Wolfgang Neipl

Workflows of Videografik Animation and Compositing. No previous knowledge required. Step-by-step lectures by building up typical compositions. Digitale Videoformats, Importing Media _ Layerproperties _ Masks _ Keyframeinterpolation _ Economic Application of Effects _ Generation and Work with Templates _ Sequenzing (stop motion) _ Subcompositions _ Time Expansion, Time Distortion _ Shape Layers _ Rendering. Subsequent to this lecture it is… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

The camera takes the pictures, sure !But film photography is different from still photography.What creative parameters do I have at my disposal to portray people and objects ?Understand and apply: Composition, perspective, camera angle, framing, eye-line, ect.Rules can be deliberately broken if I know them. And how do I record good film sound ? Directly after this course, there is… 2022W/2023S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

Make it a story ! Conception of a short film (30sec). We think in images, fall in love with them and often get lost in them. Such images are important for filmmaking, but in order to take the viewer's breath away, we need action. In order for it to emerge in our visual worlds and get moving, it needs drive.… 2022W/2023S, artistic Seminar, 2.0 ECTS

Andreas Braito

VISUAL SOUNDSCAPES The term soundscape is an English artificial word composed of the terms sound and landscape. Soundscape describes the acoustic shell that surrounds us in a certain place, the interaction of all acoustic phenomena or events that are produced in and through a room. Canadian composer, music educator and researcher R. Murray Schafer coined the term soundscape in his… 2022W/2023S, artistic Seminar, 2.0 ECTS

Jan Jancik

Introduction to working with DaVinci Resolve, no prior knowledge required. All functions and a professional way of working with the essentials of the editing program will be taught using examples. From the first steps in Resolve and how to create a project correctly, what relevance frame rates, codecs and resolutions have, to color grading and the use of transitions, effects… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Jan Jancik

Introduction to working with Adobe Premiere Pro, no prior knowledge required. All functions and a professional way of working with the essentials of the editing program will be taught using examples. From the first steps in Premiere Pro and how to create a project correctly, what relevance frame rates, codecs and resolutions have, to color grading and the use of… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

Shooting Work on location. To attend this course please also register:  Filming-Techniques/Kameraarbeit und Ton The work takes place in teams of 5 people. The allocation for this takes place during the preliminary meeting and is then binding ! See below for possible dates. Please understand that pre-reservation is not possible!   2022W/2023S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

VOICE - RECORDING, SYNTHESIZER. How do I record speech sound and how do I process it for Film, Video, "Massive Open Onlie Communication" and Social Media. Studio recording. When do you need mono and when stereo microphonics. Relevant programme / Digital Audio Workstation (DAW): Logic. Practical introduction to synthetic sound production Teaching Objective: Dubbing a short video in Logic. The… 2022W/2023S, artistic Seminar, 2.0 ECTS

Wolfgang Neipl

The course teaches professional dubbing by use of the soudlibrary of Logic. The procedure enables copyright independence. Contents: Music and sound as mood-creating elements. Technical and artistic foundations of composing, arranging and producing musical structures on motion pictures. The term: »Music» is also interpreted as »Sound- and Noise Structure». Relevant Application (Digital Audio Workstation): Logic Musical previous knowledge is not… 2022W/2023S, artistic Seminar, 2.0 ECTS

Friedrich Oelberg

Videotechnik, digitale und analoge Fotografie -Basics, Optische Stile, Kameraführung, kameratechnisches Wissen, Lichtgestaltung, digitale Videobildaufbereitung, Blue/Greenbox Techniken 2022W, artistic Seminar, 2.0 ECTS

Friedrich Oelberg

2023S, artistic Seminar, 2.0 ECTS

Franz Schubert

In the seminar, possibilities of Realtime 3D with the free game engine Unity in connection with 3D animation/texturing software (Cinema4D, Substance Painter) for interactive applications are developed. Game Asset and Level Creation (Modular Low Polycount Modeling, Composite Texture Maps, Modular Animations), User Interaction, Character Controller C#: User Interaction, Triggering Animations, Scripting Projectiles, Scripting Impacts, Collisions, Game Object Destruction, Timers, Spawning… 2022W/2023S, artistic Seminar, 2.0 ECTS

Jan Lauth

This time demands fundamental new and also paradoxical utopias.The course is an invitation to participate in the project "morphoPoly", designed for several years."morphoPoly", at the same time city and game, is the setting of such a paradoxical utopia, because it is not a city of wishful dreams, but also a testing ground for dealing with conflicts in urban space, with… 2022W/2023S, artistic Seminar, 1.0 ECTS

