46 courses
Creative Coding 2

Jonas Bohatsch

2022S, Vorlesung und Übungen, 2.0 ECTS

Creative Coding 1

Jonas Bohatsch

This course teaches basic programming skills with the language Processing and it's javascript equivalent P5.js.Wether designer or artist; after successfully completing the course, students posses basic coding skills and understanding of how to use coding as a tool in their creative practice. Content: Basics of programming in P5js Working with random number generators Programming of a software drawing tool Computational… 2021W/2022S, Vorlesung und Übungen, 2.0 ECTS

Artful Coding: web-based games development 1

Andrea Klaura

Course Webpage: https://tantemalkah.at/2021/artful-coding/ Artful coding can be many things. Besides the creative mastery of the tools of the trade, it often also means a playful approach to developing computer programmes. More specifically it can also mean to create playful digital content by applying a (playful) approach to computer programming. In this course we will approach this kind of coding and… 2021W, Vorlesung und Übungen, 2.0 ECTS

Einführung in die Computeranwendung - Digitale Kompetenz

Michael Habiger

In der Lehrveranstaltung ‘Digitale Kompetenz’ beschäftigen wir uns mit einem breiten Repertoire an Themen, die eine Grundlage für konzentriertes und zielgerichtetes Arbeiten in einer digitalen Welt ermöglichen. Im Speziellen werden Inhalte wie MacOS (Finder, Spotlight,...), Datenstrukturierung, -verwaltung und -organisation, sowie Datensicherheit (Keychain, Time Machine,...) und grundlegende Strategien zur Einzel- und Zusammenarbeit (Owncloud, Evernote,...) behandelt. Für diese Lehrveranstaltung sind keine Vorkenntnisse… 2021W, Vorlesung und Übungen, 2.0 ECTS

Arduino 1x1

Jonas Bohatsch

This course is aimed at beginners who never worked in the field of physical computing.Attendants will learn how to work with the Arduino Platform. Content • Overview of the Arduino Platform • Basics of programming Arduino • Working with sensors • Controlling LEDs, motors, etc. 2021W, Vorlesung und Übungen, 2.0 ECTS

Artful Coding: web-based games development 2

Andrea Klaura

tba 2022S, Vorlesung und Übungen, 2.0 ECTS

Kulturwissenschaftliches Englisch 2

Peter Waugh

Kulturwissenschaftliches Englisch(English for the Visual and Applied Arts and Cultural Studies) Peter WaughTuesdays 12.00-14.00 The aim of this student-oriented course is to help improve the participants’ knowledge of the English language, in particular in the specialist field of the applied arts, and to enhance their general linguistic abilities through practical work on the following skills: 1) Conversation: discussion of art… 2022S, Vorlesung und Übungen, 2.0 ECTS

Zyklus Mode und Textil 1

Silke Geppert

Based on the realisation that fashionable silhouettes are tied to the time in which they were created, basic knowledge of fashion and textiles from their beginnings to the Middle Ages is taught. On the basis of selected visual sources and realia, a cultural history of clothing as part of world and everyday culture is developed.The following aspects are of particular… 2021W, Vorlesungen, 2.0 ECTS

Kulturwissenschaftliches Englisch 1

Peter Waugh

Kulturwissenschaftliches Englisch(English for the Visual and Applied Arts and Cultural Studies) Peter WaughTuesdays 12.00-13.30 The general pandemic situation allowing, the course will be held at the university. However, if necessary, it will change to online mode. AT PRESENT DISTANCE LEARNING ON ZOOM, AT LEAST FROM 23.11. TILL 7.12. The aim of this student-oriented course is to help improve the participants’… 2021W, Vorlesung und Übungen, 2.0 ECTS

Kunstbegriffe und die Ästhetik des Häßlichen

Franz Schuh

Zu den Disziplinen, die institutionalisiert mit der Kunst befasst sind, gehört die Philosophie. Wie groß ihr Einfluss auf das ist, was man Kunst nennen möchte, ist schwer zu sagen. Aber man kann vermuten, dass dieser Einfluss oft gar nicht erkannt wird, weil die Philosophie nicht selten incognito in die Versuche eingreift, sich einen Begriff von der Kunst zu machen. Diese… 2021W/2022S, scientific seminar, 4.0 ECTS

