Valerie Messini

From antiquity to the present day, recording, storing, and transmitting information have continually evolved and significantly influenced our culture. With a six-volume selection of his writings, Peter Weibel offers an encyclopedia that encompasses all facets of the media world. His reflections, particularly those on media-centered spatial perception, provide important foundations for a media-theoretical and media-scientific understanding of space and art… 2024W, scientific seminar, 4.0 ECTS

Florian Bettel

Im Sommersemester gehen wir den abenteuerlichen wie aufregenden, lustvollen wie angstbesetzten, standesgemäßen wie grenzüberschreitenden Unternehmungen nach; auf die Suche nach Eskapaden machen wir uns in Bildender Kunst, Film, Literatur, Theater und flankieren dabei die Aspekte des Spielens und des Spiels. Dabei interessieren wir uns für die jeweils unterschiedlichen historischen gesellschaftlichen Verhältnisse, in denen diese Handlung gesetzt wurde, fragen nach Konzepten… 2025S, Konversatorium, 2.0 ECTS

Sophie-Marie Geretsegger

When industrialization in the 19th century fundamentally changed living and production conditions, schools of arts and crafts emerged as innovative centres for art education. Initiatives for the founding of arts and crafts schools were boosted by the world fairs which encouraged international competition in art, crafts and design. The schools’ curricula included, among others, ornamental and figure drawing, modeling, sculpting… 2025S, Exkursionen, 2.0 ECTS

Eva Kernbauer

BIP Summer School: Arts and Crafts Schools in the 19th century until 1939 (ERASMUS-BIP Spring School) When industrialization in the 19th century fundamentally changed living and production conditions, schools of arts and crafts emerged as innovative centres for art education. Initiatives for the founding of arts and crafts schools were boosted by the world fairs which encouraged international competition in… 2025S, Exkursionen, 2.0 ECTS

Patricia Köstring

Excursion Basel, Art Basel 2025, 16-19 June 2025 2024W/2025S, artistic Seminar, 2.0 ECTS

Ursula Klein

Im Experimentallabor Kunststoff geht es um das Schweißen von Folien und Textilien. Der Schwerpunkt der Lehrveranstaltung liegt bei aufblasbaren Objekten, deren Eigenschaften, Möglichkeiten und Grenzen. 2024W, Vorlesung und Übungen, 4.0 ECTS

Reinhold Krobath

Grundvorlesung (Teil 2) und Einführung in die Abteilung für alle Studierenden der Angewandten. Themenschwerpunkte:  Holzverbindungen und Holzoberflächenbehandlung Im Praxisteil, werden  die Gerätschaften und Sicherheitsvorschriften der Abteilung vorgestellt und die Möglichkeiten der Holzverbindungen und Holzoberflächenbehandlung  erprobt. 2024W/2025S, Vorlesung und Übungen, 2.0 ECTS

Kristina Pia Hofer

This course is a ‘Proseminar,’ literally a class that will prepare you for the academic Seminars (i.e., classes that require a 15-20 page academic term paper) offered at Angewandte, with a focus on methodologies used in Media Studies. Our topical frame for thinking methodology will be extractivism in sound and music research, both historical and current: How are anthropological sound… 2024W, Proseminar, 3.0 ECTS

Marcel Dickhage

Within the seminar, the colonial archive as a problem space of history and present time will become a research field: via reading texts together and watching films together, as well as finding a language(s) to discuss the contents from an individual (post-)position. Texts dealing with both Austria's colonial history and decolonial image theory will meet films by artists who approach… 2025S, scientific seminar, 2.0 ECTS

Cathleen Schuster

Within the seminar, the colonial archive as a problem space of history and present time will become a research field: via reading texts together and watching films together, as well as finding a language(s) to discuss the contents from an individual (post-)position. Texts dealing with both Austria's colonial history and decolonial image theory will meet films by artists who approach… 2025S, scientific seminar, 2.0 ECTS

