Michael Huber

Update from the winter semester 2022/23 - Theory and practice of digital production methods - Focus on AI: "history", developments, impact, society, creative economy, art - Virtual Production 2022W/2023S, artistic Seminar, 2.0 ECTS

Veronika Schnell

Seminar für Studierende der DIGITALEN KUNST, projektorientiert mit beschränkter Teilnehmer*innenzahl. Im Seminar beschäftigen sich die Teilnehmer*innen mit Theoriebildung vom Standpunkt der künstlerischen Produktion aus. Anhand einer Auswahl von Begriffen im Bereich zeitbasierter digitaler Kunst hinterfragen sie deren Situiertheit im je spezifischen Diskursfeld, reflektieren und diskutieren deren Verwendung und loten deren Möglichkeiten für die Beschreibung  eigener künstlerischer Arbeiten aus. 2022W/2023S, artistic Seminar, 1.0 ECTS

Konrad Strutz

Die Lehrveranstaltung behandelt grundlegende Techniken in den Bereichen analoge und digitale Fotografie sowie Methoden des digitalen Workflow. In jeweils unmittelbar anschließenden Übungseinheiten werden die theoretischen Inhalte durch gestalterische Aufgabenstellungen erprobt und in das aktive Repertoire der Studierenden überführt.   Folgende Themenbereiche werden behandelt: Kameratechnik: Großformat / digital Licht(temperatur) und Farbe künstliche Beleuchtung / Blitzlicht Bilddaten und Formate Farbprofile (Color-Management) 2022W/2023S, artistic Seminar, 2.0 ECTS

Waltraud Jungwirth

Traditional and experimental writing techniques, writing, typesetting and printing as counterpart and basis of digital mediation. Letter, word and word environment, relationship and effect of texts in different media types. 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Christine Ostermaier

Das Ziel dieser Übung liegt in der Erarbeitung von persönlichen, für die Kollektion brauchbaren, digitalen Grundschnitten. Grundfunktionen des CAD Programmes Grafis-V12 werden durch die Anwendung an eigenen Projekten der Studierenden trainiert.   2022W, Übungen, 1.5 ECTS

Johannes Hucek

Projektbezogene Lehrveranstaltung mit Übungen zum Thema Immersion. Weiters wird es eine Einführung in das Fulldome / VR & AR Lab der Abteilung für Digitale Kunst geben. Lehrveranstaltung wird in Kombination mit Methoden künstlerischer Forschung (https://base.uni-ak.ac.at/courses/2022W/S04229/) abgehalten.   2022W, artistic Seminar, 1.0 ECTS

Franz Schubert

Artistic and technical foundations of 3D animation 3D computer animation techniques: modeling, animation, rendering, simulation, motion graphics, digital sculpting, 3D painting Project-based work with modeling, animation, rendering and simulation techniques. The exact content of the lecture will be fixed in the context of the 1st course on Friday, March 10th.  2023S, artistic Seminar, 3.0 ECTS

Mauricio Ianes de Moraes

Materiality, synesthesia, aesthetics and affects. In the seminar Die Architektur des Lichts II we will focus the production and discussion of artworks by the students, continuing the conceptual approach developed in the previous semester (Die Architektur des Lichts I). Having these artworks as a starting point, we will reflect on our perception of them and their relation to the material… 2023S, artistic Seminar, 2.0 ECTS

Alexander Nussbaumer

The seminar provides insights into the extensive topic of typography and related fields in analog and digital media. How does typography affect content and/or media? What influences do the media have on typography? With a focus on artistic practice, basic knowledge is provided through research, case studies, and exercises that can be applied as a foundation for future projects and… 2022W, artistic Seminar, 2.0 ECTS

Zekerya Saribatur

Lithography III 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Klaus Speidel

AI, Algorithms and Art « Gaps between the design and operation of algorithms and our understanding of their ethical implications can have severe consequences affecting individuals, groups and whole segments of a society. » (Mittelstadt et al. 2016). How can we as creators, whether as artists, designers or curators, respond to what AI researcher Stuart Russell simply calls "The Biggest… 2022W, scientific seminar, 4.0 ECTS

