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Endcore: The Chronopolitics of Doomscrolling brings together artists Sara Bezovšek, Martyna Marciniak, and Martina Menegon to explore how digital cultures reshape our sense of time. From doomscrolling, microtrends and algorithmic acceleration to glitch and the machinic rhythms of AI, the discussion traces how digital temporalities emerge, collapse, and can be resisted. We will ask how artistic practices not only reflect but also intervene in these shifting chronopolitics, and what strategies of deceleration and re-entanglement with time might be possible.