Jonas Bohatsch
Building upon the knowledge we have acquired in Creative Coding 1 this course will teach you further basic concepts of programming while at the same time diving deeper into the field of generative art. By combining these new gained skills with algorithms used in creative coding (see: https://www.notion.so/That-Creative-Code-Page-c5550ef2f7574126bdc77b09ed76651b) we will be able to create more sophisticated graphical ouputs and add… 2023S, Vorlesung und Übungen, 2.0 ECTS
Jonas Bohatsch
This course teaches basic programming skills with the language Processing and it's Javascript equivalent P5js. Students will learn how to write code and simple algorithms to generate visual outputs. Wether designer or artist; after successfully completing the course, students posses basic coding skills and gained insight in how to use coding as a tool in their creative practice. Content: •… 2022W, Vorlesung und Übungen, 2.0 ECTS
Andrea Klaura
Course Webpage: https://tantemalkah.at/artful-coding This course is a logical follow-up to the Artful Coding 1 course. Participants who completed Artful Coding 1 will get a guaranteed place in this course. Other participant have have to make sure to bring in the necessary basic web based game dev skills from Artful Coding 1 - either by having already some experience with web… 2023S, Vorlesung und Übungen, 2.0 ECTS
Andrea Klaura
Course Webpage: https://tantemalkah.at/artful-coding Artful coding can be many things. Besides the creative mastery of the tools of the trade, it often also means a playful approach to developing computer programmes. More specifically it can also mean to create playful digital content by applying a (playful) approach to computer programming. In this course we will approach this kind of coding and… 2022W, Vorlesung und Übungen, 2.0 ECTS
Naemi Luckner
In der Lehrveranstaltung ‘Digitale Kompetenz’ beschäftigen wir uns mit einem breiten Repertoire an Themen, die eine Grundlage für konzentriertes und zielgerichtetes Arbeiten in einer digitalen Welt ermöglichen. Im Speziellen werden Inhalte wie MacOS (Finder, Spotlight,...), Datenstrukturierung, -verwaltung und -organisation, sowie Datensicherheit (Keychain, Time Machine,...) und grundlegende Strategien zur Einzel- und Zusammenarbeit (Owncloud, Evernote,...) behandelt. Für diese Lehrveranstaltung sind keine Vorkenntnisse… 2022W, Vorlesung und Übungen, 2.0 ECTS
Jonas Bohatsch
Students who need help in the field of coding, software art, generative art, generative design, physical computing, machine learning are welcome to contact the Coding Lab. Projects are then implemented collaboratively in individual sessions. 2022W/2023S, Projektarbeit, 2.0 ECTS
Max Mustermann (LE)
A short description of this course 2022W/2023S, Vorlesungen, 2.0 ECTS
Nicole Scheyerer
This seminar is a writing class. There will be theoretical input but we focus more on practical exercises. What forms of artistic writing are there? How can I find a personal written approach to my artistic production? In what ways does writing help to get access to ideas and overcome creative blocks? Methods like mindwriting, morning pages or clustering assist… 2022W, artistic Seminar, 2.0 ECTS
Paul Iby
The fabulous world of dumplings From B like Baozi to W like Wareniki https://padlet.com/pauliby/die-fabelhafte-welt-der-teigtaschen-8uh55vi6z4kbo8da RESEARCH QUESTION: How can the motif of the dumpling, with all its cultural peculiarities and tradition-laden conventions, be used as an interdisciplinary mediation basis for technology and design? Boiled, steamed, fried or baked; dumplings combine craftsmanship, technology, design and, in the best case, good taste. But… 2022W/2023S, Proseminar, 3.0 ECTS
Zeynep Aksöz Balzar
This course covers the application of artificial intelligence in the design process. The use of AI in the creative industry is an emerging field, where the use cases are investigated but not widely documented yet. Though these algorithms bring a new approach to design creativity where the interaction between humans and computers results in the emergence of novel design variations.… 2023S, scientific seminar, 4.0 ECTS
Andrea Klaura
Ongoing course documentation: https://tantemalkah.at/2023/machine-learning/ This course is the practical/experimental companion to Clemens Apprich's seminar on the theory and history of Machine Learning. While it is not a formal requirement to also attend this other course, we highly recommend to jointly attend both of those two courses. Learning goals: After completion of this course you will be able to * Set… 2023S, Vorlesung und Übungen, 2.0 ECTS
