This seminar is an exercise in content and form.
Given is as the content of the seminar its institutional form:

Artistic Project Work | Exhibition / Display
2.0 ECTS, 2.0 semester hours

Location of the event

Date of the event, start, end

Repetition (weekly)

Participants

 

 

What is enunciated here?

How?

…

 

What would it mean in collapsing of content and form  to understand “and” between content and form less in binary terms than as a multi-directional "expansion" or as an act?, i.e. to dissolve content and form along "and"as a self-enclosed and/or hierarchical unit?

and from to

What modes of action, expression and production would be derived from this for the social structure  "seminar", e.g. in relation to “exhibit / display”? What problematization of modes of action, expression and production with regard to the terms “artistic project work”, ‘technologies’, “practices”?

Would an “artistic practice” then be meant, "which no longer has a clearly defined object world, but rather variable constellations of diverse materials, objects, texts, sounds, technical devices, seating, etc.? - In other words, a communication process that is designed for (…) “ interdepending production and reception”? *

… an "arrangemet of collective enunciation"? …

… a combination of heterogeneous materials and media as a form of relationship between institutional rules and contingent processes … (the aesthetic and the political or the symbolic and the real) …

?

Vielleicht machen wir ja ein Zine, eine Zine-presentation. Oder irgendwas. Maybe we'll make a zine , a zine-presentation. Or something.

 

As part of the seminar, a workshop with the curator Gloria Hasnay and the artist Katrin Mayer will take place on April 8 and 9.

Workshop
Key Operators. Weaving and coding as a languages of feminist historiography
Gloria Hasnay, Katrin Mayer

07.04., 08. 04. 2025
14:15 to 18:45

 

SR 9, SR10
OKP OG1

Based on lecture scenarios and materials for the exhibition Key Operators. Weaving and Coding as a Means of Feminist Historiography, curator Gloria Hasnay and artist Katrin Mayer are developing a situational, temporal-spatial experimental arrangement together with students: How do different moments of institutional settings, both the exhibition/publication and the workshop/lecture itself, play into the articulation of this developing arrangement?
How does the (conceptual) object "exhibition", its multi-layered, temporally, spatially and medially heterogeneous structure change, how does it rearrange itself when it is translated from one institutional setting (exhibition space, publication space) into another (seminar space)?
How do scenarios of lecture and (supplementary) materials for the exhibition, "content and form" of the exhibition (re)articulate themselves in the course of the workshop as expressions of a group or group compositions?

 

 

 

 

 

 

*Sabeth Buchmann, Alles in einem Bild. Montage und Synästhesie in (post)konzeptuellen Werkformen", in: Robin Curtis, Gertrud Koch, Marc Siegel (Hrsg.), Synchronisierung der Künste, München 2013, S.145ff.; referring to Helmut Draxler, Die Gewalt des Zusammenhangs/Coercing Constellations. Raum, Referenz und Repräsentation bei Fareed Armaly, Berlin 2007.