Ruth Mateus-Berr

CRADLE-TO-CRADLE At least since the Porto Protocol: https://www.portoprotocol.com/circular-economy-as-a-way-of-increasing-efficiency-in-organizations/ in relation to relationship and environment is in demand. How can you find and implement projects you are burning for in this field? What does relationship mean here in the sense of a Karen Barad? How can this be done in an interdisciplinary team? How can one also earn a living doing… 2022W/2023S, scientific seminar, 4.0 ECTS

Alexander Nussbaumer

The seminar provides insights into the extensive topic of typography and related fields in analog and digital media. How does typography affect content and/or media? What influences do the media have on typography? With a focus on artistic practice, basic knowledge is provided through research, case studies, and exercises that can be applied as a foundation for future projects and… 2023S, artistic Seminar, 2.0 ECTS

Thomas Felder

The lecture "Grundlagen des technologischen Gestalten 2" of 3 hours, is conceived to impart the artistic and technical basics of soundproduction in the context of digital media. By dealing with the contentual and formal aspects of music, soundtrack, gamesound, sound-installation, websound and different other sound-structures, the students learn hands on to realise their own projects on the computer and in… 2023S, artistic Seminar, 3.0 ECTS

Franz Schubert

Advanced Post Production Techniques (Adobe After Effects) Motion graphicsText Animation TechniquesTime-based CompositingDigital Retouching/Video EnhancementSpecial EffectsCamera Tracking/Object Tracking2D and 2.5D Animation TechniquesMedia Formats The exact content of the lecture will be fixed in the context of the 1st course on Thursday, March 9th.  2023S, artistic Seminar, 3.0 ECTS

Nikolaus Jantsch

Topic of the courseIn this course, students will learn artistic techniques and methods, as well as aesthetic and analytical basics of the production of animated films. The aim of the course is the acquisition of knowledge of digital and analog visualization using animation film technologyand the ability to translate the skills acquired into a film project. Theory:History of animation film,… 2022W/2023S, Vorlesung und Übungen, 4.0 ECTS

Lydia Haider

BACHMANN PROPOSITUM (cf. Project Blair Witch) FABULA, Rituale et Horror weekly cum prospectu coniuncti iter ad Bachmannhaus in Klagenfurt mense Iunio Essentia, spiritus Ingeborg Bachmann, vocari debet, vocatus, agnitus, intellectus, captus. Per progressionem textus articularis — poematis Bachmanni signati vel overscripti — aditus ad spiritum Bachmannorum inveniatur. Quantum butteratur in fabula scriptoris? Quantum Bachmann est in speculo pristini Bachmanni? Quantum… 2023S, Vorlesung und Übungen, 2.0 ECTS

Gerd Haselsteiner

Based on practical examples and exercises this course will impart the design principles for digital interfaces. Apart from websites we will also discuss and work on other interfaces like apps, automation, touchscreens, … The semester will start with the introduction into HTML, CSS and Javascript. The rest of the course content will be developed by student projects (portfolio website) in… 2022W/2023S, Übungen, 3.0 ECTS

Hermann Fankhauser

  Areas such as production, communication, marketing, retail, digitization are important Parts and require extensive knowledge to successfully apply these tools in a brand, collection or product. Production and manufacturing processes, marketing and means of communication, digital marketing are topics in this lecture and are explained on the basis of successful brands.  2022W, Vorlesungen, 2.0 ECTS

Caroline Heider

Every image needs a body a carrier to circulate. We will look at what image carriers exist and which may be appropriate for your own photographic project. This can range from handling photographs on a screen to digital pigment printing on paper. Pigment printing, laminating techniques by hand, and developing your own displays for photography will be hands-on. Composite materials,… 2023S, Vorlesung und Übungen, 2.0 ECTS

Larissa Leverenz

Screen printing IIAn interdisciplinary, experimental work on different print media and the examination of the peculiarities and possibilities of this printing technique are focused and worked out here.The goal is to deepen the technology in order to successfully implement complex ideas. WATCH OUT:Prerequisite for the course Siebdruck II are basic knowledge in screen printing or the previous successful completion of… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Thomas Felder

