Knowledge of analog moving image history leads to new applications in digital practice.

- Clear practical units (production and post-production) consolidate the knowledge base
- Incremental scripts as support for theory and practice units

Technological history of imaging and imaging processes
- Prokudin-Gorski's prism photography
- Early forms of imaging media
- Early forms of spatial capture

Methods of analysis
- Metadata methods
- Shot analysis tools
- Quantitative analysis methods
- Automatic cut detection
- AI and analysis

The optical unconscious
- Slowmotion / HiSpeed
- TimeRamps / Dynamic Time Remapping
- TimeLapse / HyperLapse

Space - Time - Image
- Cut-Special
- JumpCut / Continuity
- MatchCut
- PanScan from 8k moving material
- SlitScan
- TimeSlicing
- Development of post-refocus systems
- 360 systems
- Light field camera
- Room detection (kinect etc.)
- AI: The latest developments (NeRF etc.)

Multimodal sensor technology
- IR
- FLIR
- UV
- Microscopy
- The “Visual Microphone
- Non-invasive body temperature measurement
- Non-invasive pulse measurement
- Visualization of Heat Haze
- Schlieren camera
- Brain Waves
- Polygraph

Development of cinematic codes
- 100 years of cinematic narration
- Montage / Continuity
- Background knowledge, current reference

Drone flight
- Theory: from the gyroscope to political activism
- Hands-on take-off/landing practice unit, functions
- Indoor/outdoor experience with an FPV pilot

Transitions
- Astrophotography
- Capture

- Motivated, preferably permanent presence

- Documentation of progress on the basis of selected work samples

- Participation limited to a maximum of 8 permanent students (due to the devices)