Techniques and Tools for Computational Modeling

Clemens Preisinger

This seminar deals with the application of numerical simulation methods and the fundamental concepts on which they build. The focus lies on structural analysis. After an introduction into the basic concepts of computer programming it will be shown how these can be used to write custom simulation code. 2021W/2022S, Seminar, 3.0 ECTS

Experimentierlabor: Arts Entrepreneurship - Außerschulische Berufsfelder

Nicoletta Blacher

Im Experimentierlabor werden künstlerische Berufs-/Tätigkeitsfelder im außerschulischen Bereich anhand von Good-Practise Beispielen behandelt. - Was bedeutet es künstlerisch Selbstständig tätig zu sein?- Welche außerschulischen Berufsfelder oder Tätigkeitsfelder wären relevant?- Mögliche Synergieeffekte mit meiner Tätigkeit als Lehrende / Forschende?- Wie könnten mögliche "(Über-) Lebensmodelle aussehen? Entwicklung von künstlerisch-kreativen Standbeinen; Ziel ist es Perspektiven zu eröffnen, zum Querdenken ermutigen und gleichzeitig besser… 2021W/2022S, Vorlesung und Übungen, 1.0 ECTS

Communication & Presentation Skills for Inter- and Transdisciplinary Teamwork

Elisabeth Kopf

The basics of communication design and creative presentation techniques will be learnt by the practical realization for real projects from the participants. This course is recommended  in combination with Experimental Project Work (Elisabeth Kopf) and/or  Cross-disciplinary Project Work I (Katharina Gsöllpointner) . 2021W/2022S, Übungen, 2.0 ECTS

Key Episodes of Western Architecture

Matthias Boeckl

Overcoming Alienation: The Unity of the Arts and the Primacy of Individual Creativity Modernism is the arts‘ divided response to industrialization. The techno-euphoric fraction within the art community uncritically adopted the normative and anti-individualistic promise of a machine-driven culture and proclaimed that „mechanization takes command“ (Sigfried Giedion). The critical fraction on the contrary tried to overcome the alienation brought about… 2022S, Vorlesungen, 2.0 ECTS

Signal, Pixel, Movement

Robert Mathy

The seminar imparts a profound overview of technical and creative possibilities of audiovisual work with video and sound. Main topics are video formats, compressors, editing (Premiere, Davinci Resolve), compositing (After Effects) and sound processing. The theoretical principles will be applied in practical realisation of individual artistic concepts. 2021W/2022S, Vorlesung und Übungen, 2.0 ECTS

Orientation Tutorial

Sebastian Lang

The Orientation Tutorial is an introduction to the University´s infrastructure. Together we will tour ‘Die Angewandte’ - specifically artistic workshops. All participating workshops & studios will introduce their workplace infrastructure and available possibilities for courses and projects. We will learn about the variety of expertise and support the different workshops offered to the students at Angewandte. The course will also… 2021W, Übungen, 2.0 ECTS

Designs, Marken und Patente als registrierte Schutzrechte für Kreative

Tobias Fox

Creative people sooner or later make contact with law on designs, trademarks or patents (industrial property or IP rights) although, however, theses laws have been primarily implemented for industrialists. Having a registered design or a granted patent competitors can be excluded from doing identical or similar things. On the other side while working or performing on a project, IP rights… 2021W/2022S, Vorlesung und Übungen, 2.0 ECTS

Code & Repräsentation V

Patrícia Reis

Code & Repräsentation V is an artistic seminar dedicated to the study and development of interactive video installations with a focus on perception. Acknowledging the haptic qualities of images recognised by art theorists (Laura Marks, 2000&2002) as a strategy of body affection, this seminar will focus on innovative ways of employing visual haptic interaction models through video processing and physical… 2021W/2022S, artistic Seminar, 2.0 ECTS