The lecture "Grundlagen des technologischen Gestalten 1" of 3 hours, is conceived to impart the artistic and technical basics of soundproduction in the context of digital media. By dealing with the contentual and formal aspects of music, soundtrack, gamesound, sound-installation, websound and different other sound-structures, the students learn hands on to realise their own projects on the computer and in… 2022W, artistic Seminar, 3.0 ECTS

Franz Schubert

3D computer animation techniques: modeling, animation, rendering, simulation, motion graphics, digital sculpting, 3D painting Project-based work with modeling, animation, rendering and simulation techniques. Software: Cinema 4D Please bring your own laptop! The exact content of the lecture will be fixed in the context of the 1st course on Friday, Oct. 10th.  2022W, artistic Seminar, 3.0 ECTS

Zekerya Saribatur

Lithograpy II 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Franz Schubert

Video editing and compositing:   Artistic and technical basics of non-linear video editing.   Media acquisition, editig techniques, compositing, color–keying. Color correction, color grading, video effects, audio mastering. tracking and stabilization techniques.   Digital media formats, compression methods, transcoding   Software: Adobe Premiere CC   Please bring your own laptop! 2022W, artistic Seminar, 3.0 ECTS

Michael Huber

- Systematic studies on the moving image complex- The image-taking and image-giving apparatus- Mutual manipulation of time and image axis - Digital Production and Postproduction- Diminished Reality- The invisible spectrum in the (moving) image- The optical unconscious- AI & Bias/Weight/Error- Screenings, especially on current phenomena- Project management and presentation- Support individual artistic projects 2022W, artistic Seminar, 2.0 ECTS

Gerda Lampalzer-Oppermann

Video- und Medienkunst sind in ihrer spezifischen Rolle als Übergangsstadium und Vermittlerin zwischen analoger und digitaler Bilderzeugung mediengeschichtlich besonders interessant. In einem historischen Überblick werden an Hand internationaler Beispiele ihre wichtigsten Entwicklungsphasen vorgestellt und ein Überblick über die zeitgenössische Produktion gegeben. Da sich kulturhistorischen Bezüge zwischen Medienkunstentwicklung und (kommunikations)gesellschaftlicher Bedingungen speziell in interdisziplinären Überschneidungen gut ablesen lassen, soll Videokunst auch… 2023S, Vorlesungen, 3.0 ECTS

Anna Vasof

Where can we find the essence of cinematic illusion when we look into everyday life, and what happens when we use everyday situations, objects, spaces, and actions as cinematographic mechanisms? During the course, we will use everyday objects and actions to cause, activate and reveal narratives and understandings of how we perceive the moving image illusions. Topics: • The prehistory… 2023S, artistic Seminar, 2.0 ECTS

Nikolaus Gansterer

TRACES OF PLACES: PRACTICES OF FIELD RECORDING Nikolaus Gansterer, M.A.Artistic project work (2 hours) in combination with practices (2 hours)The seminar will take place as a block within the framework of an excursion lasting several days at Whitsun 2023. (max. 10 persons), further preparatory meetings and individual meetings by arrangement. The course is part of the APL (Applied Performance Laboratory).… 2022W/2023S, artistic Seminar, 2.0 ECTS

Renée Gadsden

This seminar is an homage to my late professor Brigitte Kowanz (1957-2022). The focus of the course is Austrian women artists of the 20th century. By looking at their contributions to the development of society in Austria, we can see how Austrian women and the themes they examined influenced important discourses locally and had an impact internationally, especially on the… 2023S, scientific seminar, 4.0 ECTS

Julian Palacz

In this course, the technical foundations of Web3 / decentralized internet will be taught and its artistic potential will be explored. Concepts such as blockchain, DAOs (Decentralized Autonomous Organizations), metaverse, NFTs (Non-Fungible Tokens), mints, smart contracts, etc. will be explained and critically discussed. The substantive discussion of blockchain technologies is accompanied by application-oriented teaching units in which students learn the… 2022W, Vorlesung und Übungen, 2.0 ECTS

Nikolaus Gansterer

TRACES OF PLACES: PRACTICES OF FIELD RECORDING Nikolaus Gansterer, M.A.Artistic project work (2 hours) in combination with practices (2 hours)The seminar will take place as a block within the framework of an excursion lasting several days at Whitsun 2023. (max. 10 persons), further preparatory meetings and individual meetings by arrangement. The course is part of the APL (Applied Performance Laboratory).… 2022W/2023S, artistic Seminar, 2.0 ECTS