Michael Huber

- Drone workshop at the beginning of October (technically limited number of students)- 3D Special Unit- Presentation - Representation- Representation and Virtualization- Scientific Visualization - screenings- Workflow, Project Management and Presentation 2022W/2023S, artistic Seminar, 2.0 ECTS

Michael Huber

- Systematic studies on the moving image complex- The image-taking and image-giving apparatus- Mutual manipulation of time and image axis - Digital Production and Postproduction- Diminished Reality- The invisible spectrum in the (moving) image- The optical unconscious- AI & Bias/Weight/Error- Screenings, especially on current phenomena- Project management and presentation- Support individual artistic projects 2022W, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

The course, which is primarily aimed at the lower semesters of students of Transmedia Art, is intended as an introduction to working with technical media such as video, light or projection, but also to experimental techniques of visual work. In dealing with working techniques, visualization and work processes of other artists, procedures are to be discussed and applied in small… 2022W, artistic Seminar, 2.0 ECTS

Michael Huber

2023S, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

2023S, artistic Seminar, 2.0 ECTS

Maximilian Geymüller

The relationship between language and the visual has been a central theme in Western art since the mid-20th century at the latest, and in the process has been constantly accompanied by a great discursive dynamic. The territories of word and image are in motion, overlapping and opening up, reflections and theorems wandering back and forth. Concrete - above all also… 2022W, artistic Seminar, 2.0 ECTS

Maximilian Geymüller

2023S, artistic Seminar, 2.0 ECTS

Edith Futscher

Die Vorlesung soll eine Orientierungshilfe im weiten Feld der künstlerischen Äußerungen von der Prähistorie bis hin zum Spätmittelalter darstellen. Es wird ein Überblick gegeben, es werden Grundfragen visueller Zeichensetzungen und unterschiedliche Funktionen des Gestaltens besprochen werden. Es sollen die Gebrauchsweisen und der jeweilige Stellenwert etwa von Bildern, von Ornamentierung, von monumentalen Anlagen oder kleinen Dingen in unterschiedlichen Kulturräumen, es soll… 2022W, Vorlesungen, 2.0 ECTS

Judith Pichlmüller

The examination of moved images and the practical application of the media video as an artistic expression are central aspects of the course. Examples of contemporary video works in the visual arts are shown and own artistic themes are found. The interplay of video and other artistic media will be discussed and implemented. The main aspects of this seminar are… 2022W/2023S, artistic Seminar, 2.0 ECTS

Lisa Stuckey

Dekoloniale psychoanalytische Kulturtheorie "The white family is the workshop in which one is […] trained for life in society." (Frantz Fanon) Psychoanalytische Ansätze von Alfred Adler, Sigmund Freud, Carl Gustav Jung und Jacques Lacan sind mit imperial-kolonialen Selbstverständnissen durchzogen. Diese reichen von eurozentrischen Praktiken des »othering« zu Parallelisierungen zwischen Neurotiker:innen und »Primitiven«. Anstatt jedoch allein die postkoloniale Kritik an der… 2022W, Proseminar, 3.0 ECTS

Christoph Kaltenbrunner

!!! DIESE LV IST NUR FÜR STUDIERENDE DAS 4 SEMESTRIGEN MASTERSTUDIUM VERPFLICHTET UND MUSS SOFORT BEI ANTRITT DES MASTERSTUDIUMS ABSOLVIERT WERDEN !!! Die VORSCHAU & KONZEPTION soll den persönliche Lernweg und dessen rückblickende bzw. vorausschauende Reflexion mit Bezug auf die individuellen Erweiterung (MASTER Studium mit 4 Semester) klar erkennen lassen. 2022W/2023S, Programme - Related Reflection, 1.0 ECTS

Eva Maria Stadler

was brauchst du was brauchst du? einen Baum ein Haus zuermessen wie groß wie klein das Leben als Menschwie groß wie klein wenn du aufblickst zur Kronedich verlierst in grüner üppiger Schönheitwie groß wie klein bedenkst du wie kurzdein Leben vergleichst du es mit dem Leben der Bäumedu brauchst einen Baum du brauchst ein Hauskeines für dich allein nur einen… 2022W, scientific seminar, 4.0 ECTS