Design with Artificial Intelligence based Processes 1

Zeynep Aksöz

This course covers the application of artificial intelligence in the design process. The use of AI in the creative industry is an emerging field, where the use cases are investigated but not widely documented yet. Though these algorithms bring a new approach to design creativity where the interaction between humans and computers results in the emergence of novel design variations.… 2021W, scientific seminar, 4.0 ECTS

Design und Diversität

Nargess Khodabakhshi

Design and Diversity: The Dilemma of Creativity and Cultural AppropriationThe development of postcolonial theories in the 1980s to 1990s impacted theoretical debates in design, arts and cultural studies, criticizing the Eurocentric narratives of the history of culture, arts, and design. As a result, institutionalized initiatives and literacy developed worldwide to open up new perspectives for the theory and terminology of… 2021W, Proseminar, 2.0 ECTS

Mode - Tools 1

Claudia Reifberger

To create contemporary fashion "Mode – Tools“ deals with fundamental terms and techniques of the design process. Focus of this lecture is inspiration, finding ideas, innovation and composition as well as the whole creative process. Based on various tasks students learn to develop and realize their ideas individually as well as in different roles. Mode Tools teaches competences and tools… 2021W, Vorlesung und Übungen, 2.0 ECTS

Methods and Practices of Experimental Cultures

Martin Reinhart

This lecture is intended as an introduction for the first semester students of the Art & Science MA programme. What is experimental art-practice and how can it be employed in a fruitful way? Artists working in experimental practice take new approaches to nurturing, creating and presenting art. Such projects often explore challenging new concepts in the creation and experience of… 2021W, Vorlesungen, 2.0 ECTS

Text und Kontext I

Nicole Scheyerer

This seminar is a writing class. There will be theoretical input but we focus more on practical exercises. What forms of artistic writing are there? How can I find a personal written approach to my artistic production? In what ways does writing help to get access to ideas and overcome creative blocks? Methods like mindwriting, morning pages or clustering assist… 2021W, artistic Seminar, 2.0 ECTS

Computer als Medium (Medienästhetik)

Michael Huber

Based on historical-sociological considerations (Cybernetics, Weizenbaum e.a.), cornerstones of digital culture are illuminated (Hofstadter, Penrose, Rheingold e.a.). In addition to the consideration of strictly formal systems (Mandelbrot e.a.), the interest is primarily focused on the social effects of technology ("net culture", "social media", Postman e.a.).Here the dominant theme "AI and creativity" is also to be found. Specific "applied" topics such… 2021W, scientific seminar, 4.0 ECTS

Experimental Game Engines: Prototyping, Development, Intercommunication

Georg Luif

This course explores the fundamentals for building creative prototypes to answer artistic research questions, developing ideas further into stable applications and interfacing your projects with other languages (such as Python). Through examples and practical exercises we will develop a basic knowledge of working with Game Engines as well as how we can use them more experimentally. The language of the… 2021W, scientific seminar, 4.0 ECTS

Video: Filming-Techniques/Kameraarbeit und Ton

Wolfgang Neipl

The camera takes the pictures, sure !But film photography is different from still photography.What creative parameters do I have at my disposal to portray people and objects ?Understand and apply: Composition, perspective, camera angle, framing, eye-line, ect.Rules can be deliberately broken if I know them. And how do I record good film sound ? Directly after this course, there is… 2021W/2022S, artistic Seminar, 2.0 ECTS

Digital Fabrication

Peter Knobloch

The objective of the lecture is to impart & develop fundamental principles, practices and approaches for computer controlled manufacturing methods. Digital Fabrication History, literature, references Classification of manufacturing methods according to DIN 8580 Additive and subtractive manufacturing Milling, punching, nibbling Laser cutting & engraving Functional principle Suitable materials Testing the suitability of unknown materials Typical properties and applications Data format:… 2022S, Vorlesung und Übungen, 2.0 ECTS

Mode - Schreiben - Diplom

Monica Titton

The course accompanies the research and development of the final thesis. The final thesis complements or reinforces each designer’s original design philosophy, and should demonstrate strong research practice integrating theory and the designer’s unique perspective in response.The final thesis challenges designers to deepen their knowledge on their area of interest and to become actively involved with academic research and relevant… 2021W, artistic Seminar, 2.0 ECTS