Veronika Kocher

Archives, libraries and collections are institutions with different structures and different tasks. In joint explorations, supported by texts and discussions, we will try to clarify concepts, get to know these institutions and their rules, understand how they function, examine relations in order to fathom their narrative potential in the search for the sum of the individual objects. 2025S, Proseminar, 3.0 ECTS

Alexi Kukuljevic

The Postcolonial Condition: Frantz Fanon “A Civilization that chooses to close its eyes to its most crucial problems is a sick civilization.” - Aimé Césaire “Decolonization never takes place unnoticed, for it influences individuals and modifies them fundamentally. It transforms spectators crushed with their inessentiality into privileged actors, with the grandiose glare of history’s floodlights upon them. It brings a… 2024W, scientific seminar, 4.0 ECTS

Katharina Jesberger

In this Proseminar we will focus on the early period of video technology, the 60s and the 70s.The emergence of the new medium, its technical conditions and its characteristics as an electronic, processual, audiovisual, hybrid medium lead to a phase of experimentation among artists and video practitioners alike. New theoretical ideas are developed around the medium, video utopias, connections to… 2024W, Proseminar, 3.0 ECTS

Edith Futscher

Was, wenn Gewänder Eigenleben entfalten, wenn Schutz und Schmuck in den Hintergrund treten oder auch die Oberhand gewinnen, wenn (textile) Gegenkörper gebildet werden? Gewänder, die sich vom menschlichen Körper durch Dimensionierung, Auswüchse und Anbauten oder untragbare Materialien lösen oder gelöst haben, Gebilde, die – buchstäblich unangemessen – den Körper überlagern oder, an Bekleidung erinnernd, dessen Stelle einnehmen, sind Thema des… 2024W, scientific seminar, 4.0 ECTS

Anita Hosseini

Die mit der Gegenwartskunst einhergehende Entgrenzung des Kunstwerks, ihre vielfältigen Erscheinungsweisen und Medien tragen dazu bei, die definitorischen Kategorien von Kunst sowie kunsttheoretischer Methoden zu befragen und neu auszuloten. Zugleich wird die Gegenwartskunst durch global zugängliche Informationen, durch die Öffnung der Diskurse, durch den Bruch mit der Hierarchie von Zentrum und Peripherie bestimmt und entzieht sich der Zuschreibung nationaler und… 2025S, Vorlesungen, 2.0 ECTS

Tina Kult

In the artistic seminar “Grammar and Architecture of New Media”, we focus on works of video art, (experimental) film and documentary that operate in the semantic realm of rapture (Rausch), ecstasy and loss of control. With reference to contemporary positions, we examine artistic strategies in addressing central concepts of the state of exception: whether as an intense condensation of emotions,… 2024W/2025S, artistic Seminar, 4.0 ECTS

Leonard Weydemann

This English-language course is designed to reinforce the understanding of programming / scripting concepts through creating interactive 3D scenes for display on the Web. We use JavaScript, an easy to learn Scripting language for Web-applications and the graphics library three.js. Examples can be found here: threejs.org Among the audience of this course are students of architecture, industrial design, graphics design,… 2025S, Vorlesung und Übungen, 2.0 ECTS

Leonard Weydemann

This English-language course is designed to reinforce the understanding of programming / scripting concepts through creating interactive 3D scenes for display on the Web. This course builds on the content of the previous course, Graphics Programming 1. We use JavaScript, an easy to learn Scripting language for Web-applications and the graphics library three.js. Examples can be found here: threejs.org Among… 2024W, Vorlesung und Übungen, 2.0 ECTS

Martina Fröschl

This course explores the contradictory intersection of computing and sustainability and how technology can be aligned with ecological and social resilience. Students gain hands-on insights into two research projects of the Science Visualization Lab: GreenGLAM (an FFG-funded project on using AI to gather information and promote sustainability in cultural institutions) and ARTverse (an open-source project to promote art and education… 2025S, artistic Seminar, 2.0 ECTS