Naemi Luckner

Das Ziel dieser Lehrveranstaltung ist eine Auseinandersetzung mit gängigen Technologien die die Basis zur Konzipierung und praktischen Umsetzung von Webseiten darstellen. Es werden HTML und CSS Konzepte vorgestellt und anhand von praktischen Beispielen erlernt. Ziel ist die Vermittlung von Basiswissen, um vertiefendes Selbststudium zu ermöglichen. Für diese Lehrveranstaltung sind keine Vorkenntnisse notwendig.Es gibt keine Vorbesprechung! Die Lehrveranstaltung wird in 6… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Naemi Luckner

2023S, Vorlesung und Übungen, 2.0 ECTS

Christoph Schlossnikel

Vom Web- zum Experience Design: Konzeption und Gestaltung von digitalen Markenerlebnissen 2022W, Vorlesung und Übungen, 2.0 ECTS

Cordula Cerha

Die Rahmenbedingungen für die Werbung sind auf den heutigen Märkten schwierig. De r hohe Grad der Bedürfnisbefriedigung bei den Konsumenten und das große Angebot an vielfach austauschbaren Produkten haben zu einem nachlassenden Interesse der Konsumenten an Werbebotschaften geführt. Von den zwischen 2.000 und 4.000 Werbebotschaften, die täglich auf den Konsumenten einströmen, werden nur wenige überhaupt wahrgenommen und noch weniger dauerhaft… 2022W, Vorlesungen, 1.0 ECTS

Cordula Cerha

Die Rahmenbedingungen für die Werbung sind auf den heutigen Märkten schwierig. Der hohe Grad der Bedürfnisbefriedigung bei den Konsumenten und das große Angebot an vielfach austauschbaren Produkten haben zu einem nachlassenden Interesse der Konsumenten an Werbebotschaften geführt. Von den zwischen 2.000 und 4.000 Werbebotschaften, die täglich auf den Konsumenten einströmen, werden nur wenige überhaupt wahrgenommen und noch weniger dauerhaft gespeichert.… 2023S, Vorlesungen, 1.0 ECTS

Maria Wiala

Material Sciences for Restorers - Ceramics 2022W, Vorlesungen, 1.0 ECTS

Marta Anghelone

n the course Metall II topics already described in Metall I will be deepened. In particular, the focus will be pose on corrosion processes and behaviour of metals in different environments, analytical methods for the identification and study of metals and corrosion processes, case studies reported in the literature. The students will learn how to approach and solve problematics related… 2023S, Vorlesungen, 1.0 ECTS

Farkas Pintér

Die LVA ist die Fortsetzung der VLS „Einführung in die Werkstoffkunde für RestauratorInnen – Stein“ und beinhaltet folgende Themen:  Gesteinskunde / Verwitterung der Gesteine, mineralische Bindemittelsysteme (Luftkalke, puzzolanische Kalke, NHL, Romanzement, Portlandzement, Aluminatzement, Sorelzement, Gips), Eigenschaften von Beton, mineralische Steinfestiger- und Anstrichsysteme, Hydrophobierung, u.v.m. 2022W, Vorlesungen, 2.0 ECTS

Peter Sziemer

Dear Students, This lecture deals with the following organic materials which play a role in arts and crafts: bones and antlers horn feathers leather and skins (fur) teeth, ivory and ivory-like materials eggshells mollusc shells and pearls corals insects silk fossils plant material: wood, straw, bast, bamboo, fruitshells and seeds. The last of the lectures will take place as an… 2022W, Vorlesungen, 1.0 ECTS

Johannes Falkeis

Ob man das Werkzeug richtig verwenden kann, hängt zum grossenteil davon ab ob man es richtig pflegen kann. Werkzeug reinigen, schleifen und zumteil  selber machen aber auch mit verschiedene maschinen ungehen und diese pflegen  lernt man in diese Einführung in der Werkzeug- und Maschinenpflege die besonders für RestauratorInnen konzipiert ist.  2022W, Übungen, 1.0 ECTS

Klaus Speidel

AI, Algorithms and Art « Gaps between the design and operation of algorithms and our understanding of their ethical implications can have severe consequences affecting individuals, groups and whole segments of a society. » (Mittelstadt et al. 2016). How can we as creators, whether as artists, designers or curators, respond to what AI researcher Stuart Russell simply calls "The Biggest… 2022W/2023S, scientific seminar, 4.0 ECTS

