Sophia Rohwetter

2027S, Academic Seminar, 4.0 ECTS

Edith Futscher

Ob Ramsch oder Preziosen: Was tun wir, wenn wir sammeln? Ist die Tätigkeit, Dinge dem ökonomischen Kreislauf zu entziehen, ästhetisch, sozial oder wissensstrategisch motiviert? – Es kann exklusiver Geschmack anschaulich gemacht, soziale Zugehörigkeit hinausposaunt werden, im Vermehren einer vielleicht eleganten Kapitalsorte kann ein Weltverständnis untermauert und propagiert werden – und vieles mehr. Jedenfalls wurde und wird in Hinblick auf Abrundung… 2026W, Academic Seminar, 4.0 ECTS

Isabel Kranz

Sammeln, Ordnen und Benennen sind sowohl allgemein verbreitete als auch höchst spezialisierte Kulturtechniken. Als solche überschreiten sie das Individuelle und mobilisieren soziale, moralische und ästhetische Ordnungen. Im Seminar befassen wir uns mit diesen drei Techniken anhand von konkreten historischen, literarischen und künstlerischen Beiträgen (u.a. von Carl von Linné, Uriel Orlow u. Judith Schalansky) und theoretischen Grundlagentexten (u.a. von Michel Foucault… 2027S, Academic Seminar, 4.0 ECTS

Martina Fröschl

Scientific Visualization explores the creative potential of scientific observation, imaging and sensing technologies as artistic media. The seminar investigates how contemporary methods of scientific visualization can become tools for artistic research, and engagement with systems thinking. In winter semester 2026/27, the focus lies on forests, living systems and the human body as sites of inquiry. Students develop individual or collaborative… 2026W/2027S, artistic Seminar, 3.0 ECTS

Andreas Deinert

This practical seminar explores the intersections between theater and film. Today, nearly every second contemporary stage production incorporates video and cinematic techniques. As a result, theater has become a hybrid art form, and so-called video design has evolved into a genre in its own right. The seminar focuses on the use of live cameras on stage in conjunction with theatrical… 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Flora Zimmeter

Conveying the basics of screen printing as an independent artistic medium on paper and cardboard. Addressing the special possibilities and strengths of this technique (colour application, colour intensity, combination with other visual media). Working with water-soluble inks, experiments on flat print media. Lecture and ExercisesPlace: Vordere Zollamtsstrasse 7, screen printing workshop (room 105)Limited number of participants 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Larissa Leverenz

Please Note!The prerequisite for the Screen Printing II course is basic knowledge of screen printing or successful completion of the Screen Printing I course (basic course). The aim is to gain a deeper understanding of the technique in order to be able to successfully implement complex ideas. Cross-technological, experimental work on various printing media and an examination of the peculiarities… 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Jan Völker

In this seminar, we want to explore two developments that, at first glance, seem incompatible: On the one hand, our societies are becoming increasingly intertwined; symbolic differences are disappearing, spheres are blending, and boundaries are being dissolved. We work in our free time, the private sphere is considered political, and life is becoming art. On the other hand, new wars… 2026W, Academic Seminar, 4.0 ECTS

Ramón Reichert

How is artificial intelligence changing the way we read, write, conduct research, and produce knowledge? Are large language models simply useful tools, or do they represent a fundamental transformation of our cultural techniques? In this seminar, we will explore these questions together from perspectives in media studies, cultural studies, and literary studies. Drawing on both classic and contemporary texts, we… 2026W, Academic Seminar, 4.0 ECTS

Karin Michalski

The seminar aims to create a space for reflection on what resistant thinking and action might mean today. We will discuss artistic works and cultural studies texts that envision “queer futures.” The seminar’s title has various references: Sharon Hayes’s exhibition “What Do We Want” (2022) (in her series Ricerche, Hayes—drawing on Pier Paolo Pasolini’s “Comizi d’amore”—asks various groups about their… 2026W, Academic Seminar, 4.0 ECTS