Florian Bettel
Play is one of the elementary cultural techniques of mankind. No childhood was ever without games, no society is imaginable without them. In the joint discussion, in the context of excursions and guest lectures and through the individual research work of the participants, we investigate in the seminar: Play as a contradictory and multidimensional cultural practice, Critically questioning cultural-historical developments… 2022W/2023S, scientific seminar, 4.0 ECTS
Zeynep Aksöz Balzar
This course covers the application of artificial intelligence in the design process. The use of AI in the creative industry is an emerging field, where the use cases are investigated but not widely documented yet. Though these algorithms bring a new approach to design creativity where the interaction between humans and computers results in the emergence of novel design variations.… 2022W, scientific seminar, 4.0 ECTS
Peter Waugh
Kunst- und Kulturwissenschaftliches Englisch 2(English for the Visual and Applied Arts and Cultural Studies) Peter WaughTuesdays 12.00-13.30 The aim of this student-oriented course is to help improve the participants’ knowledge of the English language, in particular in the specialist field of the applied arts, and to enhance their general linguistic abilities through practical work on the following skills: 1) Conversation:… 2023S, Vorlesung und Übungen, 2.0 ECTS
Peter Waugh
Kunst- und Kulturwissenschaftliches Englisch 1(English for the Visual and Applied Arts and Cultural Studies) Peter WaughTuesdays 12.00-13.30 The aim of this student-oriented course is to help improve the participants’ knowledge of the English language, in particular in the specialist field of the applied arts, and to enhance their general linguistic abilities through practical work on the following skills: 1) Conversation:… 2022W, Vorlesung und Übungen, 2.0 ECTS
Mariella Greil-Möbius
The Greek word soma means the living body referring to the core of structure and function. An introduction to a range of body mind concepts and somatic practices will activate intuition and sensitivity of the body. Using perception as a tool for empirical observation, directed touch and imagery create an awareness of physical habits and expand the radius of movement… 2022W/2023S, Vorlesung und Übungen, 4.0 ECTS
Clemens Preisinger
This seminar deals with the application of numerical simulation methods and the fundamental concepts on which they build. The focus lies on structural analysis. After an introduction into the basic concepts of computer programming it will be shown how these can be used to write custom simulation code. 2022W/2023S, scientific seminar, 3.0 ECTS
Franz Schuh
DER ZEIT IHRE KUNST Sigmund Freuds Text „Zeitgemäßes über Krieg und Tod“ beginnt mit einer Art Entschuldigung. In schweren Zeiten wie in „dieser Kriegszeit ... werden wir selbst irre an der Bedeutung der Eindrücke, die sich uns aufdrängen, und an dem Wert der Urteile, die wir bilden.“ Das Durcheinander im Diskurs bildet heute das Chaos, die Auflösungserscheinungen der globalen Realität… 2022W, scientific seminar, 4.0 ECTS
Patricia Grzonka
Texts as a medium of reflection of (one's own) artistic practice. Relevant theoretical discourses of contemporary art form the basis of our approach to analytical practise. The goal is to sharpen our awareness for writing about art and to start with our own concerns. Techniques of writing lead us to our special language. The course is intended as an exercise… 2022W/2023S, artistic Seminar, 2.0 ECTS
Nicoletta Blacher
Supervision zu den Herausforderungen im Berufsfeld Schule; Reflexion von pädagogischen und künstlerischen Gestaltungsprozessen in der Schulpraxis LEHR- UND LERNMETHODE, ORGANISATION Im Zentrum stehen die Fragen und Bedarfe der Studierenden im Zusammenhang mit dem Praktikum und die gemeinsame Bearbeitung. Settings und Techniken der Supervisionspraxis; Kritisch-analytischer Diskurs; Reflexion und Analyse von Unterricht, pädagogischen Positionen und methodisch-didaktischen Modellen; Strategien zu Handlungsfeldern in der… 2022W/2023S, Vorlesung und Übungen, 1.0 ECTS
Nicoletta Blacher
Supervision zu den Herausforderungen im Berufsfeld Schule; Reflexion von pädagogischen und künstlerischen Gestaltungsprozessen in der Schulpraxis LEHR- UND LERNMETHODE, ORGANISATION Im Zentrum stehen die Fragen und Bedarfe der Studierenden im Zusammenhang mit dem Praktikum und die gemeinsame Bearbeitung. Settings und Techniken der Supervisionspraxis; Kritisch-analytischer Diskurs; Reflexion und Analyse von Unterricht, pädagogischen Positionen und methodisch-didaktischen Modellen; Strategien zu Handlungsfeldern in der… 2022W/2023S, Vorlesung und Übungen, 1.0 ECTS