Material Culture I

Alison Jane Clarke

Material Culture I: Design and Dwelling: How Should We Live? Faculty: Univ. Prof. Dr. Alison J. Clarke | Sen. Sc. Michelle Jackson-Beckett, MA, MPhil *December 6 and December 18 meetings of this course will be conducted via Zoom. In the era of Covid-19 when people around the world are forced to spend most waking hours at home, the question of… 2021W, scientific seminar, 4.0 ECTS

Interaktive Medien I

Patrícia Reis

Hacking is in nowadays a common practice and creative strategy employed among post-internet artists. By subverting the system, reverse engineering, hacking creative processes, defending access and openismus, they instrument a top-down methodology using deconstruction as a method to “make” art. Acknowledging Vilém Flusser's (1986) challenge of opening the “black box” they question what is behind commercial apparatus, defying its potentials… 2021W, artistic Seminar, 2.0 ECTS

Technologien/Praxen | Färben mit Naturstoffen

Karin Altmann

JAVANESE BATIK - Creative Processes in Wax Batik is part of the Indonesian soul. The resist-dyeing technique of patterning cloth through the application of wax is an ancient art form known in several parts of the world, but it reached its highest level of complexity on the island of Java. Indonesian batik is characterized by a multitude of traditionally given… 2021W/2022S, artistic Seminar, 2.0 ECTS

Interdisziplinäres Projekt: Grafik Design und Fotografie 3

Tonica Hunter

From Fanon to Simone : Black thought and culture as cornerstones of creativity. Black thought and culture and their crucial impact and influence on art and design is either overlooked or underrated in mainstream European academic and artistic cultural institutions. This workshop/course is designed to re-center and take inspiration from several Black key thinkers and creatives who have contributed to… 2022S, Vorlesung und Übungen, 2.0 ECTS

Einführung zeitbasierte Medien

Michael Huber

- Knowledge of the analog moving image story leads to a new approach in the rapidly growing digital practice.- Manageable practice units (production and post-production) consolidate the knowledge base. - Incremental scripts as support for theory and practice units History of technical images- Prokudin-Gorski- Early forms of imaging media Methods of analysis- Theoretical texts in script form for support -… 2021W, Vorlesung und Übungen, 2.0 ECTS

Embodied structures — Genderplay? A possible collaboration on Avatarik.

Eva Fischer

In this seminar we are interested in the virtual body and want to explore how the digital can change our understanding of the body. During the semester, we plan to develop a collaborative project on genderplay and avatarics and present the result of our work during the CIVA Festival 2022. February 18-26, 2022 We will look at how the body… 2021W, scientific seminar, 2.0 ECTS

Projektgebundenes Seminar – Der Fetisch

Antonia Birnbaum

Dieses Seminar läuft gemeinsam mit der LV S03888 von Amanda Holmes. Fetishism The word fetish is derived from the Portuguese “feitiço,” which means artificial; and in the Christian juridical discourse it referred primarily to “witchcraft.” The term fetishism comes historically from a general religious theory of the "savage peoples" and appears in 1760 in the anonymous essay by Charles de… 2022S, Project - bound Seminar, 5.0 ECTS

An Artists' Writing

Michaela Obermair

In this block course we will find different approaches to our own writing and try to activate the flow of writing. A textual exploration is an important part of artistic creation, whether it is for finding titles, describing artistic work for portfolios, submissions, artist statements, or for expressing vague thoughts. We will do Freewritings and talk about Shitty First Drafts.… 2021W, Vorlesung und Übungen, 2.0 ECTS

Typografie 3

Verena Panholzer

User Experience Design in the post-digital era Rethink, Refer, Redefine, Redirect, Rebuild, React Postdigitality means: an active role of the human in the technological development process. This includes a new concept of "smart" that consistently integrates the human dimension into the design process and algorithms. Connecting the systemic with the sensual. Yuval Noah Harari suggests: The best protection against our… 2021W, Vorlesung und Übungen, 3.0 ECTS