Florian Bettel

Neues Fokus-Format für Lehramtsstudent:innen: Das Seminar findet in thematischer wie zeitlicher Überschneidung mit Liddy Scheffknechts Seminar statt und ist damit für beide Fachwissenschaften anrechenbar. In Kooperation mit Barbis Ruder (TransArts). Im Wintersemester vertiefen wir unsere Auseinandersetzung mit der Schwerkraft. Die Technikgeschichte weiß von unzähligen Anstrengungen zu berichten, die Gravitation zu überwinden, sie auszutricksen, ihr zu entkommen oder sie für eine… 2026W/2027S, Academic Seminar, 4.0 ECTS

Denise Helene Sumi

2027S, Academic Seminar, 4.0 ECTS

Lilien Lisbeth Feledy

Angeregt durch die Arts-and-Crafts-Bewegung rückte das Medium Textil zu Beginn des 20. Jahrhunderts zunehmend in den Fokus künstlerischer Praxis und theoretischer Reflexion. Dieses Interesse manifestierte sich in einer intensiven Auseinandersetzung mit textilen Produktionstechniken wie der Weberei oder der Stickerei und ging mit dem systematischen Sammeln textiler Muster einher, wie es sich etwa auch in Wien anhand der Textilsammlung von Rosalia… 2026W, Academic Seminar, 4.0 ECTS

Sophie Publig

2027S, Academic Seminar, 4.0 ECTS

Marius Linus Thomas Fischer

Der Zufall kam, [...] und die unendlichen Überlegungen, [...] konnten mich ebensogut zu dem Philosophen machen, der ich war, wie zu dem Künstler, der ich nicht gewesen bin. – Sokrates in Paul Valérys Eupalinos oder Der Architekt Eine Begegnung, ein Unfall, eine Nachricht, eine politische Erschütterung oder ein Kunstwerk können einen Zusammenhang verändern, ohne dass sich genau angeben ließe, wann… 2027S, Academic Seminar, 4.0 ECTS

Wolfgang Fiel

This seminar explores artistic practice not as the production of static objects but as the unfolding of dynamic, time-based processes. At its core lies the proposition that art is fundamentally a practice of becoming rather than being—a continuous process of emergence in which ideas, materials, technologies, environments, and human actors co-produce forms that cannot be fully predicted or predetermined. Drawing… 2026W/2027S, Lecture with Practical Exercises, 1.0 ECTS

Anika Meier

Protocol Art: How Artists Work with Rules and Systems What if the artwork is not an image, object, or output, but the rules that determine what can happen? This seminar explores Protocol Art, a term for artistic practices that shift attention from individual outputs to the systems, rules, and forms of coordination through which culture emerges. As artist and researcher… 2026W/2027S, Lecture with Practical Exercises, 2.0 ECTS

Tulay Atak

Theory of Arch 1 presents a survey of architectural theory from around 1970ies to this day, with an emphasis on contemporary developments since the nineties. The course will focus on questions of disciplinarity, form, mediums and media, as well as political, environmental and technological issues facing architecture today. In order to trace the transformation of thought, we will discuss each… 2026W, Lecture with Practical Exercises, 3.0 ECTS

Tulay Atak

2027S, Academic Seminar, 3.0 ECTS

Miriam Stoney

In this course we will take the city of Vienna as a case study with which to observe, examine and reflect the multi-faceted relationships between built environments and the artistic practices housed in and by them. This semester, we will be looking at the ways in which other-than-human animals are accommodated in and by the city. Visiting parks, buildings, institutions,… 2026W, Academic Seminar, 4.0 ECTS

Miriam Stoney

2027S, Academic Seminar, 4.0 ECTS

Nanna Heidenreich

the film is the pretext for dialogue ... it opens out to you, so that you can continue it (Fernando Solanas and Octavio Getino: Towards a Third Cinema, 1969) Cinema is a defining media of the 20th century, and even in the 21st century, it has lost none of its significance or influence—on the contrary, even as keeps changing and… 2026W, Academic Seminar, 4.0 ECTS

Valerie Messini

MEDIA ART : PERSPECTIVES Using Peter Weibel’s (1944–2023) Encyclopaedia of Media as a point of departure, the course explores the history of media art through the writings of one of its key curators, theorists and practitioners. We will critically examine the encyclopaedic, single-author approach in relation to discourses on power, knowledge production and dissemination, while expanding upon and commenting on… 2026W, Academic Seminar, 2.0 ECTS