Michael Huber
Update from the winter semester 2022/23 - Theory and practice of digital production methods - Focus on AI: "history", developments, impact, society, creative economy, art - Virtual Production 2022W/2023S, artistic Seminar, 2.0 ECTS
Franz Schuh
Manche Menschen halten Vorträge, schreiben Aufsätze oder Bücher und es fragt sich, wie kommen sie auf die Idee, dass vor ihnen niemand wusste, was sie entdeckt zu haben glauben. Es ist geradezu das Problem, dass Kunstfragen schon in der Antike, vor allem von Plato und Aristoteles, diskutiert wurden, und erst recht in der Neuzeit, von Kant oder Hegel. Das heißt… 2023S, scientific seminar, 4.0 ECTS
Nicoletta Blacher
A. KURZBESCHREIBUNG Supervision zu Beobachtung und Reflexion von pädagogischen und künstlerischen Gestaltungsprozessen im Berufsfeld Schule B. LEHR- UND LERNMETHODE, ORGANISATION Im Zentrum stehen die Fragen und Bedarfe der Studierenden im Zusammenhang mit dem Praktikum und die gemeinsame Bearbeitung. Techniken der Intervision und Supervision, Berichte aus der Schulpraxis, Erfahrungsberichte über Beobachtung von Unterricht inkl. Beobachtungsaufträgen, Dialog und Diskussion, kritische Reflexion und… 2022W/2023S, Vorlesung und Übungen, 1.0 ECTS
Nicoletta Blacher
A. KURZBESCHREIBUNG Supervision zu Beobachtung und Reflexion von pädagogischen und künstlerischen Gestaltungsprozessen im Berufsfeld Schule B. LEHR- UND LERNMETHODE, ORGANISATION Im Zentrum stehen die Fragen und Bedarfe der Studierenden im Zusammenhang mit dem Praktikum und die gemeinsame Bearbeitung. Techniken der Intervision und Supervision, Berichte aus der Schulpraxis, Erfahrungsberichte über Beobachtung von Unterricht inkl. Beobachtungsaufträgen, Dialog und Diskussion, kritische Reflexion und… 2022W/2023S, Vorlesung und Übungen, 1.0 ECTS
Nicoletta Blacher
Experimentierlabor: Arts Entrepreneurship - out of school activities Wahlfach Im Experimentierlabor werden künstlerische Berufs-/Tätigkeitsfelder im außerschulischen Bereich anhand von Praxisbeispielen behandelt: künstlerische Tätigkeit, Kulturelle Bildung (non-formale und informelle Bildung) etc. ; Schwerpunkt Sommersemester: Sichtbarkeit/PR, Förderstrukturen - Was bedeutet es künstlerisch Selbstständig tätig zu sein?- Welche außerschulischen Berufsfelder oder Tätigkeitsfelder wären relevant?- Mögliche Synergieeffekte mit meiner Tätigkeit als Lehrende / Forschende?-… 2022W/2023S, Vorlesung und Übungen, 1.0 ECTS
Patrícia Reis
Code & Repräsentation V is an artistic seminar dedicated to the study and development of interactive video installations with a focus on perception. Acknowledging the haptic qualities of images recognised by art theorists (Laura Marks, 2000&2002) as a strategy of body affection, this seminar will focus on innovative ways of employing visual haptic interaction models through video processing and physical… 2022W/2023S, artistic Seminar, 2.0 ECTS
Nicole Scheyerer
This seminar is a writing class. There will be theoretical input but we focus more on practical exercises. What forms of artistic writing are there? How can I find a personal written approach to my artistic production? In what ways does writing help to get access to ideas and overcome creative blocks? Methods like mindwriting, morning pages or clustering assist… 2023S, artistic Seminar, 2.0 ECTS
Roland Schöny
Art and media as a socio-political intervention In recent years, the group Forensic-Architecture has initiated wide-ranging debates on several occasions through public research into topics that are relevant to daily politics. First and foremost, they succeeded in using digital methods to uncover misinformation and the motives behind it. The interplay of technology, art, and mass media plays a central role… 2022W/2023S, artistic Seminar, 1.0 ECTS
Robert Mathy
The seminar imparts a profound overview of technical and creative possibilities of audiovisual work with video and sound. Main topics are video formats, compressors, editing (Premiere, Davinci Resolve), compositing (After Effects) and sound processing. The theoretical principles will be applied in practical realisation of individual artistic concepts. 2022W/2023S, Vorlesung und Übungen, 2.0 ECTS
Birgit Hertel
MODUL 3: AFTER EFFECTS (and others) Creative Effects for Graphic Design, Illustration and Photography MODUL 4: 2D TO MOTION - CAMERA TRACKING IN AE & 3D MOTION FROM 2D FILES Inhalt Modul 3: After Effects bietet eine Unzahl an Möglichkeiten Bilder zu bearbeiten, die auch für nicht bewegte Inhalte genutzt werden können. In Modul 3 beschäftigen wir uns daher mit… 2022W, Vorlesung und Übungen, 1.0 ECTS