City of Bits - Mediating Architectures

Yona Schreyer

City of Bits An expedition into what makes a city Our cities are complex systems that interconnect social, economic, and infrastructural elements. Within these large systems, we then build own smaller networks – trying to make the city work for us. A good city allows this interdependency to become a mutual benefit between basic services we cannot originally provide and… 2021W, scientific seminar, 4.0 ECTS

Cross-disciplinary Project Work I

Katharina Gsöllpointner

The course is dedicated to methodologies of sustainability and/or the sustainability of methodologies. It focusses on questions including the following: What does sustainability mean in the context of cross-disciplinarity? How can we learn and work in sustainable ways, not only in regard to the SDGs but also in regard to our own methods of thinking and acting? How do artistic… 2021W, Projektarbeit, 12.0 ECTS

Übersetzen I (kkp)

Clemens-Gregor Göller

In this proseminar we will deal with the basics of the subject "Bildnerische Erziehung" (BE) in the school system: What kind of teaching helps pupils to understand images, to create images themselves, to perceive them consciously in everyday life, to use them meaningfully and to use them effectively? How do we deal responsibly with grading the performance of our students… 2022S, Proseminar, 3.0 ECTS

Unternehmerische Selbständigkeit für EinsteigerInnen

Antoinette Marie Catherine Rhomberg

This lecture is held in German only. If you do not speak German fluently, unfortunately you will not be able to follow the content, you will miss all the fun and thus cannot attend. Sorry. Unternehmerische Selbständigkeit für EinsteigerInnen Diese Lehrveranstaltung richtet sich an Studierende dieser oder anderer Universitäten, Uni-Absolvent/Innen, an aktuell Nicht-Studierende und andere Personen mit hohem Interesse an… 2021W, Vorlesungen, 2.0 ECTS

Mediale, experimentelle und interdisziplinäre Formen der Sprachkunst

Nika Pfeifer

When your only tool is a hammer the whole world looks like poetryFindings “Misappropriating a technology is the beginning of playful creativity. Tool abuse is a wonderful strategy for surprising yourself.” Fritz Ostermayer Inspired by the above quote and based on topics and questions that have been occupying/moving you/us for a while or maybe just currently, in this explorative lab/oratorium,… 2021W, Vorlesung und Übungen, 2.0 ECTS

Media & Paranoia

Clemens Apprich

The seminar examines the paranoid potentialities of digital media technologies and our computational imagination. In particular, it seeks innovative analyses of the productivity of paranoiac knowledge and new attentional forms – the emerging chimaeras of the “machinic unconscious” (Félix Guattari); the practices of resistance as part of a “poor person’s cognitive mapping” (Fredric Jameson); or the notion of paranoia as… 2022S, scientific seminar, 4.0 ECTS

Künstlerische Projektarbeit | Spectral Encounters (Octopus Programme)

Basak Senova

“Spectral Encounters” is a 3 credits course course offered by Art and Communication Practices at the University of Applied Arts Vienna. The course incorporates with The Octopus Programme that is a guided research-based educational programme that encourages artistic research and production-based collaborations across academies and art institutions; students and professionals; diverse presentation modes; and processes of research and documentation in… 2021W/2022S, artistic Seminar, 3.0 ECTS

What is an exhibition? Cultures, concepts, cognition & curation

Klaus Speidel

Starting with a definition of exhibitions that Klaus Speidel recently submitted to a forum of philosophers specialized in aesthetics – as well as the ensuing critical discussion –, this seminar tries to come to grasp with the question of what constitutes a (curated) exhibition and what an answer implies. Focusing on how exhibitions constitute meaning, this seminar will explore strategies… 2021W/2022S, scientific seminar, 4.0 ECTS

Übersetzen II (kkp)

Ruth Mateus-Berr

Mandatorily linked to the subject-based internship (FASP) at the school and supervision for students of the Angewandte. ARTISTIC RESEARCH in the classroom and in art and music settings: Memory-Forgetfulness-Dementia In this seminar, which is compulsory alongside the school internship (prerequisite: LV: Introduction to subject-related didactics), we will work with methods of artistic research, Phenomena Based Learning, socially oriented design and… 2021W/2022S, scientific seminar, 4.0 ECTS