronounced dead, but it nevertheless endures - albeit in ever-changing forms and new media. This seminar is dedicated to an active engagement with art criticism through… 2023W, scientific seminar, 4.0 ECTS
Eva Kernbauer
Exkursion nach Warschau, Lodz und evtl. Krakau, mit Schwerpunkt auf der Kunstszene der Moderne und Gegenwart, in Kooperation mit der Abteilung Kunst & Wissenstransfer. 2023W, Exkursionen, 2.0 ECTS
Boris Roland Manner
2024S, scientific seminar, 4.0 ECTS
Eva Maria Stadler
Im Kuratorischen Kolloquium sehen wir jeweils aktuelle Ausstellungen in Museen und Galerien genauso, wie in Offspaces, oder besuchen Künstlerinnen und Künstler in ihren Ateliers. Zur Diskussion stehen die vorgestellten künstlerischen Arbeiten und die kulturpolitischen und institutionellen Bedingungen unter denen die Kunstwerke produziert und präsentiert werden. Darüberhinaus werden die Strategien der Kommunikation und Vermittlung als Bestandteil der kulturellen Produktion in den… 2023W/2024S, scientific seminar, 4.0 ECTS
Jorit Aust
Understanding and mastering light as a central design tool is the basic theme of the seminar. This applies to both the technical and content-related aspects of lighting. With practical exercises, the students' basic photographic knowledge will be expanded and basic techniques, such as light measurement, the choice of light sources and light shapers, are theoretically and practically deepened. The aim… 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS
Michael Zerz
In over 40 years of praxis in stage and event design I have tried to teach designers-to-be in lighting at both major Vienna Art Universities for nearly half of the time. The things we used to work with have fundamently changed with the developments of recent years. New more energy efficient fixtures with multiple functions are replacing conventioal units. Controlling… 2023W/2024S, Vorlesung und Übungen, 2.0 ECTS
Michael Zerz
In over 40 years of praxis in stage and event design I have tried to teach designers-to-be in lighting at both major Vienna Art Universities for nearly half of the time. The things we used to work with have fundamently changed with the developments of recent years. New more energy efficient fixtures with multiple functions are replacing conventioal units. Controlling… 2023W/2024S, Übungen, 1.0 ECTS
Boris Roland Manner
Das ästhetische Panorama. In seinem "manifest PANORAMA" von 1965 entwirft Rudolf Schwarzkogler eine Kunstpraxis die alle Sinneserfahrungen einbezieht und zu einer Regeneration, sogar Heilung, der Beteiligten führen soll. Ausgehend davon werden im Seminar die unterschiedlichen "Wahrnehmungsformen" in einem phänomenologischen Kontext vorgestellt und diskutiert. Weiters wird der Begriff und das Konzept von "Gesamtkunstwerk" kritisch befragt. Literatur : Zum Einstieg lesen und… 2023W/2024S, scientific seminar, 2.0 ECTS
Christoph Wize
Wir beschäftigen uns mit den Themen: Marktpositionierung -> 6 Schritte zur eigenen Positonierung; eigene Wertehaltung, meine Mission und weitere Methoden und Techniken zur Positionerung? Markenschöpfung -> Methoden und Techniken der Markenschöpfung? Arbeitsweise in dieser Veranstaltung -> ca. 50% Vortrag und ca. 50% Übungen (konkret mit Euren Beispielen/Themen) 2024S, Vorlesungen, 2.0 ECTS
2 / 4