Wolfgang Fiel

THE CONTEMPORARY CONDITION What do we mean when we say that something is contemporary? And what should the designator “contemporary art” refer to? An immediate response would be that contemporary art is an art of the present, that it somehow addresses and expresses the present. But what is this present? What constitutes the present present or the contemporary contemporary? This… 2024W, artistic Seminar, 3.0 ECTS

Wolfgang Fiel

Why does politics matter (again)? Politics in the twenty-first century is immensely complex and multi-faceted, and alternative theorisations of debates that radically renew older ideas have grown from a trickle to a flood in the past twenty years. The most interesting and relevant contemporary thinkers have responded to new political challenges – such as liberal multiculturalism, new directions in feminist… 2025S, artistic Seminar, 3.0 ECTS

Brishty Alam

What can we learn from observing an object? As Erika Balsom describes in her 2017 text 'The Reality-Based Community', observation was discarded with modernist claims of objectivity and truth. It was replaced by a relativism that was initially emacipatory but has now become 'the new orthodoxy'. Are there ways to reconceive a different observational mode that uses strategies of 'partiality,… 2024W, scientific seminar, 4.0 ECTS

Antonia Birnbaum

Being and Time Martin Heidegger Seminar of three hours twice a month, held together with Alexi Kukuljevic Martin Heidegger’s Being and Time, published as an unfinished book in 1927 in Edmund Husserl’s “Annals of philosophy and research in phenomenology” is a book which had a lasting mark on twentieth century philosophy, even though Heidegger’himself almost immediately broke with some of… 2024W, scientific seminar, 4.0 ECTS

Antonia Birnbaum

Being and Time This seminar will be dealing with the temporal horizon of being developped in the second half of the book. No foreknowledge is required, the semainr can be taken independently of the one in the winter semester Despite being unfinished and rushed to publication – appearing in 1927 in Edmund Husserl’s “Annals of philosophy and research in phenomenology”… 2025S, scientific seminar, 4.0 ECTS

Renate Vergeiner

the Iliad and the most famous poet homer. the war that killes achilles, the war of gods and men.......... 2024W, Proseminar, 3.0 ECTS

Renate Vergeiner

the Odyssey  2025S, Proseminar, 3.0 ECTS

Mathias Fuchs

The seminar will discuss questions about the role of play on the basis of three main topics: 1. Affect - Emotion - GamesWhat do sadness, anger or melancholy mean in digital games? Is playful aggression different from real-world aggression? Is it possible to fall in love with an avatar? Are the feelings during the game erased after the game is… 2025S, scientific seminar, 4.0 ECTS

Korinna Lindinger

Game and play are fundamental cultural techniques of humanity. No childhood has ever been without games, no society is imaginable without play. In discussions, text reading, excursions and guest lectures, and through the individual research of the participants, we investigate play as a contradictory and multidimensional cultural practice, explore concepts of play in different disciplines and social movements. 2024W, scientific seminar, 4.0 ECTS

Boris Roland Manner

Giambattista Vico : Imagination und der Ursprung von Politik und Gesellschaft Giambattista Vico wird häufig als Begründer der Geschichtsphilosophie bezeichnet. In seinem 1725 erschienen Werk " Scienza Nuova" entwirft er ein zyklisches Modell von der Entwicklung der menschlichen Gesellschaft. Diese entwickelt sich in 3 einander folgenden Formen der Herrschaft. Beginnend mit einer Theokratie mündet diese nach einem Zeitalter der Aristokratie… 2024W, scientific seminar, 4.0 ECTS

Martina Fröschl

The course is a hybrid, multi-media step into art and environment. Immersive Media & Virtual Reality is a workshop style investigation with environment, media, anthropocene writings at the core. This course explores the intersection of immersive media, spatial sound, and virtual environments, providing a foundation to expand your individual expertise and artistic research. With the development of the new Immersive… 2024W/2025S, artistic Seminar, 2.0 ECTS

Mel E. Logan

The course is a hybrid, multi-media step into art and environment. Immersive Media & Virtual Reality is a workshop style investigation with environment, media, anthropocene writings at the core. This course explores the intersection of immersive media, spatial sound, and virtual environments, providing a foundation to expand your individual expertise and artistic research. With the development of the new Immersive… 2024W/2025S, artistic Seminar, 2.0 ECTS

