Ferdinand Schmatz

Darstellung des Dissertationsthemas und Erläuterung der wissenschaftlichen Perspektiven und inhaltlichen wie formalen Ausrichtungen. Referate zum jeweiligen Stand der Dissertationen. 2018W/2019S, Seminar

Virgil Widrich

Privatissimum for PhD students. 2018W/2019S, Seminar

Ruth Schnell

2018W/2019S, Seminar

Jan Svenungsson

2018W/2019S, Seminar

Margarete Jahrmann

The aim of the Internal Colloquium is to secure the option for an exchange in which doctoral students provide information on the current stage of their research work. In order to gain more in-depth knowledge about the artistic research projects, each PhD candidate is asked to prepare a RESEARCH UPDATE. The purpose of the presentation is to share the inspiration,… 2018W/2019S, Seminar

Brigitte Kowanz

2018W/2019S, Seminar

Barbara Putz-Plecko

2018W/2019S, Seminar

Peter Weibel

2018W/2019S, Seminar

Paul Petritsch

2018W/2019S, Seminar

Henning Bohl

2018W/2019S, Seminar

Judith Eisler

2018W/2019S, Seminar

Martin Krenn

2018W/2019S, Seminar

Alexander Damianisch

In order to gain more in depth knowledge about all the artistic research projects we like to ask the PhD candidates to prepare a presentation, adequate to their artistic research. Please share with us your inspiration, selected work material, envisioned strategies or tactics and scheduled time frames of your research project. Each presentation will be accompanied by a discussion and… 2018W/2019S, Konversatorium

Alexander Damianisch

The aim of the Public Colloquium is to provide an opportunity for the PhD candidates to present the progress and current development of their research projects. The presentations serve to illustrate the continuous artistic research practice whereby development is made comprehensible through the consideration of reflexive forms of documentation and the possibility to integrate existing elements of the work. The… 2019S, Konversatorium

Margarete Jahrmann

2018W, Seminar

Margarete Jahrmann

How can we consider performative practice and installations as experimental systems in order to generate artistic artefacts as epistemic objects, how can we identify the significance of the artistic research data approach in the arts — from outer space and inner worlds — as "science of science" in artistic research. Such specific questions and a review of the actual status… 2019S, Seminar