Sebastian Lang
The Orientation Tutorial is an introduction to the University´s infrastructure. Together we will tour ‘Die Angewandte’ - specifically artistic workshops. All participating workshops & studios will introduce their workplace infrastructure and available possibilities for courses and projects. We will learn about the variety of expertise and support the different workshops offered to the students at Angewandte. The course will also… 2022W, Übungen, 1.0 ECTS
Joelle Gbeassor
The Orientation Tutorial is an introduction to the University´s infrastructure. Together we will tour ‘Die Angewandte’ - specifically artistic workshops. All participating workshops & studios will introduce their workplace infrastructure and available possibilities for courses and projects. We will learn about the variety of expertise and support the different workshops offered to the students at Angewandte. The course will also… 2022W, Übungen, 1.0 ECTS
Katja Brunner
Wir werden Eure Mastertexte miteinander gegenseitig begleiten: Kritisch-konstruktive Leserunde, wir nehmen uns vielgestaltigen Fragen an: Wie kann ich das dramaturgisch hinbiegen? Was wären allfällige Referenzwerke aus allen möglichen Sparten? Wohin könnte sich das alles entwickeln? Wo ist die Sprache zu unkritisch? Wo ist sie satt und richtig? Wie liest sich der Text GEMEINSAM LAUT? Wo lauern Chancen, wo Fallen? 2023S, artistic Seminar, 6.0 ECTS
Michael Huber
- Continuation from winter semester 2022/2023- Basic knowledge of image taking and imaging techniques- Weekly practice units (production/post-production) consolidate the knowledge base- Incremental scripts as support for theory and practice units Analysis procedures- Theoretical texts in script form as support- Presentation of various metadata procedures- Quantitative analyses with modern methods- Automatic cut detection- Development of shot analysis tools- Analysis of… 2023S, Vorlesung und Übungen, 2.0 ECTS
Peter Knobloch
The objective of the lecture is to impart & develop fundamental principles, practices and approaches for computer controlled manufacturing methods. Digital Fabrication History, literature, references Classification of manufacturing methods according to DIN 8580 Additive and subtractive manufacturing Milling, punching, nibbling Laser cutting & engraving Functional principle Suitable materials Testing the suitability of unknown materials Typical properties and applications Data format:… 2023S, Vorlesung und Übungen, 2.0 ECTS
Jörg Hofstätter
Designing a dating platform for intellectually challenged peoplePeople with intellectual disabilities often find meeting and dating new people hard. In addition to logistical challenges, e.g. a lack of mobility, they often get mobbed on platforms like Tinder. During the HCI course, students design a user experience seeking a fresh and playful approach to designing a dating app for intellectually challenged… 2023S, Vorlesung und Übungen, 3.0 ECTS
Fabian Fischer
Information Technology Projects This course builds on the winter semester courses and is dedicated to developing an information technology project over the semester. This means that students have to develop, either in groups or individually, projects that caters to their interests and extends their understanding and skills of information technology. What shape these projects can have will be agreed upon… 2023S, Projektarbeit, 5.0 ECTS
Claudia Reifberger
To create contemporary fashion "Mode – Tools“ deals with fundamental terms and techniques of the design process. Focus of this lecture is inspiration, finding ideas, innovation and composition as well as the whole creative process. Based on various tasks students learn to develop and realize their ideas individually as well as in different roles. Mode Tools teaches competences and tools… 2023S, Vorlesung und Übungen, 2.0 ECTS
Christophe Charon
WORKSHOP : EDITING THE UN-EDITABLE WORKING TITLE: IMAGE RESEARCH AS AN ALTERNATIVE CONTEMPORARY PHOTOGRAPHIC POSITION “Editing is the process of selecting and preparing written, photographic, visual, audible, or cinematicmaterial used by a person or an entity to convey a message or information. The editing process caninvolve correction, condensation, organisation, and many other modifications performed with anintention of producing a correct,… 2023S, Vorlesung und Übungen, 2.0 ECTS
Michael Huber