Marion Elias

Schreiben - kann so gut wie jeder, der ein wenig Zeit an schulischer Ausbildung hinter sich gebracht hat. Es tut auch - fast - jeder.Wie aber verhält sich die Sache, wenn es, sozusagen, ernst wird, wenn ein wissenschaftlicher Kanon verlangt wird, der sich in seinem Reglement de facto selbst erklärt.?Und wie ist das mit dem Zeug, das sich “Recherche” nennt?… 2022W, Proseminar, 3.0 ECTS

Georgia Holz

Archives are places of knowledge and thus structures in which history(s) and memory are stored and preserved in the form of data and documents. Following a given system, they are mostly created and managed by (public) institutions, but we are all archivists of our personal data. Every form of collecting is at the same time characterized by mechanisms of exclusion.… 2022W, Vorlesung und Übungen, 2.0 ECTS

Maria Ziegelböck

The ZKF takes place every Wednesday and includes project meetings, internal and public presentations, individual feedback, workshops and excursions. 2022W/2023S, Künstl. Einzelunterricht, 12.0 ECTS

Maria Ziegelböck

The ZKF takes place every Wednesday and includes project meetings, internal and public presentations, individual feedback, workshops and excursions. 2022W/2023S, Künstl. Einzelunterricht, 15.0 ECTS

Bernhard Kleber

Semesterthema : Tschaikowski Eugen Onegin   Pique Dame   2022W/2023S, Künstl. Einzelunterricht, 15.0 ECTS

Bernhard Kleber

Semesterthema : Tschaikowski Eugen Onegin   Pique Dame   2022W/2023S, Künstl. Einzelunterricht, 14.0 ECTS

Ruth Schnell

Every Thursday from 2 pm to 3:45 pm Lectures on artistic strategies within various working areas of DIGITAL ARTS with a focus on the semester or annual theme (Climate change and Migration).Every student should create an artistic work preferably on the semester theme or on a freely chosen topic.Every Thursday from 4 pm to 6:30 pmGroup feedback session on the… 2022W/2023S, Künstl. Einzelunterricht, 19.0 ECTS

Ruth Schnell

Every Thursday from 2 pm to 3:45 pm Lectures on artistic strategies within various working areas of DIGITAL ARTS with a focus on the semester or annual theme (Climate change and Migration).Every student should create an artistic work preferably on the semester theme or on a freely chosen topic.Every Thursday from 4 pm to 6:30 pm Group feedback session on… 2022W/2023S, Künstl. Einzelunterricht, 12.0 ECTS

Ruth Schnell

every Wednesday from 10 pm to 12 pm - Group meeting with the degree candidatesDiscussion and feedback on the artistic concept developed for the diploma and on the stepwise realization of the diploma thesis.In addition to the appointment on Wednesdays, there are regular individual meetings. 2022W/2023S, Künstl. Einzelunterricht, 10.0 ECTS

Margarete Jahrmann

The goal of the Artistic core subject is to develop a deeper understanding of the essence of EXPERIMENTAL GAME CULTURES. The aim of the “Künstlerisches Hauptfach”/artistic core subject under the guidance of the professor and head of department Experimental Game Cultures is to form, examine and develop new forms of politically relevant art in the field of experimental game cultures.… 2022W/2023S, Künstl. Einzelunterricht, 8.0 ECTS

Gabriele Rothemann

The aim of studying photography / Institute of Fine Arts is to enable students to work out individual stategies of creating artworks and to achieve an independent artistic position. The specially supported content-related artistic research and gaining analogue and digital photographic techniques form the prerequisite for using the medium of photography freely, in accordance with the artistic idea. Students in… 2022W/2023S, Künstl. Einzelunterricht, 15.0 ECTS

Gabriele Rothemann

During the weekly plenum hold by the Department of Photography, students present their artistic work. Part of it is to find an appropriate display for the current project and to convey its concept and content to the audience. A discussion develops during which the presented projects are questioned and argued. The focus on this process enables the students to respond… 2022W/2023S, Künstl. Einzelunterricht, 15.0 ECTS

Oliver Kartak

The zkF includes weekly participation on Wednesdays and individual Mondays with the following program: - Preliminary discussion- Presentation in class- Individual meetings with Oliver Kartak, Katharina Uschan and Christian Schlager- Project development 2022W/2023S, Künstl. Einzelunterricht, 12.0 ECTS

Oliver Kartak

The zkF includes weekly participation on Wednesdays and individual Mondays with the following program: - Preliminary discussion- Presentation in class- Individual meetings with Oliver Kartak, Katharina Uschan and Christian Schlager- Project development   2022W/2023S, Künstl. Einzelunterricht, 13.0 ECTS