Lukas Kaufmann

Using the inventory of the art collection and the archive of the Angewandte, we will devote ourselves to the various forms of reference to works of art and integrate them into our own artistic practices and concepts. In doing so, we will take a closer look at approaches and processes that span the spectrum between referentiality and the positions inscribed… 2024W/2025S, scientific seminar, 4.0 ECTS

Peter Koger

2024W/2025S, artistic Seminar, 1.0 ECTS

Roland Schöny

  The myth of free communication via the Internet has come to an end. Fake news, control, and unleashed information chaos dominate the data highway that originally had such positive connotations. Interactivity initially sounded utopian before it became a standard in the media world.What are the consequences for contemporary art production against this background? 2024W/2025S, artistic Seminar, 1.0 ECTS

Korinna Lindinger

Fragen zu stellen ist eine wichtige Erkenntnisstrategie, in wissenschaftlichen wie künstlerischen Prozessen. Dieses Konservatorium vermittelt Grundlagen unterschiedlicher Interviewmethoden und reflektiert ethische Fragen im Umgang mit Interviewpartner*innen sowie den anvertrauten Erzählungen und Informationen. Ausgehend von Fallbeispielen beschäftigen wir uns mit Strategien des Feldzugangs (Gesprächspartner*innen finden), Gesprächsführung und Analysemögilchkeiten. Aktuelle Projekte von Studierenden sind als Anwendungsbeispele willkommen. Diese LVA stellt eine an… 2024W, Konversatorium, 2.0 ECTS

Piotr Calvache-Modla

This English-language course introduces students to the world of programming through C# Unity scripting. Unity is a popular cross-platform game engine and is often used by architects and designers to showcase their ideas. With Unity, it is possible to deploy complex 2D and 3D graphics applications across a variety of devices, including mobile devices and VR systems. While programming is… 2024W, Vorlesung und Übungen, 3.0 ECTS

Alexander Eselböck

Ceramic Screen Printing 2024W/2025S, Vorlesung und Übungen, 1.0 ECTS

Matthias Boeckl

The lecture course investigates a selection of key episodes of the history of Western architecture that influenced architectural production until today. The most important innovation steps in their development are presented. The topics range from the "first house" via the consequences of the Copernican Revolution to the digital age. Lecture course in English. Please register via the BASE. The course… 2025S, Vorlesungen, 2.0 ECTS

Sophie-Marie Geretsegger

Does the term kitsch have anything to do with art? Does the zeitgeist exhaust itself in play? Do pink ponies and biscuit china epitomise social criticism in the present? Does collaboration with big brand names allow anything? Is the Mona Lisa a masterpiece? Is her reproduction on coffee mugs kitsch? Or can set pieces of kitsch be combined to create… 2025S, Proseminar, 3.0 ECTS

Richard Eigner

Das Seminar ist weiterführend vom WS 23/24 - neue Teilnehmerinnen und Teilnehmer sind gerne willkommen! Wir werden gemeinsam ein Live-Projekt entwickeln. Die motivierte Teilnahme daran ist Voraussetzung für den erfolgreichen Abschluss des Seminars. Die Ausstellungsorte der letzten Semester waren bisher: die Villa Schapira, der botanische Garten der Universität Wien, der Schlosspark Schloss Eckartsau, Minus Offspace und das Porgy & Bess.… 2024W/2025S, artistic Seminar, 2.0 ECTS

Thomas Felder

The aim of the 2-hour course is to explain the application areas and functionality of AI-based sound production using selected tasks. The practice-oriented lessons are supplemented by lectures that cover concepts and technologies of AI-supported sound production. 2024W/2025S, artistic Seminar, 2.0 ECTS

Sara de Santis

"The Thinking Body" This course explores the integration of movement and dramaturgy in media arts, focusing on what it means to have a body as an artist. Through indoor and outdoor exercises, we’ll enhance awareness and practice entering performative states. Students will develop skills in combining movement with technology, exploring dramaturgy and mise en scène to create interactive stagings. Collaboration… 2024W/2025S, artistic Seminar, 2.0 ECTS