Denise Helene Sumi

MEDIA ART : PERSPECTIVES Departing from the 'Encyclopaedia of Media', collected writings of curator, theorist and media artist Peter Weibel’s (1944–2023), this course offers insights into the history of media art. We will critically examine the encyclopaedic, single-author approach in relation to discourses on power, knowledge production and dissemination, while expanding upon and commenting on this history with a particular… 2026W, Academic Seminar, 2.0 ECTS

Antoinette Marie Catherine Rhomberg

Unfortunately, this course is currently offered in German only. As the instruction, explanations, and safety guidance are all provided in German, a good command of the language is required to participate. If you are not fluent in German, it will be difficult to follow the course and we therefore cannot offer you a place at this time. We apologize for… 2027S, Lecture, 2.0 ECTS

Andrea Börner

Urban Strategies and Theory of the Landscape looks at different kinds of urbanized landscapes, and the relationship between the natural and built environment. Attention is given to intricate interrelations between densely built cores and seemingly supportive hinterlands. In lectures, readings and seminar work, by means of selected examples, paradigms and concepts of urban spatial organizational principles are critically reflected to… 2026W, Academic Seminar, 3.0 ECTS

Alexandra Thurner

Grundbegriffe des Vertragsrechts Abschluss von Verträgen AGB und sonstige Vertragsinhalte Vertragsmängel vor und nach Abschluss Vertragsabschluss im Internet Vertragstypen ua Urheberrecht Schutzvoraussetzungen, Schutzgegenstand Urheberschaft Rechte der Urheber:innen (Werkverwertung, Persönlichkeitsrechte) Urhebervertragsrecht Ansprüche bei Urheberrechtsverletzungen ua 2026W/2027S, Lecture, 2.0 ECTS

Sebastian Brauneis

2027S, artistic Seminar, 3.0 ECTS

Tina Kult

We type, scroll, swipe, click, perform, express ourselves, and delete. We copy, modify, comment, and scroll again. We learn, argue, fall in love, and compare ourselves, share our daily lives, follow those of others, and maintain relationships through screens. At the same time, people speak of a “Generation Lonely.” What kind of relationships do we have? And of what quality?… 2026W, artistic Seminar, 3.0 ECTS

Wolfgang Fiel

How does an artistic project begin? More fundamentally, how does an artist develop not just an individual work, but a coherent body of work that reflects a distinct vision and establishes a meaningful dialogue with an audience? This seminar explores the concept of visual strategy as the starting point of artistic practice. A strategy is understood not as a fixed… 2026W, artistic Seminar, 2.0 ECTS

Wolfgang Fiel

2027S, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

The course offers a technical and conceptual introduction to working with media such as video, light, and projection, making use of the department’s equipment. It is primarily aimed at students in the lower semesters of Transmedia Art. Through practical hands-on exercises and DIY approaches, students gain fundamental access to experimental work with media. In addition, engaging with different working techniques,… 2026W, artistic Seminar, 2.0 ECTS

Wolfgang Obermair

2027S, artistic Seminar, 2.0 ECTS

Edith Futscher

Die Vorlesung möchte eine Orientierungshilfe sein - im weiten Feld künstlerischer Praxen vom Paläolithikum bis ins 14. Jahrhundert u.Z. Sie ist entlang von Grundfragen organisiert, die erhaltene Artefakte unterschiedlicher kultureller Räume aufwerfen, und nimmt vor allem Gebrauchsweisen in den Blick. Inwieweit lässt sich an ersten malerischen Ausstattungen, Steinsetzungen oder Totenmasken ablesen, wie Zusammenleben organisiert wurde? Welche Funktion kommt den gestalteten… 2026W, Lecture, 2.0 ECTS

Antonia Birnbaum

The present day is characterised by a proliferation of wars. This reveals that, in our world without an ‘inside’ or an ‘outside’, the supposed ‘commerce between nations’ has cast off its mask in favour of a new entanglement of aggressive sovereignty with global commodification. The two ‘will to power’ – the state and the economy – are knotted in a… 2026W, Academic Seminar, 4.0 ECTS