Christoph Kaltenbrunner

DIENSTAG Das Portfolio ist eine wesentliche und kontinuierliche Reflexionsebene des individuellen Studienverlaufs. Sie visualisieren damit in Semesterabschnitten die verschiedenen Ebenen Ihres Studiums, resümieren die wesentlichen Erfahrungen, Ihren individuellen Fokus und Erkenntniszuwachs in künstlerischer Form und stellen Ihr Portfolio in Kleingruppen vor. Die daraus resultierende gemeinsame Diskussion und Reflexion ihres Studienfortgangs hilft die persönliche Situation einzuschätzen und bietet Orientierung für nächste… 2022W/2023S, Programme - Related Reflection, 0.5 ECTS

Maria Ziegelböck

In the course, theoretical and practical basics of photographic processes are taught and applied. Basic shooting and lighting techniques as well as digital processing techniques (Capture One) are tested with practical exercises. The aim is to integrate and apply processes in one's own photographic practice. Successful attendance of the course is a prerequisite for students in the 1st semester of… 2022W, Vorlesung und Übungen, 2.0 ECTS

Ulla Rauter

The physical world as a digital score The practical part of the course focuses on the development of physical interfaces for installations, performances and interactive works. The translation of sensor data from the environment and one's own body into sound, light and movement is conveyed using model project examples. We work with Arduino + Pure Data / MaxMSP, if you… 2022W, artistic Seminar, 2.0 ECTS

Paul Iby

The fabulous world of dumplings From B like Baozi to W like Wareniki https://padlet.com/pauliby/die-fabelhafte-welt-der-teigtaschen-8uh55vi6z4kbo8da RESEARCH QUESTION: How can the motif of the dumpling, with all its cultural peculiarities and tradition-laden conventions, be used as an interdisciplinary mediation basis for technology and design? Boiled, steamed, fried or baked; dumplings combine craftsmanship, technology, design and, in the best case, good taste. But… 2022W/2023S, Proseminar, 3.0 ECTS

Silke Geppert

FASHION AND TEXTILE FROM FRENCH REVOLUTION TO THE 1920IES Based on the realisation that fashionable silhouettes are tied to the time in which they were created, this Cycle III teaches knowledge of fashion, textiles and the beginnings of the modern fashions system. The focus is on the 19th century, the democratisation of fashion and the development of the haute couture… 2022W, Vorlesungen, 2.0 ECTS

Tina Kult

This course teaches the artistic and technical fundamentals of digital filmmaking, with an emphasis on nonlinear video editing. Using various examples from film and media art, dramaturgy, rhythm, pacing and montage techniques will be analyzed, and the various components of video production (frame rate, frame resolution, video formats, compression, best practice workflow,...) will be discussed. In addition to theoretical immersion… 2022W, artistic Seminar, 1.0 ECTS

Stephanie Klaura

According of individual projects for textile screen printing, the necessary design adaptation and optimal preparation of analogue and digital templates are taught. Hands-on and learning-by-doing accompanied under professional guidance.Repeating patterns, free-form designs, as well as artistic screen prints on textile or onto divers media will be tested and applied in practice. We promote to explor the possibilities of free artistic… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

VOICE - RECORDING, SYNTHESIZER. How do I record speech sound and how do I process it for Film, Video, "Massive Open Onlie Communication" and Social Media. Studio recording. When do you need mono and when stereo microphonics. Relevant programme / Digital Audio Workstation (DAW): Logic. Practical introduction to synthetic sound production Teaching Objective: Dubbing a short video in Logic. The… 2022W/2023S, artistic Seminar, 2.0 ECTS

Katharina Fuchs

Documentation is a central component of conservation work. All information important for the conservation treatment of an object must start before any measures are taken and must continue throughout the entire working process. Consequently, documentation means obtaining and keeping information. In addition to written documentation, mapping, i.e. the graphic recording and interpretation of information, explains complex relationships precisely at a… 2022W, Vorlesung und Übungen, 2.0 ECTS