Isabel Kranz

Der Begriff „Kultur“ geht auf das lateinische Verb „colere“ und somit auf die Urbarmachung des Feldes durch die Ansiedelung von Nutzpflanzen zurück. Will man also verstehen, was Kultur – und im Umkehrschluss Natur – bedeutet, so muss man sich verstärkt den Pflanzen widmen. Ausgehend von dieser Grundidee erkundet die Vorlesung, was die Wendung zum pflanzlichen „more than human“ für eine… 2024W, Vorlesungen, 2.0 ECTS

Maria Bussmann

Die diesjährige Vortragsreihe für das Studienjahr 2024/25, mit dem Titel "Flucht, Migration und Geschlechterdynamik" beschäftigt sich mit dem komplexen Zusammenspiel von Geschlecht und Sexualität im Kontext von Flucht und Migration. In der Ringvorlesung werden marginalisierte Perspektiven, insbesondere Flucht- und Migrationsgründe, sowie Verfolgung auf Grund von sexueller Orientierung und/oder Geschlechtsidentität, aber auch die machtpolitischen Hintergründe thematisiert. Die Vorträge sind für alle… 2024W/2025S, Vorlesungen, 2.0 ECTS

Anna Zwingl

The course is intended as a framework and field of experimentation for students to explore their own areas of interest, conditions and escapades in art in the first year of their studies. And to reflect on what an artistic process can be and which of these can take place in the generation of art. If we understand art as a… 2024W, artistic Seminar, 2.0 ECTS

Anna Zwingl

The course is intended as a framework and field of experimentation for students to explore their own areas of interest, conditions and escapades in art in the first year of their studies. The lessons are inherently processual. In short studies and joint discussions, we will focus on the topics mentioned, try to grasp (basic) concepts of art and formulate our… 2025S, artistic Seminar, 2.0 ECTS

Maria Bremer

Ausgehend von der aktuellen Neubewertung des Feminismus der sogenannten ‚zweiten Welle‘ innerhalb der Frauen- und Geschlechterforschung behandelt dieses Seminar die Verbindung von Kunst und Feminismus in Italien um 1970. Die transnationale Frauenbewegung reagierte in diesem Kontext speziell auf Tradierungen und Effekte von Faschismus, Katholizismus und Marxismus, die bis hinein in die späte Nachkriegszeit verschiedentlich zum Erhalt patriarchaler Strukturen und Gesetze… 2024W, scientific seminar, 4.0 ECTS

Boris Roland Manner

Im Zuge der Vorbereitung zu einem Projekt können diverseste Probleme auftreten. Im Konversatorium besteht die Möglichkeit in Einzelgesprächen den Schwierigkeiten auf die Spur zu kommen und Strategien zu entwickeln, um das Projekt verwirklichen zu können.Konkrete künstlerische Vorhaben (von der Ausstellungsplanung – zur Intervention im öffentlichen Raum) werden von der Idee bis zur Verwirklichung begleitet. Alle Stufen einer Projektentwicklung werden in… 2024W/2025S, Konversatorium, 1.0 ECTS

Jo Schmeiser

“Not being active under this regime is something I can’t justify.” * In this seminar we will be looking at antiracist and feminist film and media works from the fields of art, cinema and activism past and present. We will analyse – individually, together, and in groups – how our viewpoints are shaped (in part) by our own history and… 2024W/2025S, artistic Seminar, 2.0 ECTS

Jean Philipp Reinsberg

  Die Lehrveranstaltung (LV) ist gekoppelt an Technologien/Praxen | Studio Holz_analoge Produktion und kann nicht seperat belegt werden.  Die LV hat eine künstlerische Aufgabe als Ausgangspunkt die innerhalb der Technologien/Praxen LV entwickelt und erstellt wird. 2024W/2025S, artistic Seminar, 2.0 ECTS