Alexi Kukuljevic

2027S, Academic Seminar, 4.0 ECTS

Stefan Üner

Die Lehrveranstaltung bietet eine Einführung in die künstlerischen und gesellschaftlichen Entwicklungen in Wien um 1900. Diese Epoche zählt zu den zentralen Phasen der europäischen Kunst- und Kulturgeschichte und ist von tiefgreifenden Veränderungen in Politik, Gesellschaft und Ästhetik geprägt. Zwischen der Ringstraßenära des Historismus und den avantgardistischen Strömungen der Moderne entwickelte sich Wien zu einem bedeutenden Zentrum künstlerischer Innovation. Im Mittelpunkt… 2027S, Lecture with Practical Exercises, 2.0 ECTS

Renate Vergeiner

entsprechend dem Thema der Vorlesung werden im Seminar monografisch sowohl individuelle als auch stammesgeschichtliche Phänomene unbeugsamer Weiblichkeit behandelt, als deren Urmutter wir die mesopotamische LilitH bereits besprochen haben. 2026W, Academic Seminar, 4.0 ECTS

Luzius Bernhard

GENUG / ENOUGH Enough is a measure, but it is also a limit. To say enough is to determine that a threshold has been reached: enough food, enough energy, enough space, enough information, enough money, enough time. Genug names the point at which further accumulation is no longer necessary. And yet our economic, technological and cultural systems are organised around… 2026W/2027S, Individual Artistic Instruction, 19.0 ECTS

Liz Haas

GENUG / ENOUGH Enough is a measure, but it is also a limit. To say enough is to determine that a threshold has been reached: enough food, enough energy, enough space, enough information, enough money, enough time. Genug names the point at which further accumulation is no longer necessary. And yet our economic, technological and cultural systems are organised around… 2026W/2027S, Individual Artistic Instruction, 19.0 ECTS

Luzius Bernhard

ZKF 7+ – PRAXIS – PRE-DIPLOMA ZKF 7 is aimed at students who have already completed 6 ZKFs and are preparing for their diploma. Within this framework, students independently develop a project that either directly evolves into the diploma or takes the form of a project study that serves as a preparatory exercise for the diploma. To carry out the… 2026W/2027S, Individual Artistic Instruction, 12.0 ECTS

Liz Haas

GENUG / ENOUGH Enough is a measure, but it is also a limit. To say enough is to determine that a threshold has been reached: enough food, enough energy, enough space, enough information, enough money, enough time. Genug names the point at which further accumulation is no longer necessary. And yet our economic, technological and cultural systems are organised around… 2026W/2027S, Individual Artistic Instruction, 12.0 ECTS

Luzius Bernhard

ZKF 8 is intended for students who are preparing their diploma project or are already in the implementation phase. The focus is on individual supervision by the respective advisors, complemented by targeted sessions that provide both conceptual and organisational support. In addition to individual consultations, there are joint sessions on study progress and spatial planning for the diploma project, a… 2026W/2027S, Individual Artistic Instruction, 10.0 ECTS

Liz Haas

ZKF 8 is intended for students who are preparing their diploma project or are already in the implementation phase. The focus is on individual supervision by the respective advisors, complemented by targeted sessions that provide both conceptual and organisational support. In addition to individual consultations, there are joint sessions on study progress and spatial planning for the diploma project, a… 2026W/2027S, Individual Artistic Instruction, 10.0 ECTS

Jan Völker

This lecture-series explores the connection between the concept of property and the sacred. The foundation of civil society is the idea of property. It seems almost untouchable: Has property in our contemporary Western societies become a new form of the untouchable, the sacred? Or is it the other way around—that the inviolability of property is also due to the expulsion… 2026W, Lecture, 2.0 ECTS

Silke Geppert

FASHION AND TEXTILE from the FRENCH REVOLUTION to approx. 1920 Based on the realisation that fashionable silhouettes are tied to the time in which they were created, this Cycle III teaches knowledge of fashion, textiles and the beginnings of the modern fashions system. The focus is on the 19th century, the democratisation of fashion and the development of the haute… 2026W, Lecture, 2.0 ECTS

Silke Geppert

2027S, Lecture, 2.0 ECTS