Mauricio Ianes de Moraes

Materiality, synesthesia, aesthetics and affects. In the seminar Die Architektur des Lichts I will focus on producing artworks and analysing our perception of them and the material world. How do space, matter, sounds, smells, and light affect our senses and intellect? How has perception changed and was shaped by cultural and social-historical contexts?The meetings will bring theoretical and historical backgrounds… 2022W, artistic Seminar, 2.0 ECTS

Martin Sulzbacher

This course is characterized by a project based approach and individual portfolio projects. Students base their development of relevant graphic content on their individual projects, their own work on collections in the ZKF. The focus is on the production of conceptual- illustrative approaches, which, in combination with components from areas of technical drawing result in a harmonious whole on the… 2023S, Vorlesung und Übungen, 2.0 ECTS

Wolfgang Neipl

The course teaches professional dubbing by use of the soudlibrary of Logic. The procedure enables copyright independence. Contents: Music and sound as mood-creating elements. Technical and artistic foundations of composing, arranging and producing musical structures on motion pictures. The term: »Music» is also interpreted as »Sound- and Noise Structure». Relevant Application (Digital Audio Workstation): Logic Musical previous knowledge is not… 2022W/2023S, artistic Seminar, 2.0 ECTS

Gerhard Prikoszovits

The course Tissue Technology covers all technical and mechanical skills which are necessary for the production of a shaft tissue. The weaving of the patterns takes place in the course of the lessons on site. In addition, the designing and technical presentation of tissues are mediated. In the development of personal projects, depending on the objectives and requirements, all available… 2022W/2023S, Übungen, 2.5 ECTS

Franz Schubert

3D animation and motion graphics Advanced techniques for 3D computer visualization and animation including individual supervision with support for specific 3D projects. Focus on simulation techniques (Cinema4D), digital sculpting (zBrush) and 3D painting/texturing (SubstancePainter). The course is held as a combination of theory and practical application of advanced modeling, animation, simulation and rendering techniques including project support and is aimed… 2022W, artistic Seminar, 2.0 ECTS

Franz Schubert

Advanced techniques for 3D computer visualization and animation including individual supervision with support for specific 3D projects. Focus on simulation techniques (Cinema4D), digital sculpting (zBrush) and 3D painting/texturing (SubstancePainter). The course is held as a combination of theory and practical application of advanced modeling, animation, simulation and rendering techniques including project support and is aimed exclusively at students with the… 2023S, artistic Seminar, 2.0 ECTS

Martin Sulzbacher

This course is characterized by a project based approach and individual portfolio projects. Students base their development of relevant graphic content on their individual projects, their own work on collections in the ZKF. The focus is on the production of conceptual- illustrative approaches, which, in combination with components from areas of technical drawing result in a harmonious whole on the… 2022W, Vorlesung und Übungen, 2.0 ECTS

Birgit Hertel

Gelehrt werden Techniken in Photoshop und Illustrator und das Arbeiten mit einem Tablet.(im Hinblick auf Zeichnen, Malen, Illustrieren, Scribble und Layout) Gute Grundkenntnisse in beiden Programmen sind für den Kurs bereits mitzubringen. (Ebenen, Masken, Grundkenntnise der Werkzeuge, Selektionen ) Inhalte des Kurses: – Arbeitsplatzeinstellungen Photoshop/Illustator– Dateien vorbereiten und anlegen - Abmessungen bestimmen Pixel vs. dpi.– Tablett richtig nutzen– Pinsel /… 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS

Gerda Lampalzer-Oppermann

In „Bildpunkte in Bewegung II“ wird audiovisuelle Medienarbeit an Hand von dokumentarischen Projekten untersucht. Dabei soll auf die Geschichte des Dokumentarfilms/videos ebenso eingegangen werden wie auf die zeitgenössische Produktion. Besonderes Augenmerk wird einerseits auf den Einfluss neuer Technologien (Video, digitale Medien) auf den Dokumentarfilm gelegt, anderseits auf die Entwicklung neuer Modelle in der Produktion. Medienzentren, Arbeitskollektive, partizipative Modelle als Versuche,… 2022W, Vorlesungen, 3.0 ECTS