- Knowledge of the analog moving image story leads to a new approach in the rapidly growing digital practice.- Manageable practice units (production and post-production) consolidate the knowledge base. - Incremental scripts as support for theory and practice units History of technology of imaging and recording processes- Prokudin-Gorski, - Early forms of imaging media- Space acquisition as a challenge Analysis… 2022W, Vorlesung und Übungen, 2.0 ECTS
Claudia Reifberger
To create contemporary fashion "Mode – Tools“ deals with fundamental terms and techniques of the design process. Focus of this lecture is inspiration, finding ideas, innovation and composition as well as the whole creative process. Based on various tasks students learn to develop and realize their ideas individually as well as in different roles. Mode Tools teaches competences and tools… 2022W, Vorlesung und Übungen, 2.0 ECTS
Gabriele Jutz
Dem dynamischen und expandierenden Feld der „moving image-based art“ wird durch das Seminar „Art and the Moving Image“ Rechnung getragen. Es wird in Form von vier Zyklen (ein Zyklus pro Semester) abgehalten, die anhand konkreter Beispiele einen Überblick über die Geschichte und Theorie des Bewegtbildes im Kunstkontext geben. Dazu zählen der Experimentalfilm und die überlappende Kategorie des so genannten „artists’… 2022W, scientific seminar, 4.0 ECTS
Wolfgang Neipl
Artistic techniques from film practice The camera takes the pictures, sure !But film photography is different from still photography.What creative parameters do I have at my disposal to portray people and objects ?Understand and apply: Composition, perspective, camera angle, framing, eye-line, ect.Rules can be deliberately broken if I know them. And how do I record good film sound ? Directly… 2022W/2023S, artistic Seminar, 2.0 ECTS
Clemens Apprich
“Whatever the levels of abstraction associated with machine learning, the code is hardly ever hermetically opaque. As statements, everything lies on the surface” (Adrien Mackenzie). Everyone talks about Machine Learning, but what exactly does it mean? As a subfield of artificial intelligence, the question of whether or not machines are able to learn from experience goes back to the early… 2023S, scientific seminar, 4.0 ECTS
Mauricio Ianes de Moraes
Materiality, synesthesia, aesthetics and affects. In the seminar Die Architektur des Lichts II we will focus the production and discussion of artworks by the students, continuing the conceptual approach developed in the previous semester (Die Architektur des Lichts I). Having these artworks as a starting point, we will reflect on our perception of them and their relation to the material… 2023S, artistic Seminar, 2.0 ECTS
Paul Iby
Between new diversity and invasive species. Creatively based mediation visions from the world of neophytes. https://padlet.com/pauliby/8s2qx4cgx4gj07r9 RESEARCH QUESTION: How can we mediate the history of invasive species (neophytes) of our latitudes within the framework of technology & design and initiate related participatory-driven design processes? BACKGROUND: Follows. The starting point for this course is the participating students' own design activity. This… 2022W/2023S, scientific seminar, 4.0 ECTS
Jeanette Pacher
Art Encounters – Places and Faces What makes up the character of a city, what gives it its face? Architecture, institutions, infrastructure, topographical and geopolitical location. But also the people who live there, who have moved in or are staying temporarily - individuals and communities who shape urban life with their ideas, concerns and actions. The course focuses in particular… 2023S, Vorlesung und Übungen, 3.0 ECTS
Nargess Khodabakhshi
Design and Diversity: The Dilemma of Creativity and Cultural Appropriation The development of postcolonial theories in the 1980s to 1990s impacted theoretical debates in design, arts and cultural studies, criticizing the Eurocentric narratives of the history of culture, arts, and design. As a result, institutionalized initiatives and literacy developed worldwide to open up new perspectives for the theory and terminology… 2022W, Proseminar, 2.0 ECTS
Lydia Haider
BACHMANN PROPOSITUM (cf. Project Blair Witch) FABULA, Rituale et Horror weekly cum prospectu coniuncti iter ad Bachmannhaus in Klagenfurt mense Iunio Essentia, spiritus Ingeborg Bachmann, vocari debet, vocatus, agnitus, intellectus, captus. Per progressionem textus articularis — poematis Bachmanni signati vel overscripti — aditus ad spiritum Bachmannorum inveniatur. Quantum butteratur in fabula scriptoris? Quantum Bachmann est in speculo pristini Bachmanni? Quantum… 2023S, Vorlesung und Übungen, 2.0 ECTS
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